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First Night Review: Fewer Emergencies

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 by Luke Bullock  

I have to admit that I went to see Martin Crimp’s Fewer Emergencies with a degree of trepidation.  Like many theatregoers these days I couldn’t resist the temptation to gen up on the various Google snippets about the play beforehand.  Despite my preconception that Crimp’s piece would be overly arty and poetic, I found myself fascinated by the intriguing sight that greets the audience as soon as they enter the auditorium: a woman swinging on a swing, gazing into the middle distance.  These thought-provoking moments continue throughout the piece, engrossing the audience at every step.

The play is composed of three parts, which at first glance seem completely autonomous.  Immediately upon the first interjection by someone, apparently an audience member, you get a sense of a story being created in front of your eyes.  The style is almost that of a script conference – the characters jostle for the right to progress the narrative or add intimate details.  The performance therefore seems organic and fluid, with characters picking up and completing each other’s lines.

This fluidity is helped by the sheer pace that the actors bring to it, giving a lasting impression of creative intensity.  The characters antagonise each other, but are ultimately highly imaginative and constructive in their exploration of the human psyche.  The play is concerned with improvement and identity.  It becomes increasingly obvious that the three sections are in fact inter-linked, and delve into aspects of one man’s life as he becomes ever more tortured and psychotic.

The sense of contortion in the piece is certainly a focus.  Characters become increasingly neurotic and almost euphoric as the psychosis builds.  Crimp attempts to highlight a society fascinated with violence and hurt.  The tension reaches its explosive crescendo with the dark sexual creations of the characters, which contrast with the simple undertone of a boy searching for love.  It is this search that forms the continuing theme of the piece – the questioning of the mother’s love in the first scene, a killer’s fascination with children holding hands, Bobby’s desperation for people to love him.  The play is therefore haunting as well as graphic.  The image at the end of Bobby climbing a spiral staircase in pursuit of an elusive swinging key – a key that will open a door that will make people love him – is desperate, and certainly leaves you thinking about this tortured soul.  Fewer Emergencies is a fast paced, intense evening analysing the creative process, identity and love.

 

Fewer Emergencies is running in the late slot (9:30) at the Burton Taylor, Tuesday 16th-Saturday 20th October. 

Oxford Academic lands Australian University Top Position

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A leading Oxford academic is to take on the position of vice Chancellor at Sydney University next year. Michael Spence, an expert in intellectual property law and current head of the Social Sciences Division at the University of Oxford, will succeed to the post in July next year. Spence is a graduate of the University of Sydney himself, gaining first class honours in English, Italian and Law. He obtained his D Phil from Oxford and his career at the university has seen him take a special interest in encouraging fundraising and sponsorship. "Sydney is a world-class institution with an exciting future," Dr Spence said."At the heart of the university's mission is a commitment to excellence in research and research-led teaching. It is a privilege to take on this new role."

Cherwell24 Comment: Tom Lowe

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When I applied to Oxford I didn’t really understand how the collegiate system worked.

 

To the naïve Irish kid, the only difference between Hertford and Balliol was the size of the college. In a way, the college seemed to be the residential holding area, while the university existed everywhere else. Since I’ve been at Oxford, I’m amazed at how untrue my initial conceptions were.
Oxford is a collegiate university, and is pretty unique in how it is structured (Durham and the other place excluded). The college is the hub of everything you do during your degree. You live there, you eat there, you’re (often) taught there, you socialise there, and you play sports there. The college becomes a second-home. Of course, not all colleges are perfect, and some make better homes than others. But, as a rule of thumb, you become immersed into the college, and leave here with an attachment to the college, not the university. When phoning old members from Hertford over the summer for the college annual appeal, I discovered that affections for a college can continue for decades.

The existence of the collegiate system makes a difference when it comes to how our student union is structured as well. OUSU has come in for a lot of flak in recent years, some of it undeserved. People accuse it of being detached and out-of-touch with the concerns of normal students, or suggest that the sabbatical officers are merely seeking to kick-start their political careers. My own experience of OUSU is that those involved are well-intentioned, and generally competent. OUSU’s problem is that of over-reach.JCRs and MCRs are the life and soul of student unionism in Oxford. At the centre of every college beats the regular heart of common room meetings, elections, and referenda. Common rooms deal with the issues that matter most to our students. If someone thinks we should offer more money to students facing hardship, the common room can bring this about in their own college. If another college common room wants to spend all their money on their sports teams, they can bring this about in their own college. The diversity of the colleges and their JCRs and MCRs comes about because students can directly affect the direction taken by their representatives. The procedure is simple and not particularly bureaucratic.
OUSU should recognise the primacy of common rooms more. An Oxford student union should promote issues that student representatives do not have time to deal with, such as student rent, top-up fees, or the College Contribution Scheme. A JCR representative should be able to approach OUSU and get information at the drop of a hat. OUSU should be a collator of the swathes of facts out there. In a sense, OUSU should try to be less of a political campaigning vehicle and more of a service provider. This would mean that OUSU should not adopt clearly political positions without the approval of the majority of common rooms. For instance, this term OUSU is leading a campaign to stop the Oxford Union inviting known racists to speak on free speech. This decision was taken in Council before consultation with common rooms was possible. Do we know what the students of Oxford actually think about this issue? How could they have their say? It is wrong for OUSU to be involved in this campaign against free speech without direct approval from the common rooms and their members.OUSU should take a couple of steps back. I believe that the normal student wants OUSU to provide us with good leadership on university-wide issues. OUSU should organise good club nights. OUSU should give assistance to student societies. OUSU should provide us with good deals on bulk purchases (i.e. condoms). This would mean OUSU leaving the politics to the political societies and concentrating on helping common rooms. This change is happening but needs to happen faster. From my experience of speaking to Hertford’s old members, once most students leave Oxford they remember what their JCR did for them, while OUSU is a distant non-entity. That must say something about which body has the most impact on student life. I live in hope of seeing OUSU become the servant of the common rooms, and the facilitator of good common room stewardship. After all, it is common rooms which actual matter to students and who keep OUSU in business.

 

Tom Lowe is JCR President of Hertford College.

Architect opposes boatyard redevelopment

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Local residents campaigning against the redevelopment of a historic boatyard in Jericho were joined today by a senior architect condemning the plans.

A former president of the Royal Institute of British Architects, George Ferguson, has called plans to build 54 flats on Oxford’s Castle Mill Boatyard as ‘uninspiring’ and ‘dull’. His letter of complaint to Oxford City Council is one of more than 600 from local residents opposing the scheme, who object to the ill-considered character of the plans.

The residents state that they are not anti-development, but are calling for the site’s developers Springer Residential to produce a more thoughtful design for the area, which would take into account community facilities and the area’s heritage, neither of which they say the company has considered.

Philip Pullman is among those in opposition to the plans. He spoke earlier this month specifically mentioning them in his complaint that Oxford is becoming a ‘concrete wasteland’.

The plans are currently under consideration by Oxford City Council.

German humour, part 1

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The usually serious weekly broadsheet Die Zeit has allowed a bit of rare 'humour' to fill its politics pages this week. German speakers might like to check out their satirical A to Z of politics in the latest issue.Here's one definition:

Welfare state reform: Synonym for: There's no money left, so we'll either scrap services or make them more expensive

Funny indeed. A nice try I guess.Cherwell 24 is not responsible for the content of external sites

Haydn, Mozart, Bach with London Mozart Players and Robin Blaze, October 12 2007

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Sitting in The University Church of St. Mary the Virgin, fragments of chamber music could be heard as the London Mozart Players began to warm up for the first concert in their 2007/2008 Oxford series. As the start of the concert approached, and the church filled, more instruments joined the warm up until music could be heard throughout the church and the audience took to their pews.Scott Ellaway, formerly organ scholar at Keble, returned to Oxford on Friday 12th October as both the conductor and the performer (directing Bach’s third Brandenburg Concerto and Widerstehe doch der Sün’ from the harpsichord). ‘The opportunity to perform music with other people is an amazing experience:  I have wanted to be a conductor since the age of eleven’, he told me afterwards.
The concert opened with Haydn’s symphony number 83, La Poule, so called because of the ‘clucking’ of the instruments in the first movement. The work was commissioned for a larger orchestra, however the energy and enthusiasm with which it was performed here made up for any lack of numbers in the ensemble.  This vigour was carried into Bach’s third Brandenburg concerto, which left the audience breathless by the interval.The highlight of the evening, however, was the performance of counter-tenor Robin Blaze.
Having read Music at Magdalen, Blaze then studied at the Royal Academy of Music, where he is now a professor of vocal studies.  He grew up playing both the flute and piano as well as singing: his flute teacher, who later taught at the Royal Academy of Music, jokingly told him that he ‘was very glad he became a singer, rather than a flautist’!  Blaze’s tone was beautiful, and his performance of Bach’s cantata ‘Widerstehe doch der Sünde’ was very engaging, despite perhaps the voice being slightly overpowered by the orchestra in the final aria.
The concert ended, rather fittingly, with Mozart’s Symphony number 40. This passionate finale acted as a good advertisement for the next LMP concert in Oxford, at 8p.m. on Saturday 26th January 2008 at the same venue (student tickets £20, £15 and £10, available from Tickets Oxford 01865 305305 or on the door).
By Robin Thompson

17-Year-Old "Seriously Ill" after Bloody Fight on High Street

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Police voiced concerns about youth-culture in Oxford over the weekend, following a serious incident on High Street.A 17 Year-Old was put into a coma on Sunday after a fight broke out on High Street in the early hours of the morning.The incident, which occured around 2:30am when a drunken tit-for-tat conflict got out of hand, left Declan Dew fighting for his life. He was rushed to Christchurch Hospital where he was listed as "seriously ill".The attacker, Hamish James McQuillan, is charged with wounding Dew with intent to cause grievous bodily harm. McQuillan did not plead to the charge and was remanded on bail.Dew regained consciousness yesterday, but the extent of his injuries will not be known unil the swelling on his brain has subsided. Detective Sergeant Rex Barnett said "It is not acceptable and if parents are not prepared to set standards, then there is little wonder why teenagers are overstepping the boundaries themselves.He warned: "This boy was close to dying. Someone will die and no-one will want that on their conscience."

Rehab centre, homeless shelter or childrens’ home: Oliver Brock in Nicaragua

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A fountain trickles in the front courtyard, and the sun is shining in Nicaragua's capital, Managua.

Members of staff punch their attendance cards as they walk past the guards' booth: the day is beginning. In the culture and sports office (a cupboard stuffed with footballs, guitars, and brightly coloured dresses) fourteen year-old Manuel Flores is giving me a blow-by-blow account of a dream he had last night. "So then I'm running away, right, and I hear she's shouting my name, and I see she's been stabbed – and then there are the gunshots, right?" I gingerly ask who 'she' is. "Katerin Orozco man, who else! You're not listening, teach," he exclaims exasperatedly, before laughing and carrying on. Was the dream a subconscious reflection of the gruelling experience of living in an residential rehab centre? I needed to think more literally. It's a night-time reliving of the perfectly real gunfight in which Manuel got hit by four bullets.

Rehab centre, homeless shelter, childrens' home: call it what you will, Casa Alianza can certainly look like fun on a first visit. Nicaraguan youngsters – from the meekest of twelve-year-olds to burly young adults in jeans, vests and chains – roam around mopping floors, playing basketball, and chatting in small groups. A shout goes up, and the door of the art room bursts open. Out floods a stream of kids, heading for the noisy elevenses queue.


 New arrivals are easy to spot – they are usually sitting quietly, by themselves, not quite knowing where to turn. If we can imagine what they're going through, it may be something half way between a first day at school, and a first day in prison.

Miguel Moncada has just arrived from neighbouring Honduras. I ask him what he likes about the place, what he would change. He says it seems OK so far, but he loves drawing, and wishes there were art classes. There's a bigger question to address though; a sort of elephant in the room. And it's difficult to phrase without making him sound like a criminal but, well, what was he in for? It can be difficult to answer as well. After a series of shrugs and mumbles, he suddenly becomes more concentrated. "Daemons", he says, vacantly. "They only come at night, and I'm the only one who can see them."

It's easy to forget that for every one of these teenagers, behind the tidy exterior of anti-violence workshops, social education and music classes, there is a long, detailed, and terrible story. Casa Alianza began as a shelter for children living on the street, but now opens its doors to all sorts – as long as the entrant is willing to make a change. So ex-prostitutes, teenage mothers, abuse victims, drug addicts, gang members and the mentally ill, all rub shoulders in this melting pot of scarred youth. But how do you understand suffering on such a scale?

One way of putting a picture to the story is to go out with the 'street' team, who patrol the worst areas of town for kids they might help. In dark hovels between market stalls, lives the underbelly of Managua. One girl shows us a deep machete scar on the back of her neck, given to her by "some men". Another boy has a split down the palm of his hand, clubbed by a “volunteer policeman” – a flattering name for the thugs who force market sellers to pay them a fee for "protecting" their stalls. And almost all the kids – much as they might tell you they don't – will take any opportunity to inhale deeply from a pot of intoxicating, poisonous glue, available to anyone for a few pennies. The children, widely misperceived to be living on the street through some fault of their own, are almost invariably there through rejection, mistreatment and misunderstanding.

Raul de los Angeles, 14, was scorned by his mother from the start, on the absurd grounds that his skin was too dark. Tired of the beatings and verbal abuse, he slipped away and made the journey to Managua from his home on the Costa Rican border. On the first visit he made back home, his mother tore up his visiting slip, and decided to be more vigilant. When she caught Raul trying to run away again, after he had begged and sung on buses enough to afford the journey, she burned a mark into his leg with a branding iron. On a third attempt he was successful again, and managed to escape – from his real home to a rehab home.


Gustavo López, 18, says that his father has killed twelve people, some of them in front of Gustavo and his younger brother Luis, whom the father cares little for. Feeling no protection or acceptance from his family, Manuel looked for these in a gang. He checked himself into Casa Alianza the day he threw a rock at his mother's head, and tells his story with the maturity of a middle-aged man. His main worry now is his brother, who admires and glorifies their father's behaviour.

So what can be done to help the dispossessed young of Latin America's poorest country? Caught in a trap of stunted education, family breakdown and substance abuse, not to mention the back-biting daily struggle for a living, it seems they are in an endless cycle. But with years of experience, and homes in four Central American countries, Casa Alianza has designed a comprehensive programme to care for the children. First, crisis treatment: healthcare, shelter, clothing and food. Next – and longest – is rehabilitation: the youngster will attend workshops and classes that teach compassion, respect and non-violence. This will be combined with some vocational preparation. And then, finally, “re-integration”. This may mean returning to parents who have attended workshops themselves; or if they have no parents, or are old enough, renting a room in the city, which they will pay for by working with their newly-learned skill. Many of the youngsters, of course, do not get this far with their programme. Anything from drugs and desperation, to a lost love on the outside, can lure them away before enough progress has been made for them not to fall back into old habits – and back into the cycle.

What makes it all seem worthwhile, though, is their seemingly endless energy and hope against the odds. Each battling with his or her memories, the kids struggle through dance classes, sports days and school, adeptly concealing what lies beneath. Their capacity to carry on getting up every morning, to write poems or collapse with the giggles, is a true inspiration. What they must work out is not how to block their memories out, but how to live with them, and integrate the past into a more hopeful, capable present.

On my last afternoon in the home, I sit down next to Miguel again. Having come from Honduras, he now doesn't have the money to get back home. He is resolved to leave the centre the next day, and wander the streets of Managua, indifferent to what might happen. I give him the standard line, and try and convince him to stay. But, of course, I don't know what he's going through. "What do you lack, really?" he asks. "Up to now, what am I? What am I worth?" The awful insinuation is: nothing. "Sometimes I go for days on end without eating", he adds.


A week later, on the morning of my flight back to England, I stop by the centre for breakfast. Something small, but significant, has changed, or rebuilt itself – there is Miguel, smiling and talking to his neighbour as he ate.

New crackdown on drink and drug-fuelled crime

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Freshers are the targets of a new Oxford City Council campaign to crack down on drink and drug-fuelled bad behaviour in the town. Leaflets have been sent to all freshers declaring the penalties for alcohol fuelled anti-social behaviour and an advertising campaign on buses and local radio has been launched.The campaign is running in conjunction with Operation Bratwurst, which aims to cut drink-fuelled crime in East Oxford. Police officers and community support officers are on hand at night in East Oxford to inform people about responsible drinking and the dangers of excess.Officers will be visiting pubs and late-night venues and giving advice to staff on how to deal with drug misuse on their premises. A drug dog detection team will also be out in East Oxford for two evenings.The radio campaign, which is launched today, will cover a number of aspects associated with people having a safe night out in Oxford including interviews with the police, drug dog company and A&E staff. There will also be interviews with people who have abused drugs and alcohol.

Cherwell Pubcast Week 1: Mark Cartwright and Kieran Hodgson on Oxford Drama

Ben Lafferty and Rob Morgan talk Oxford drama with Mark Cartwright, President of OUDS, and Kieran Hodgson, President of the Oxford Revue.  
Part One: Introduction
Part Two: Mark Cartwright
Part Three: Kieran Hodgson
Check back weekly for new episodes!