Film

Cillian Murphy does it again

Since his generation-defining performance in Oppenheimer (2023) two years ago, Cillian Murphy has shown little interest in playing it safe. Having collaborated already on the understated, unflinchingly raw historical...

Culture Toby Bowes Lyon -

Spike Lee’s lackluster remake: Highest 2 Lowest

There is no reason why a remake should remain inferior to its source material;...

Culture Matthew Mair -

The Librarians (2025) at the Bodleian: reviewed

Kim A. Snyder’s The Librarians (2025) draws the audience into a pernicious web of...

Culture Abigail Lakeland -

Hoa hoa hoa season: An analysis of the small town aesthetic

“In the state of Washington, under a near constant cover of cloud and rain,...

Culture Eve Richardson -

Latest

Film Firsts: Nothing gets lost in translation with my first foreign film

Beyond even the sprawling shots of the Indian landscapes, Hirani’s film achieves the quality of epic.

When and why did Netflix movies get so good?

Prestige talent is coming to Netflix in moves that may revolutionise cinema as we know it

Dare to be different, or the Devil we know?

Everyone should be watching Daredevil

Fantastic Bore And Where To Fail Your Fans

The latest 'Fantastic Beasts' will leave you disappointed

‘Riverdale’, get off your hype horse

Jennifer Donnellan roots out the many flaws of the comic turned teen drama

‘Widows’ is a celebration of female grit and resolve

Viola Davis leads a group of kick-ass women in a heist film with a lot on its mind

The appeal of method acting

Many actors go to great lengths in pursuit of an authentic performance

Merlin: The magic of kindness

Exploring the continuing relevance of BBC's Merlin

Overlord combines fun, gore, and flaws galore

An entertaining yet terrifying film that will keep you on the edge of your seat

‘I just try to see the world clearly’: An Interview with Louis Theroux

Louis Theroux speaks to Abby Ridsdill-Smith about politics, popularity, and participating in a sensual eating party

Loveable rogues: why we love a good villain

The old proverb that a hero is only as great as their villain is a valid concept. In order to understand a villain, we...

Bohemian Rhapsody is a poor tribute act to one of music’s greatest talents

Queen Won't Rock You in this half-arsed biopic

Enchanted by the power of on-screen magic

Serena Arthur explores how our perceptions of magic transform throughout life

‘Halloween’ is a bloody good entry in the series

40 years after the original film changed the slasher genre forever, Jamie Lee Curtis and Michael Myers face off once more...

It’s one small step for Damien Chazelle: ‘First Man’ review

The director of 'Whiplash' and 'La La Land' bring his best to this much-anticipated Neil Armstrong biopic

22 July: Netflix dramatises Norway’s darkest day

With 22 July, Paul Greengrass has answered the question of how to convert tragedy into film. In handling the harrowing 2011 Norway attacks that...

‘A Star Is Born’ as Bradley Cooper makes an impressive directorial debut

"It's the same story told over and over; all an artist can do is say how they see it"

Bringing Doctor Who out of the past

Regeneration, one of Doctor Who’s most iconic plot ideas, bakes the theme of rebirth in the show’s very DNA, yet it is important to...

Krypton: Reinventing the Superhero genre

By virtue of being a prequel, Krypton already had critics poised to question whether we really needed a TV show exploring Superman’s homeworld. Surely...

The Bodyguard: Recovering from the TV event of the year

It’s not hard to figure out why the nation has been so gripped by The Bodyguard this September. The show is a political thriller...

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Film

Cillian Murphy does it again

Spike Lee’s lackluster remake: Highest 2 Lowest

The Librarians (2025) at the Bodleian: reviewed

Hoa hoa hoa season: An analysis of the small town aesthetic

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