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UrbanObserver
Tuesday 1st July 2025
Oxford's oldest independent student newspaper, est. 1920
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Culture
Reviving the symposium at the Ashmolean Krasis programme
Dara Mohd, herself a Krasis Scholar, converses with Dr Jim Harris about his object-centred symposium program, Krasis, at the Ashmolean Museum.
Art
Dara Mohd
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‘This Room Their Lives’ in Magdalen College’s Waynflete building
Every Magdalen member remembers their first encounter with the Waynflete Building. Sticking out a...
Art
Josie Stern
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In More, Pulp aren’t just trading on nostalgia – they’re fresh
In a year where many are talking about one Britpop band in particular –...
Music
Tom Cockburn
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Perhaps, Oxford
We met at a Latin meeting hosted by the Oxford Ancient Languages Society at...
The Source
Ngoc Diep
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Downsizing review – ‘leaving the audience more bored than scintillated’
Alexander Payne's latest film loses its way between its big ideas and its tiny characters
The trouble with sex in fiction
Fiction presenting sex as pornography is dishonest and ridiculous
Our paradise is lost
Modern re-tellings of man’s original sin focus on its devastating environmental effects
The Brew that changed the direction of jazz
A look at how Miles Davis seismically shifted his genre
A long way home
Living 10,000 miles away can be both a blessing and a curse
Julius Caesar review – ‘two hours of pounding drama’
Nicholas Hytner's adaptation is makes you rethink the iconic tragedy
The 39 Steps review – ‘It is rare to see an Oxford play take itself as seriously as this 39 Steps – that is,...
Charles Britton is left with a smile on his face after an uncommonly fun night out in Oxford
The 39 Steps preview – ‘guaranteed to be a comedic spectacle of no small intensity’
Alice Taylor previews Antonia Hansen's interpretation of a Hitchcock comedy
Sweet Charity review – ‘Oh Mama, welcome to the 60s!’
Ela Portnoy applauds the strongest dance cast she's seen on an Oxford stage
Beautiful Thing review – ‘Ruckus Productions has certainly made some noise’
Franklin Nelson is impressed by this rendition of a thoughtful, timeless coming-of-age drama
When movie marketing becomes maddening
A misleading trailer can be a frustrating one, but they may be more useful than you'd think
Beautiful Things preview – ‘brilliantly captures a microcosm of London life’
A show about sex, youth and life in the city
Impressionists Tate review – ‘impressive and surprising’
Jonathan Egid is underwhelmed by parts of this exhibition, but impressed by its final three rooms.
Pakistan’s cultural reinvention is spear-headed by its youth
Pakistan’s identity and future is debated in culture both at home and abroad
So bad it’s good: appreciating the joys of cinematic mediocrity
Our absurd obsession with terrible movies
Young Marx review – ‘Fiercely comical, ingeniously designed’
Harry Hatwell reviews the triumphant 'Young Marx', the first production at London’s new Bridge Theatre
Revolt. She Said. Revolt Again Review – ‘a perfect balance between unsettling humour and sincere urgency’
Alice is impressed by this urgent feminist showcase, although it sometimes feels constrained
John review – ‘remarkably and unashamedly real’
Harry Langham praises an American transfer that proves spooky, funny and earnestly human
Hanna Review – ‘strikingly honest’
Meg Harris is touched by a mother's monologue at the North Wall Centre
Beginning review – ‘comfortable, emotionally-streamlined and ideologically safe’
John Livesey is left cold by a conservative if accomplished transfer
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