The difference between Killing Eve and Bodyguard? One has female characters who actually resemble women
Why we are wrong to hype Bodyguard over Killing Eve
Susannah Goldsbrough reviews two Oxford productions at the Edinburgh Fringe that venture into the world of science fiction: 'Doom's Day' (the OUDS National Tour) and 'Lights Over Tesco Car Park.'
Horseplay Productions' politically-charged sketch comedy hits comedic targets despite an ambiguous through-line.
Contradictory laws are no basis for bans which defy precedent and common sense
As they prepare to drop their fourth album, indie-rock sensation The Vaccines tell Susannah Goldsbrough what it's like to be old fashioned rockers in a post-punk world.
Black people and women achieved a lower percentage of firsts than their white, male counterparts.
21st century reimaginings of classic fairytales do not address the dark politics that underpin them. Susannah Goldsbrough explores.
Awkward encounters are inevitable, but advances must be reasonable, writes Susannah Goldsbrough.
The production is imaginative but the choice of play is inappropriate and bizarre, writes Susannah Goldsbrough
Prof Bo Rothstein says he has been banned from the school and contacting students after resigning in protest at its donor's support of Trump
Susannah Goldsbrough enjoys the latest Rowling screen adaptation of Strike: The Cuckoo's Calling
An academic has resigned his post at the Blavatnik School of Government because the donor's endorsement of Trump is antithetical to his political beliefs