Tuesday, May 6, 2025
Blog Page 1861

Shark Tales Episode 3

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Barnaby Fry once again dons his dufflecoat and wades through the staggering masses outside Park End to find those kernels of insight, shining brightly out of the abyss of slurred banalities and questionable sexual moress that characterises a Wednesday night out in Oxford.

 

This week features among other things a selection of impromptu musical numbers, an apology for last week’s condemnation of ‘gay’ cocktails and the return of Oxford’s very own European tetris champion. 

Sweet dreams are made of this…

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(Silk slip – Vintage, Knitted cardigan – Topshop)

 

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(Sweatshirt – River Island, Shorts – Topshop, Socks – Topshop)

 

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(Nightshirt – Marks and Spencer, Socks – Topshop)

 

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(T-shirt – Gap, Socks – Topshop)

 

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(Nightdress – Gap, Dressing Gown – Model’s own)

 

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(Bralet – Model’s own, Lace skirt – River Island)

 

Photography: Rebecca Nye

That 70’s Style…

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Florals: Wear florals boho or festival style in bright bold colours to tap into a big trend.

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(Dress – Primark, Shoes and bangles – Topshop, Necklace – Vintage)

 

Pleats: Don’t worry, not in the schoolgirl sense. Think long flowing skirts and romantic dresses: cinched in waists with pleated details are a must for Spring.

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(Dress – Topshop)

 

Lace: Embrace the romantic style with lace, lace and more lace. From daring, barely there lingerie looks to sweet and pretty dresses, lace is a versatile fabric that is guaranteed to crop up every season.

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(Jeans and bangles – Topshop, Top, shoes and hat – Primark)

 

Wedges: Fashion has fallen for the wedge heel. Forget tottering about on stilettos and instead head for this reliable yet stylish shoe.

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(Top, skirt, shoes and bangles – Topshop)

 

Wide leg and flares: Take a break from those skinny, almost painted-on jeans and go for some universally flattering and sophisticated wide leg trousers or flares for that seventies edge.

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(Top – River Island, Trousers and shoes – Primark)

 

Print: There are no limits to this mini-trend, whether its the more ‘traditional’ animal prints that made their presence known across the catwalk or the more bizarre fruit-inspired orange and banana prints seen at Dolce and Gabbana and Stella McCartney.

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(Jumpsuit – Topshop, Shoes – Primark)

 

Photography: Maryam Ahmed. Model: Tegan McLeod.

DIY Fashion

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Fashion is such a paradox. Your aim in life is to be cool and individual, yet as soon as something hot comes out in Topshop you’ve snapped it up along with ten million others in the exact same plight. The answer? DOY. Our fashion shoot this week shows you how our team managed to customise boring basics into cool, oirginal pieces. Plain pair of black heels? Glam it up old-school style with antique looking brooches – 50p each from Primark. Dull old T-shirt? Tap into thr cut-out trend and take a pair of scissors to it. And strategically placed patches on a cheap looking jumper instantly make it look preppy, vintage and just plain stylish. There’ll be no one out there who looks quite like you…

 

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(Original jumper – Marks and Spencer, Tights – Debenhams, Shoes – Primark, Brooches – Primark, Headband – Topshop, Skirt – Model’s Own)

 

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(Original T-shirt – Primark, Lace camisole – Primark, Necklace – Primark)

 

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DIY Fashion – Laura Butterfield, Emma Milner, Grace Goddard. Photography – Maryam Ahmed. Model – Holly Creevy.

Come Dine With Oxford Episode 2

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Five Oxford students compete to outdo each other with their culinary elan and hospitality. This week it’s Emma’s turn to host; with a theme of ‘sex on legs’ the night is set to be hot, but can she handle the pressure?

Can Emma remember how to cook any of her dishes without?

You can do WHAT with a cheese-grater?

Is romance in the air between Gemma and Alex?

Find out on this week’s episode of 

Come Dine With Oxford

 

Narrator: Andrew McCormack

Producer: Jake Mellet

Asst. Producer: Max Gil

Creative Director: Evie Deavall

Editor: Declan Clowry

Asst. Editor: Sophia Gibber

Review: After the Dance

There is a balcony on stage and a most elegant piano on the side. Everything you need to picture the 1939 wealthy London society. The scene is set in a house owned by thirty-something David Scott-Fowler, a rich historian, and his wife Joan. They have been married for twelve years, building their union on the secure groundings of companionship rather than love. Many characters revolve around this luxurious drawing-room: John who lives as a parasite off David’s money and bar , Peter a young and promising Oxford graduate who is helping David with his project for a book,  and Helen, Peter’s fiancée, a young and square-minded girl.

 

The first scene introduces Peter and John, the latter obviously recovering from one of the many drinking nights in society, and Peter earnestly working on David’s improbable book. Later, Joan (Rachel Dedman) enters the play as a sophisticated socialite, a veil of melancholy colouring her faint smile. Helen and her brother George (Will Todman) join us, and the girl shows all the devastating energy of the manipulative young woman she will soon turn to be.

 

In this alluring society characters drink their way to oblivion, in a earnest attempt to forget the world around them. Peter (Christopher Hayes) and Helen (Bess Roche) seem to be the only two young beings who still live with illusions and simple dreams of happiness, but is it all as it seems?

 

Little by little Terence Rattingan’s drama depicts a society of the time: it is all about painfully suppressing the emotions of oneself. Rachel Dedman’s acting as Joan is of high quality as she subtly shows the emotions of a woman entertaining her guests while carrying the heavy shadow of her repressed feelings. Avoiding facing discomforting feelings is exactly what David Scott-Fowler does: he is the epitome of this society as well as the centre of the whole play, trampling on his friends and family for the sake of getting what he wants, whisking away whatever is in his way, a difficult role to undertake for any young actor and Max Gill makes the best of it.

 

As Joan expresses it, in the elegant tone which is very much obligatory: ‘When you know something is going to happen, it makes it seem further off to joke about’. It is in the fashion of this society to have what she describes as a ‘quiet little divorce’. In this big race towards disaster, the wave of reality will soon come hitting the setting of their lives.

 

The cast of After the Dance plays the terribly glamorous card game very well, but a question remains: is there a winner? As director Joe Stenson finely implies, there is much more in the unspoken silence than in the witty words of the characters. The fast and colourful dance music fades out, all we are left with is the empty set, where everything seems so stylishly dead. Where is the love, we stand naively asking?

 

 

2nd and 3rd March, 7:30 pm, St John’s College Auditorium

Cherworld Week 6

“Well, we’ve sorted that out, now onto world poverty. Tune in next week, when we’ll be, I don’t know, solving global warming? I think we can solve global warming.”

“Week 6 Oxford, Week 7 – the world.”

 

News Editor Beth McKernan and Comment Ed Robin McGhee are back with an incisive vengeance to discuss Cherwell’s revelations that a third of all university bursaries are paid to students who attended private schools.

 

Produced by Evie Deavall and Oliver Moody

Men dominate in Oxford societies

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Men still dominate the top ranks of Oxford societies and JCRs, a Cherwell investigation has found. Just 35% of current society presidents are women, whilst there are only five female JCR presidents from 31 colleges.

Male dominance of senior committees occurs in almost all Oxford societies, with just one third of executive positions currently held by women.

Students have expressed their concern that many Oxford societies remain dominated by men, with this especially being the case for the most senior positions within these societies.

Only eight out of the 26 Oxford Union Presidents between 2000 and 2010 have been women, and female representation is far worse on the lower committees of the Union. 

Martha Mackenzie was elected last term to be the first female president of OUSU since 2006, and described the lack of female JCR presidents as “terrible”. 

“There is a often a cultural barrier which stops women from getting involved with politics,” she said.

OUSU VP for Women, Katharine Terrell, told Cherwell that when women run for office “it seems they are just as likely to be elected as a man running… We can’t just wait and hope that women will eventually reach the top positions – we need to be taking action now.” Terrell added that some female candidates, “feel that they will be judged on their gender or personal life far more than men.”

In an article for Cherwell in Trinity 2010, the then-Union President, Laura Winwood commented, “The misleading perception of the Union as an aggressive, male-dominated political institution… may discourage some from participation.” She also said that it was “vital that you challenge [men] on their own turf.”

An OUSU report published in 2010 said, “An attempt was made a couple of years ago to encourage more women to participate in meetings… it seems to have made very little impact.”

The three main University political societies are also still male-dominated. Oxford University Conservative Association has been embroiled in a number of sexism rows in the past couple of years. Currently, there is only one female member of the 15 person OUCA committee.

OUCA President Henry Evans said, “During my time in Oxford, there have been women holding officerships in OUCA in every term, one of whom became President. Over a third of our membership are women. I do not think this is a result of sexism within OUCA. This is a problem, but it is not just a problem with Oxford student politics, but with politics across the country, including at Westminster.

“It is worth remembering that OUCA had had two female presidents before the Union even allowed women to join as members, one of whom went on to be this country’s first, and so far only, female Prime Minister.”

The Oxford University Labour Club committee is also male heavy, with only 34% of the committee composed of women in the past year. Co-chair Kat Shields told Cherwell, “OULC is a progressive society. However, not even OULC are immune from the persistent problem of the gender gap in Oxford societies.”

Shields said that the gender balance needed to be actively redressed to show that OULC were “serious” about the issue, and to “buck the trend” of male dominance in societies at Oxford.

The low number of female JCR presidents has left many asking why so few women run for this particular position.  Charlotte Meara, Trinity JCR President, said “It is important to encourage women to run for positions on the JCR Committee,” but added that, “these attempts must not become patronising – for example, the suggestion of ‘female only hustings’.”

She continued, “I did not feel deterred from running for President, nor have I encountered any difficulties, as a result of my gender.” Meara suggested that “an inherent lack of confidence in their own abilities” may deter some women from running for executive positions.

Reena Virdee, of Oxford Women in Business, agreed on the importance of perception, “The trend will not change if more and more women decide that a role in a society is ‘not for them’.”

Mackenzie, OUSU’s President-elect, added, “I think women are just as likely to and just as keen to get involved with politics, but can lack the confidence and support to take the plunge, especially when there is such low visibility.

“Often it is just about breaking this cycle: those JCRs that have recently had a female president often go on to re-elect women.  

“In running for election I think as a woman you can be placed under greater scrutiny; often your authority and strength are questioned to a far greater degree. Such a male-dominated environment can be intimidating but when women get involved they often go on to be very successful.”

On some societies’ committees, however, women form the majority. Across the last three terms, 53% of the Law Society committee has been female. Whilst the last two presidents have been male, there have been eight successive female treasurers, and the top four positions were all held by women in Trinity 2010.

Current President Oscar Robinson, said, “As the figures demonstrate, LawSoc is not a male-dominated society. I believe that the opportunity to reach the top positions within the society are open to those willing to put in the time.”

OULC currently runs a Women’s Caucus to try to encourage more women to join and run for elections, with speaker events, socials and other female-oriented events. OUSU, the Oxford Union and OULC joined together to host ‘Women’s Campaign Training’ this week.

Former President of Oxford Women In Politics, Krisztina Csortea, said that these events “go a long way towards encouraging women to get involved.” However, she noted, “Societies with a poor track record of women running for committee positions have to address the root causes of the problem themselves.”

The Union has also established a Women’s Initiative, with public-speaking events put on to help women practice for hustings.

Joanna Farmer, a previous chairman of the Debate Selection Committee, said that the Union is “definitely perceived to be an old boys’ club, but I have rarely experienced that first hand.” She pointed out that the Oxford Women’s Open competition had been established as “an active step to get more women involved.”

Oxford "sixth" for student experience

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The University of Oxford has fallen to sixth place in the 2010 Times Higher Education national “Student Experience” rankings, released last week. 

Oxford has consistently dropped in the rankings, after coming third in 2009 and second in 2008, and this year suffered particularly in categories of living expenses and workload.

Cambridge has also suffered a drop in the rankings, from second in 2009 to fourth in 2010. 

The chart is topped for the fifth year running by Loughborough University. THE also deems Oxford students’ experience inferior to that of our counterparts at Sheffield, East Anglia and Dundee. 

The survey covers twenty-one categories ranging from quality of tuition, interest of staff and structure of course, to social life, community atmosphere and quality of facilities. The rankings are based on responses from 13,000 students at 113 different universities.

The survey is entirely student-based, with even the categories being generated by students.  Oxford’s scores are based on the replies of 224 undergraduates representing various courses, colleges and years.  Respondents are recruited by email invitations from the University and Colleges Admissions Service.

The universities ranked in the top ten have not changed since last year, though their positions within the  ten have shifted.

Despite a disappointing overall ranking, Oxford came first in the categories of “good personal relationship with teaching staff,” with 6.3 out of seven possible points, and “tuition in small groups,” with 6.9 points compared to Cambridge’s 6.8. 

Oxford also scored well in the “high-quality staff/course” category, topping the table along with Cambridge, each with 6.5, and received a high mark of 6.6 for “good library and library opening hours.”

“It is an endorsement of the tutorial system, and testament to the hard work of our teaching staff, that Oxford ranks so highly in areas such as small group teaching, good relationships between staff and students, and the quality of teaching provided,” said a spokesperson for the University.

Oxford’s lowest categories were “good student union” with a score of 4.1, “cheap bar/shop/amenities” with 4.5 and “fair workload” with 4.7 points.

Some students feel this survey does not reflect their experience at Oxford.

“If Oxford has dropped from third to sixth, the adjudicators clearly haven’t been to Camera on a Tuesday night,” said Sebastian Leape, who reads PPE at Keble College.

“I feel like my experience is probably worthy of first or at worst second place.”

Jake Lancaster, however, a first year student of English, finds the social scene lacking.

“No one is satisfied with cheap and sticky club nights that leave you feeling disgusted with yourself,” he complained.

“Nowhere has a vibe that even approaches cool.”

In spite of Oxford’s drop in the Student Experience ranking, THE’s 2010-2011 World University Rankings name Oxford, along with Cambridge, as the best university in Europe and the sixth in the world.

The World University Rankings places more weight on aspects of universities such as the volume and influence of the research produced by the faculty than on quality of student life.

Experts warn against placing too much emphasis on surveys and statistics when choosing a university.

“There will be no statistical significance in the scores of similarly ranked universities,” said Eleanor Simmons, associate director of OpinionPanel, the market research company that conducted the survey.

It is also difficult to generalise about elements such as accommodation and facilities that can vary significantly from college to college.

However, higher tuition fees might cause students to research their choice of universities more thoroughly and give more consideration to surveys like these.

NUS President Aaron Porter told THE, “As tuition fees are once again tripled, students will increase the pressure on their universities to deliver a high standard of academic, social and environmental experience.”

Review: Chekhov’s Baby

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A quiet, cluttered lecture room at Christ Church is about as far away from the Keble O’Reilly Theatre as one can get. But previews are not always the most glamorous of affairs. Into this room clamored a small and jovial troupe, headed by a tall, smiling, and energetic Felix Legge. Within minutes, the actors had set the stage as best they could and Legge was chuckling as he explained the plot and set the scene.

 

Legge – an undergraduate reading Russian – is the writer and director of Chekhov’s Baby who casted himself (‘controversially,’ although he never explains why) in a role. The play follows along similar thematic lines as his previous foray into writing/directing, The Aphorist, by exploring the pitfalls of ambition and blinded egos. Chekhov’s Baby, however, is a much more mature script. It is a comedy in two layers. The play follows the rehearsal process of an amateur production of Chekhov’s Uncle Vanya – a process replete with the physical comedy of horrible actors attempting to perform a nuanced and difficult script. At the same time, the play is a comedy of errors in the forms of ego-battles, misunderstandings, and downright sabotage.

 

The characters are well-written and well-acted. They are diverse and fleshed out: from the egotistical and impervious Neil (Jack Peters), who thinks he is God’s living gift to theatre-kind, to the conspiracy-theorist bad-boy Paul (Chris Wallwork), whose penchant for smoking has him convinced that mosquitoes, and vampires, are addicted to his blood. Legge cast himself metatheatrically as the Director (Mark), and the rest of the cast rounds out the troupe impressively (notably including the daft and baby-totting Nancy, played by Lauren Hyett).

 

The play explores the relationship of self-centered actors, their loves, and their love of themselves. It echoes, as one would expect, themes from Uncle Vanya, specifically the pitfalls of ambition, the misunderstandings of lovers, and over-reaction. Neil’s character, especially, recalls Chekhov’s characters – constantly ‘making his imaginary mountains out of molehills.’

 

The show is a must-see, even without a ‘student-production’ caveat. It runs Tuesday to Saturday of 7th week at 7:30pm in Keble’s O’Reilly Theatre.