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UrbanObserver
Thursday 5th June 2025
Oxford's oldest independent student newspaper, est. 1920
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Culture
Review: The Great Gatsby – ‘Indulge the Extravaganza’
Sophia Eiden’s production of Simon Levy’s script of The Great Gatsby is an undoubted triumph. I was, if only for a moment, transported back to the Roaring Twenties; to...
Theatre
Peter Chen
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Barry Lyndon – Kubrick’s ultimate antifilm?
Barry Lyndon has always been dismissed within Kubrick’s filmography. While he is a filmmaker...
Film
Ruby Tipple
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Cinema’s hidden gems: Daisies (1966)
Whilst mainstream cinema more often favours the safe and the familiar, some of the...
Film
Abigail Styche
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Review: Troilus and Cressida – ‘A missed opportunity to appeal to the brain rot generation’
Having heard on the grapevine (and even receiving word from the producer himself) about...
Theatre
Georgina Cooper
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The Crocodile review – ‘a carefully considered yet hilariously nuts production’
Cesca Echlin is left in fits after a performance of Dostoyevsky's short story
García Marquez makes magical realism realistic
Barney Pite unpacks the "tragic, brutal and cruel" world of Márquez's News of a Kidnapping
Gyaldem Sugar Review – ‘the night shined but failed to sparkle’
The much anticipated ACS Gyaldem Sugar night fails to land due to a frustrating pace and lack of women artists
Walk Like Natives review – ‘A flash-mob blending into the crowd’
A secret piece of theatre, taking place in central London, is a pure celebration of joy.
Remembering Wallace: Biography and Memory
'The End of the Tour' is a powerful biopic, but by all accounts it gets David Foster Wallace wrong. Does that matter?
The Flick review – ‘a little theatrical masterpiece’
Flick is an exceptional production that brings a thin script to vivid life
Commercialism kills artistic legacy
Jumping on the mourning bandwagon serves the market rather than the dead icon’s memory
Labyrinth preview – ‘an impressive blend of exciting text and creative movement’
Tom Mackie finds himself anything but lost in this psychomaniacal retelling of the Theseus and Ariadne myth
The Flick preview – ‘there’s even going to be popcorn’
Bertie Harrison-Broninski is impressed by this witty and elegiac homage to the silver screen
Lady Bird paints a perfect picture of female adolescence
Exploring Greta Gerwig’s stunning directorial debut
Not About Heroes review – ‘It is rare to find a student production of such maturity’
Chloe Taylor is impressed and moved by this poignant study of war and poetry
Predicting the most unpredictable Oscars ceremony in years
The 90th Academy Awards features an incredible list of nominees, which makes it nearly impossible to argue what should or will win...
Judge representative films on merit not just diversity
The films of women and POC must be judged meritocratically and not just for their representation
Jubilee review – ‘Funny, self-referential, and visually exciting’
Bertie Harrison-Broninski finds this adaptation of Derek Jarman's original film is a show one that he might be proud of
Ishtar preview -‘Nothing if not entrancing’
An excellently engaging gloss of an intriguing archaic myth
Crocodile preview – ‘This is going to be properly funny’
Nitrous Cow look set to provide a rip-roaring comedy follow-up to their sold out debut 'Lovesong' last term
Protest as performance – Suffragettes take the limelight
Breaking the Fifth Wall festival kickstarts with an illuminating talk
I, Tonya sorely misjudges portraying a serious subject
The Oscar-nominated black comedy pokes fun at a subject which is no laughing matter
How Oxford culture is dominated by the most privileged
The issue is not a simple matter of discrimination but long term deficiencies in cultural upbringing in less privileged students
Phantom Thread is Paul Thomas Anderson’s finest film yet
Daniel Day-Lewis' cinematic swan song as a 1950's fashion designer is simply stunning
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