Thursday, May 8, 2025
Blog Page 1820

Review: Blue Remembered Hills

0

Originally written for television, Dennis Potter’s drama about the antics of a group of children in the Forest of Dean in 1943 is a play that juxtaposes the joys and exuberance of childhood with its singular cruelties. With the play essentially following the extended playtime of a group of eight year olds there is potential for the production to be incredibly exasperating. Watching two hours of boisterous boys hollering and play fighting is not my idea of a good night at the theatre. Thankfully, this play is far more insightful than that and while at times the cast might overegg the vigour of childhood, the cast do well to present a believable snapshot of a countryside upbringing.

Often compared to Lord of the Flies, the play goes about defying the audience’s preconceptions about the idyllic nature of a rural childhood. More than anything, these children are united by their cruelty and it is easy to see why Caitlin McMillan (director) and Elena Gaddes (producer), the team behind Ribble Productions, had long cherished the hope of putting on this play together. Such is its acuity about even the youngest participants in our society’s potential for brutality. Social problems such as domestic violence and alcoholism also bubble unobtrusively at the back of the play as the children innocently mimic the conversations of their absent parents. One of my only quibbles with the production is that it doesn’t make more of the ways in which social deprivation and the children’s cruelty may be linked, but perhaps this is something that will be borne out by what sounds like an impressive set and costuming.

The cast have to be commended on their mastery of the West Country dialect in which the play is written. I keenly listened out for any slips but these actors did a uniformly good job of conjuring a Gloucestershire accent. Lily Levinson as Audrey is the stand-out performance of the production. In contrast to the television version, she chooses to play the usually whiny and pathetic Audrey with a humorous undertone, very deftly bringing to life the certain lack of self-awareness and vanity that children have to great comic effect. Ziad Samaha as Willie shows a similar plausibility as a mischievous young lad. Well acted and professionally staged, this production looks set to be a fine testament to the bright future of Ribble Productions.

 

3.5 STARS

Oxford’s Best: Muffin

0

Let’s be honest, muffins, in all their glory, aren’t really all that important a topic. They are one of those foods that’s barely a food. Is it a snack? Is it a meal? A cupcake in disguise or part of a nutritious breakfast? We just don’t know. No one wants a muffin top, this we do know, but here it seems to be something of an irrelevancy. 

Let’s be honest, muffins, in all their glory, aren’t really all that important of a topic. They are one of those foods that’s barely a food. Is it a snack? Is it a meal? A cupcake in disguise or part of a nutritious breakfast? We just don’t know. No one wants a muffin top, this we do know, but here it seems to be something of an irrelevancy. 
The particular ambiguity of said pseudo-food lend to what the two “best” categories: best in that the muffin actually tastes good, which as it turns out is rare, and in the sense that it serves its purpose.  Take, for example, the skinny blueberry muffin from Starbucks. It is not so much a pastry as a kitchen sponge with conceivably the same calorific value.  However, the spongy nature of this muffin makes it perfect for sneaking into the library in times of academic crisis: minimal crumbage. So if you are looking for something friendly for the figure and good for those wanna-be bad girl tendencies eat this. 
If you are looking for something that actually tastes like it’s meant to be edible go for the Missing Bean or Bleroni.  I’m a fan of the Missing Bean’s lemon poppy seed muffin; it’s very cakey, dense and quite large. It’s a meal kind of muffin. Their blueberry muffins look fabulous too, especially in their crinkly, yes-we-make-these-from-scratch wrappers.  I have not personally sampled the Bleroni muffins, seeing as they’ve been out each time I tried, but the banana chocolate chip muffin comes highly, highly, recommended. It apparently has “a unique blend of flavors, none overpowering the others. Thinly sliced bananas of goodness.” Given this description I wonder if they don’t have some kind of narcotic qualities. 
To finish up let’s just say Patisserie Valerie, “gross.” And Nero’s muffins tend to come wrapped in plastic.  Not a good sign.  

The particular ambiguity of said pseudo-food results in two distinct “best” categories: best in that the muffin actually tastes good, which as it turns out is rare, and in the sense that it serves a purpose. Take, for example, the skinny blueberry muffin from Starbucks. It is not so much a pastry as a kitchen sponge with conceivably the same calorific value.  However, the spongy nature of this muffin makes it perfect for sneaking into the library in times of academic crisis: minimal crumbage. So if you are looking for something friendly to your figure and good for those wannabe bad girl tendencies, eat this. 

If you are looking for something that actually tastes like it’s meant to be edible go for the Missing Bean or Bleroni.  I’m a fan of the Missing Bean’s lemon poppy seed muffin; it’s very cakey, dense and quite large. It’s a meal kind of muffin. Their blueberry muffins look fabulous too, especially in their crinkly, yes-we-make-these-from-scratch wrappers.  I have not personally sampled the Bleroni muffins, seeing as they’ve been out each time I tried, but the banana chocolate chip version comes highly, highly, recommended. It apparently has “a unique blend of flavors, none overpowering the others. Thinly sliced bananas of goodness.” Given this description I wonder if they don’t have some kind of narcotic quality. 

To finish up let’s just say Patisserie Valerie, “gross.” And Nero’s muffins tend to come wrapped in plastic.  Not a good sign.

 

The Circle of Life

In our first term at Oxford, we may all have undergone changes that we didn’t expect ourselves to be capable of. For me, I did something I never imagined would be possible without serious obstacles three times a day: befriend a vegetarian.

I think of him on Sundays, while every pub and every home in Great Britain radiates with the unmistakeable perfume of pork crackling, roast chicken or lardy potatoes, and I thank the high heavens that I have not allowed the guilt of dying animals to burden me with vegetarianism. Likewise, in summertime I have nothing but sympathy for the cowering herbivores that hover in the corner of a garden-party barbecue. Instead I take a moment to congratulate myself again for refusing to surrender to the animal-loving seven year old that I once was, and gleefully chow down my third sausage and burger sandwich.

And it’s this very situation that confuses and stumps me every May. While the entire nation is cooking on coals the minute the weather permits this novelty to be acceptable, vegetarians are quaking in their non-leather boots as they are exiled from the savage feast and tremble back to the crudités and salad stand, furiously checking if there’s gelatine in the guacamole.Well, perhaps they aren’t all the shrunken frail waifs that I’m illustrating. In fact most would probably be over the moon with a Quorn hot dog to shadow their vacuous meat-gut, but why you’d make a decision not to eat meat and instead favour a pitiful processed counterfeit, is beyond me and frankly, fraudulent.

At the risk of hypocrisy, I also deeply resent their preaching. All of them. The life-long veggie, who grew up in a solar powered mud-hut and ate nothing but organic cabbage is no worse than the week-long fad dieter who’s trying it out for a bet. Each one of them has convinced themselves that they are on the path to righteousness and exemplary health, and most of them are of the opinion that they might seize me as a convert. Well, they can try.

In fact one did last night, spurred on by shots of Dutch courage. Embarrassingly, at the time they seemed convincing and I’m pretty sure I promised to try it for a day. But now we’re both hungover, and while they may be bedridden with a piece of dry toast and green tea, I’m getting to the end of my bacon-double-decker and feeling better than ever. Ha! Who’s healthy now? Once again I’m feeling very smug with my (a)morality.

The softer side of Sudan

0

Sudan is a country that you are far more likely to see on the front pages of the newspaper – whether for the war in Darfur or the ICC’s arrest warrants against President Al-Bashir or the recent referendum where nearly 99% of southern Sudanese voters decided that they want an independent South Sudan – than in the travel section. But even in as politically volatile a place as Sudan, there is an incredible amount to see and do and learn and absorb, to enjoy and to engage with, to celebrate and to embrace.

udan is a country that you are far more likely to see on the front pages of the newspaper – whether for the war in Darfur or the ICC’s arrest warrants against President Al-Bashir or the recent referendum where nearly 99% of southern Sudanese voters decided that they want an independent South Sudan – than in the travel section. But even in as politically volatile a place as Sudan, there is an incredible amount to see and do and learn and absorb, to enjoy and to engage with, to celebrate and to embrace.
At the end of 2010, I spent four weeks in the capital, Khartoum, working as a political observer for the US-based Carter Center, observing and reporting on preparations for the historic referendum, the unassailable results of which were announced in February and which will officially lead to the creation of the world’s newest country in July. Khartoum is in the North, where the prevailing sentiment was pro-unity, albeit with salient pro-separation pockets among Southerners living there. There was thus understandable anxiety in the capital about the impending fracture of the country, and trepidation about the potential for renewed violence after decades of civil war.
Khartoum itself is a hot, vibrant city, with such a mix of cultures and economies that it can be difficult to paint a cohesive picture. The blatant economic inequality that is the hallmark of much of the developing world takes on a particularly problematic character here as it often matches ethnic divisions. A half-hour drive from the grandiose Presidential Palace and the stunning Libyan-built 5-star Burj Al-Fateh hotel on the tree-lined Nile Road, are the sprawling, sandy, often bitter IDP camps populated by those who fled the fighting in the South during what is Africa’s longest civil war, as well as more recent entrants from Darfur.
The city is made up of three distinct areas, divided by the Niles and linked by impressively imposing bridges: Khartoum proper, the official and commerical downtown core;  Khartoum North, a more industrial part; and Omdurman, the cultural heartland. Khartoum is home to a particularly interesting geographic landmark – Al-Mogran, where the White Nile and the Blue Nile meet. Arab poets have called it the ‘the longest kiss in history’, and it is a wonderful symbol of confluence and harmony in a city where so much history and so many hopes so passionately collide.
The people that I met and worked with in Khartoum are some of the warmest and kindest I have had the fortune to come across. The Northern Sudanese culture is very clearly marked by such generosity and hospitality that it can be overwhelmingly heart-warming. This could especially be seen by the way people, even strangers, greet one another – with the warmest smiles, handshakes and hugs all around.
The Sudanese are also known for being very honest and trustworthy. I witnessed this first-hand when a random labourer who found my mobile phone when I dropped it somewhere, went out of his way to first contact me and then to bring the phone back to me, despite barriers of distance and language. Another arresting image is that of seemingly abandoned stalls, as shopkeepers would go for Friday prayers, with their wares still out until they returned. It speaks volumes of a society that is characterised by such mutual trust and cooperation.
Although the Northern Sudanese speak Arabic, there is also something distinctly African about them, an earthiness that is quite different from their co-linguists in the Gulf (where I grew up). And there were many other unexpected and  fascinating inter-cultural links I found.  Khartoum is probably the last place I would have expected to be introduced to the magic of Bob Marley, but people there are ardent fans of reggae music, evident in the amount of playtime it got on the referendum campaign trail. Even more unexpectedly, I encountered many Bollywood fans; in fact, the only thing that could displace reggae in the car stereo was Hindi love songs! Aside from politics, there were numerous heated discussions about that other most divisive of topics – football, with the English Premier League having some seriously keen followers. Finally, the fact that we were staying in a Chinese hotel (quite a bizarre experience) further underlined how Sudan is not as isolated as it may seem.
Though social lives in Khartoum tend to revolve around families and food, there were a multitude of other activities for us to indulge in. The Nile provided great opportunities for boating and fishing, its glimmering waters a perfect foil to the sandy bustling streets around it. I also attended two very different concerts – one by a drug-abusing pop sensation that inspired near-frenzy in an outdoor amphitheatre; the other by a group of young people performing powerful spoken word poetry in a tucked-away café whose owner acts as a patron of the (often alternative) arts in the city.
I had the most amazing food in Khartoum. There are many different restaurants in the city, serving everything from chicken tikka to red velvet cupcakes. But the most memorable things were definitely the local ones – the hot fluffy bread, balady, that we grabbed from the corner shop each morning; the platter of fried fish just caught from the Nile that afternoon; the packets of ta’miyya, crunchy falafel buttons; and the freshly squeezed juices available everywhere, with the guava packing quite a punch.
The community aspect and down-to-earth nature of Khartoum society can also be seen in the ubiquitous tea stalls in Khartoum, which serve small glasses of shockingly sugary though deliciously customised (mint for me!) tea and coffee. Whether alone on a street corner or grouped with others in something of an outdoor cafe, these tea stalls provided relaxation, revival as as well as opportunities for lively conversation, another memorable hallmark of Khartoum life.
My best food memories were those that also reflected uniquely Sudanese social experiences. We often lunched on ful, cooked and mashed fava beans with sesame oil poured and crumbly Sudanese cheese added on top, eaten with local bread, with a side of boiled eggs. Although served in smarter establishments, this staple meal is also sold by street vendors, and we would often sit on multi-coloured plastic crates, under the shade of a tree, chatting away as we happily dug into the communal bowl of ful.
Contrasting with the simple food was Souq Omdurman, a huge bazaar, a hub of commercial activity and a fantastic place to wander around, soaking up the sights and sounds in the different sections – clothes, shoes, knick-knacks, and also ground hibiscus, gazelle bone jewellery and black henna. However, even the enlivening energy here was no match for what we witnessed at a weekly outdoor gathering of Sufi whirling dervishes. Dancing in circles, stamping their feet rhythmically and chanting repeatedly, for hours, participants were in a spiritual trance, a uniquely expressive and communal custom among these Sudanese Muslims.
Despite Khartoum’s political uncertainties, the obvious poverty and marginalisation, it is ultimately the rich culture and incredible hospitality that left the most lasting impression on me. I was fortunate to be there for work that involved travelling all over the city, focusing on local dynamics and talking to a wide range of people – the best way to be a truly authentic visitor. Travel is always a learning experience, and this is perhaps especially profound in the places you least expect it.

At the end of 2010, I spent four weeks in the capital, Khartoum, working as a political observer for the US-based Carter Center, observing and reporting on preparations for the historic referendum, the unassailable results of which were announced in February and which will officially lead to the creation of the world’s newest country in July. Khartoum is in the North, where the prevailing sentiment was pro-unity, albeit with salient pro-separation pockets among Southerners living there. There was thus understandable anxiety in the capital about the impending fracture of the country, and trepidation about the potential for renewed violence after decades of civil war.

Khartoum itself is a hot, vibrant city, with such a mix of cultures and economies that it can be difficult to paint a cohesive picture. The blatant economic inequality that is the hallmark of much of the developing world takes on a particularly problematic character here as it often matches ethnic divisions. A half-hour drive from the grandiose Presidential Palace and the stunning Libyan-built 5-star Burj Al-Fateh hotel on the tree-lined Nile Road, are the sprawling, sandy, often bitter IDP camps populated by those who fled the fighting in the South during what is Africa’s longest civil war, as well as more recent entrants from Darfur.

The city is made up of three distinct areas, divided by the Niles and linked by impressively imposing bridges: Khartoum proper, the official and commerical downtown core;  Khartoum North, a more industrial part; and Omdurman, the cultural heartland. Khartoum is home to a particularly interesting geographic landmark – Al-Mogran, where the White Nile and the Blue Nile meet. Arab poets have called it the ‘the longest kiss in history’, and it is a wonderful symbol of confluence and harmony in a city where so much history and so many hopes so passionately collide.

The people that I met and worked with in Khartoum are some of the warmest and kindest I have had the fortune to come across. The Northern Sudanese culture is very clearly marked by such generosity and hospitality that it can be overwhelmingly heart-warming. This could especially be seen by the way people, even strangers, greet one another – with the warmest smiles, handshakes and hugs all around.

The Sudanese are also known for being very honest and trustworthy. I witnessed this first-hand when a random labourer who found my mobile phone when I dropped it somewhere, went out of his way to first contact me and then to bring the phone back to me, despite barriers of distance and language. Another arresting image is that of seemingly abandoned stalls, as shopkeepers would go for Friday prayers, with their wares still out until they returned. It speaks volumes of a society that is characterised by such mutual trust and cooperation.

Although the Northern Sudanese speak Arabic, there is also something distinctly African about them, an earthiness that is quite different from their co-linguists in the Gulf (where I grew up). And there were many other unexpected and  fascinating inter-cultural links I found.  Khartoum is probably the last place I would have expected to be introduced to the magic of Bob Marley, but people there are ardent fans of reggae music, evident in the amount of playtime it got on the referendum campaign trail. Even more unexpectedly, I encountered many Bollywood fans; in fact, the only thing that could displace reggae in the car stereo was Hindi love songs! Aside from politics, there were numerous heated discussions about that other most divisive of topics – football, with the English Premier League having some seriously keen followers. Finally, the fact that we were staying in a Chinese hotel (quite a bizarre experience) further underlined how Sudan is not as isolated as it may seem.

Though social lives in Khartoum tend to revolve around families and food, there were a multitude of other activities for us to indulge in. The Nile provided great opportunities for boating and fishing, its glimmering waters a perfect foil to the sandy bustling streets around it. I also attended two very different concerts – one by a drug-abusing pop sensation that inspired near-frenzy in an outdoor amphitheatre; the other by a group of young people performing powerful spoken word poetry in a tucked-away café whose owner acts as a patron of the (often alternative) arts in the city.

I had the most amazing food in Khartoum. There are many different restaurants in the city, serving everything from chicken tikka to red velvet cupcakes. But the most memorable things were definitely the local ones – the hot fluffy bread, balady, that we grabbed from the corner shop each morning; the platter of fried fish just caught from the Nile that afternoon; the packets of ta’miyya, crunchy falafel buttons; and the freshly squeezed juices available everywhere, with the guava packing quite a punch.

The community aspect and down-to-earth nature of Khartoum society can also be seen in the ubiquitous tea stalls in Khartoum, which serve small glasses of shockingly sugary though deliciously customised (mint for me!) tea and coffee. Whether alone on a street corner or grouped with others in something of an outdoor cafe, these tea stalls provided relaxation, revival as as well as opportunities for lively conversation, another memorable hallmark of Khartoum life.

My best food memories were those that also reflected uniquely Sudanese social experiences. We often lunched on ful, cooked and mashed fava beans with sesame oil poured and crumbly Sudanese cheese added on top, eaten with local bread, with a side of boiled eggs. Although served in smarter establishments, this staple meal is also sold by street vendors, and we would often sit on multi-coloured plastic crates, under the shade of a tree, chatting away as we happily dug into the communal bowl of ful.

Contrasting with the simple food was Souq Omdurman, a huge bazaar, a hub of commercial activity and a fantastic place to wander around, soaking up the sights and sounds in the different sections – clothes, shoes, knick-knacks, and also ground hibiscus, gazelle bone jewellery and black henna. However, even the enlivening energy here was no match for what we witnessed at a weekly outdoor gathering of Sufi whirling dervishes. Dancing in circles, stamping their feet rhythmically and chanting repeatedly, for hours, participants were in a spiritual trance, a uniquely expressive and communal custom among these Sudanese Muslims.

Despite Khartoum’s political uncertainties, the obvious poverty and marginalisation, it is ultimately the rich culture and incredible hospitality that left the most lasting impression on me. I was fortunate to be there for work that involved travelling all over the city, focusing on local dynamics and talking to a wide range of people – the best way to be a truly authentic visitor. Travel is always a learning experience, and this is perhaps especially profound in the places you least expect it.

Great Sexpectations: Volume Five

House party. Two words charged with maximum possible meaning. For the uninitiated, ‘house’ means ‘a room to have’ and ‘party’ means ‘sexytime’. Those readers with more conscience than most may ask– what about last week’s epiphanic moment with your best friend? Well, I would respond by saying that ‘epiphanic moment’ is far too pretentious for this humble column, and secondly, that since the ball there has been a severe communication breakdown. We said good night on her doorstep on ball night, and since then neither of us has spoken to the other. We’ve been reduced to awkward smiles as we pass in college. Perhaps this is a sign that the affair is too important for us to be flippant, or casual, about. Perhaps it shows regret starting to creep in to the memory. Either way, and as much as I think I have feelings for her, the show must go on. The whole point of this challenge is too break from paralysing relationship possibilities. It’s not reckless, it’s committed. It’s just healthy.

       
The music is blaring out, and everyone is huddled together in small groups to speak over it. The garden is open, and people are sprawled across the grass or lounging on the patio furniture. Bottles and cans litter the whole house, and to a sudden visitor, a thick smog would become apparent, hanging in the air from the breath of drunks. I’m talking to a second-year; it’s a second-year house party. It’s all going rather well; we’re exchanging little flirty touches as the conversation continues, from my hand resting on the edge of her skirt, to her turning to whisper in my ear. She goes to get a drink, and I follow her to grab bottles and then retire to a room partly forgotten at the back of the house, so it’s only us two around as we start to kiss. She kisses down my neck and I grab her shirt and pull her to me, my hands running underneath to her breasts. We part mouths, let tongues alone, and she leans over the sofa and finds the door with a key to lock it. She then leans in to distract me with another bout of kisses, taking her hands to my jeans and undoing the buttons, before slipping her hand inside. In one moment, she shifts off of my lap and alongside me on the sofa as I feel her start to move me up and down. We’re kissing wildly, gasping for breath, and minutes run like seconds until I can’t kiss properly anymore. She uses her mouth for the last charge, and then we rest, spent. Then we rejoin the party, anonymous and unconnected in the crowd. This is what I said I needed. A healthy donation of temporary passion, mutually given. Sexual ephemera. Readers, I’m getting closer.

House party. Two words charged with maximum possible meaning. For the uninitiated, ‘house’ means ‘a room to have’ and ‘party’ means ‘sexytime’. Those readers with more conscience than most may ask– what about last week’s epiphanic moment with your best friend? Well, I would respond by saying that ‘epiphanic moment’ is far too pretentious for this humble column, and secondly, that since the ball there has been a severe communication breakdown.

We said good night on her doorstep on ball night, and since then neither of us has spoken to the other. We’ve been reduced to awkward smiles as we pass in college. Perhaps this is a sign that the affair is too important for us to be flippant, or casual, about. Perhaps it shows regret starting to creep in to the memory. Either way, and as much as I think I have feelings for her, the show must go on. The whole point of this challenge is to break from paralysing relationship possibilities. It’s not reckless, it’s committed. It’s just healthy.       

The music is blaring out, and everyone is huddled together in small groups to speak over it. The garden is open, and people are sprawled across the grass or lounging on the patio furniture. Bottles and cans litter the whole house, and to a sudden visitor, a thick smog would become apparent, hanging in the air from the breath of drunks.

I’m talking to a second-year; it’s a second-year house party. It’s all going rather well; we’re exchanging little flirty touches as the conversation continues, from my hand resting on the edge of her skirt, to her turning to whisper in my ear. She goes to get a drink, and I follow her to grab bottles and then retire to a room partly forgotten at the back of the house, so it’s only the two of us around as we start to kiss.

She kisses down my neck and I grab her shirt and pull her to me, my hands running underneath to her breasts. We part mouths, let tongues alone, and she leans over the sofa and finds the door with a key to lock it. She then leans in to distract me with another bout of kisses, taking her hands to my jeans and undoing the buttons, before slipping her hand inside. In one moment, she shifts off of my lap and alongside me on the sofa as I feel her start to move me up and down. We’re kissing wildly, gasping for breath, and minutes run like seconds until I can’t kiss properly anymore. She uses her mouth for the last charge, and then we rest, spent. Then we rejoin the party, anonymous and unconnected in the crowd. This is what I said I needed. A healthy donation of temporary passion, mutually given. Sexual ephemera. Readers, I’m getting closer.

Dom and dumber

0

I have a traffic light system – green means I can do what I want, orange means they’re slightly smarter but I can probably get them, and red means just released from Broadmoor – move away!’ Hearing Dom Joly describing how he decides whether or not to prank his victims is listening to a master deconstruct his craft – the man, for many, is the original prankster. His show, Trigger Happy TV, spanned two seasons and two specials, has been sold to over seventy countries, and even the soundtrack was a bestseller. However, Joly explains the original idea was to make a political satire show.

 have a traffic light system – green means I can do what I want, orange means they’re slightly smarter but I can probably get them, and red means just released from Broadmoor – move away!’ Hearing Dom Joly describing how he decides whether or not to prank his victims is listening to a master deconstruct his craft – the man, for many, is the original prankster. His show, Trigger Happy TV, spanned two seasons and two specials, has been sold to over seventy countries, and even the soundtrack was a bestseller. However, Joly explains the original idea was to make a political satire show.
‘[Trigger Happy] would have been an attack on Cool Britannia, but the woman who was the commissioning editor had just finished doing Brass Eye and basically just couldn’t face any more legal stuff and she just said can you make a really simple show – I don’t want anymore lawyers ringing me up. And actually it was a blessing in disguise because if I’d made the satirical show, it might have been good, but it wouldn’t have got such a wide audience, I don’t think.’
Indeed, it’s hard to imagine an intelligent, pithy political satire on the BBC gaining the worldwide recognition that THTV did – typical sketches include Joly in the role of a park-keeper, accusing elderly park goers of misdemeanours from setting of fireworks to pushing people in the pond, or dressed as a traffic warden, ticketing motorists stopped at traffic lights for illegally parking on double yellows. That said, surely some of the socio-political commentary planned for the political satire influenced a show which was, more than a prank show, an observation of Britishness, a facet echoed in its handpicked indie rock soundtrack? No, apparently; ‘I hate things trying to make a point, trying to teach you something – the stuff I make is pointless’. Fair enough. But perhaps the question is really, how did a man now famed for pranking, travel writing and a not-all-that-brief spell in the Celebrity Jungle come to be writing a political satire show in the first place?
After graduating in Politics, Joly first interned for the European Commission as a diplomat in Prague, before returning to the UK to do political television around Westminster. After 6 years of working as a political researcher for ITN, New Statesman and others, he landed a job as the political researcher on the Mark Thomas Comedy Product – a blend of surreal stunts and political journalism that was both satirical and insightful in equal measures in a pre-Brass Eye time. After being asked if he wanted to ‘drive a tank through the McDonald’s Drive Thru’ – ‘yeah, course’ – he started to get into comedy, and in his own words, ‘I haven’t really done a day’s work since then’.
Looking at a run-down of Joly’s activities since then, it would be hard to agree with this. Besides continued pranking, in World Shut Your Mouth and The Complainers, Joly has written three books, stood in the 1997 general election (for the Teddy Bear Alliance), produced a number of television shows including the well-received Dom Joly’s Happy Hour, came fourth in I’m A Celebrity, and somehow found time to write columns for The Independent, The Mail on Sunday and The Sunday Times. Now he’s off on a live tour, because, quite simply, he’d never done it before.
‘Everyone always assumed that I’d done stand up before Trigger Happy, and [the fact that I hadn’t] used to really bug me. When I did my book and I took it to literary festivals, they just expected me to stand there and read it, which struck me as really dull, so I started, you know, showing my holiday snaps, and stuff, and I really enjoyed it, so I thought fine, I’ll do it bigger.’ The light nature of the show doesn’t stop there – the audience can buy rocks from the foyer to throw at Joly while he performs (presumably not real ones), and during the interval a book is left out for questions from the audience, which Joly answers in the second half of the show. In typical Joly style, the ten tour dates have now become a full seventy, from Berwick to Brighton. So far there haven’t been any instances of mistaken location, despite the confusing fact that, ‘for some reason Warwick University is in Coventry, so I almost said hello to the wrong people… Oxford’s easier’.
Whilst half of my friends knew Dom as ‘that guy who did the stuff with the big phone’, the other half knew him as ‘that guy who does travel columns for The Times,’ and as he admits, Joly has a certain fixation with travel.
‘I’m obsessed with it – I have wanderlust’. The weird offspring of this love of travel, a penchant for a drink or two, and a keenness to ‘take the piss out of Long Way Round’ was Dom Joly’s Happy Hour, in which Joly and his de rigueur ‘idiot friend’ Peter Wilkins explored drinking cultures around the world in a gloriously irreverent spoof on the traditional travel show. When they weren’t drunk (which wasn’t very much of the time), Joly and Wilkins goofed around in what was a mostly improvised show. The most recent equivalent is probably Team Gervais’ An Idiot Abroad (also on Sky One), though Joly is not a fan. ‘I thought it was appalling,’ he said, very matter-of-factly, ‘I quite like Karl Pilkington, and I think he’s funny, but it was just one joke – the bloke doesn’t like going abroad.’
When asked what he thought on recent pranking shows such as Facejacker, Balls of Steel and Olivia Lee, Joly revealed that he doesn’t really watch other comedy shows – ‘I find British comedy a bit dull. I watch Curb Your Enthusiasm and because I’m on tour I’ve got about a thousand Seinfelds.’ I pressed him – surely he must have seen something recently (my extensive iPlayer knowledge, which before had seemed so useful, was suddenly looking like a poor investment).  ‘Just recently there’s been some stuff I’ve liked; Campus and Twenty-Twelve,’ he conceded, ‘but I certainly don’t want to watch stuff similar to what I do – either it’s really good and it makes me angry or it’s really bad and it makes me angry.’
He was however, an avid fan of I’m a Celebrity, and jumped at the chance to be on the show last year. ‘Everyone said I shouldn’t do it, and I just thought, ‘I love that show – I’m going to do it’, and I really enjoyed it.’ That said, he found it a lot more ‘hardcore’ than he’d expected; ‘It’s as close as you can get to a hostage situation – you don’t speak to anyone, you’re very reliant on your captors, you get fed tiny amounts, and the boredom is insane. And you’ve just got to deal with it.’
The pop-culture kick didn’t stop at Celebrity – Joly is now a full-time Twitter user, with over 80 thousand followers, with whom he interacts on an hourly basis. He answers questions (with brutal brevity, mind), replies to those who insult him (which is better than Giles Coren, who simply blocked me when I offered a less than favourable review of a video of his), and even runs mini-competitions for his followers to win free tickets to his live show. More than that, he loves its practicality on a global level. ‘When I travel it’s incredible – if I’m in Phnom Penh or somewhere I just say ‘I’m in Phnom Penh ’ and people tell me where to go and so on – I love it.’
After the tour, a hard earned break is in store, before a return to what is an increasingly packed schedule for Joly – round the world in a week for I Newspaper, a television show for ITV, starting work on his new book Scary Monsters and Super Creeps, in which he’ll be looking for mythical beasts in the Congo, and then getting onto the long awaited Trigger Happy film that fans have been waiting on for years now. ‘People are saying it’s the Trigger Happy movie – it’s not,’ Dom insists, ‘It’s the people who made Trigger Happy (Joly and his cameraman Sam Cadman) and it’s hidden camera but it’s got none of the characters. It’s on a huge scale, so I’m calling it the Ben Hur of hidden camera movies.’
With so much work in so many areas, both in the past and in the immediate future, does Joly feel there is a lack of direction to his career? ‘I’m a completely confused idiot – I have no career plans whatsoever, and I’ve just sort of muddled my way through. I guess I get bored really easily […] I normally don’t know what I’m going to do, so when something interesting comes in I can say yes. I just love doing different things – I’ve blagged ten years of doing nothing, pretty much.’ From where I’m standing, far from lacking direction, Dom Joly’s career has one only clear bearing, and that’s up.
Dom is appearing at the Glee Club on the 17th July

‘[Trigger Happy] would have been an attack on Cool Britannia, but the woman who was the commissioning editor had just finished doing Brass Eye and basically just couldn’t face any more legal stuff and she just said can you make a really simple show – I don’t want anymore lawyers ringing me up. And actually it was a blessing in disguise because if I’d made the satirical show, it might have been good, but it wouldn’t have got such a wide audience, I don’t think.

’Indeed, it’s hard to imagine an intelligent, pithy political satire on the BBC gaining the worldwide recognition that THTV did – typical sketches include Joly in the role of a park keeper, accusing elderly park goers of misdemeanours from setting of fireworks to pushing people in the pond, or dressed as a traffic warden, ticketing motorists stopped at traffic lights for illegally parking on double yellows. That said, surely some of the socio-political commentary planned for the political satire influenced a show which was, more than a prank show, an observation of Britishness, a facet echoed in its handpicked indie rock soundtrack? No, apparently; ‘I hate things trying to make a point, trying to teach you something – the stuff I make is pointless’. Fair enough. But perhaps the question is really, how did a man now famed for pranking, travel writing and a not-all-that-brief spell in the Celebrity Jungle come to be writing a political satire show in the first place?

After graduating in Politics, Joly first interned for the European Commission as a diplomat in Prague, before returning to the UK to do political television around Westminster. After 6 years of working as a political researcher for ITN, New Statesman and others, he landed a job as the political researcher on the Mark Thomas Comedy Product – a blend of surreal stunts and political journalism that was both satirical and insightful in equal measures in a pre-Brass Eye time. After being asked if he wanted to ‘drive a tank through the McDonald’s Drive Thru’ – ‘yeah, course’ – he started to get into comedy, and in his own words, ‘I haven’t really done a day’s work since then’.

Looking at a rundown of Joly’s activities since then, it would be hard to agree with this. Besides pranking, in World Shut Your Mouth and The Complainers, Joly has written three books, stood in the 1997 general election (for the Teddy Bear Alliance), produced a number of television shows including the well-received Dom Joly’s Happy Hour, came fourth in I’m A Celebrity, and somehow found time to write columns for The Independent, The Mail on Sunday and The Sunday Times. Now he’s off on a live tour, because, quite simply, he’d never done it before.‘Everyone always assumed that I’d done stand up before Trigger Happy, and [the fact that I hadn’t] used to really bug me.

When I did my book and I took it to literary festivals, they just expected me to stand there and read it, which struck me as really dull, so I started, you know, showing my holiday snaps, and stuff, and I really enjoyed it, so I thought fine, I’ll do it bigger.’ The light nature of the show doesn’t stop there – the audience can buy rocks from the foyer to throw at Joly while he performs (presumably not real ones), and during the interval a book is left out for questions from the audience, which Joly answers in the second half of the show. In typical Joly style, the ten tour dates have now become a full seventy, from Berwick to Brighton. So far there haven’t been any instances of mistaken location, despite the confusing fact that, ‘for some reason Warwick University is in Coventry, so I almost said hello to the wrong people… Oxford’s easier’.

Whilst half of my friends knew Dom as ‘that guy who did the stuff with the big phone’, the other half knew him as ‘that guy who does travel columns for The Times,’ and as he admits, Joly has a certain fixation with travel.

‘I’m obsessed with it – I have wanderlust’. The weird offspring of this love of travel, a penchant for a drink or two, and a keenness to ‘take the piss out of Long Way Round’ was Dom Joly’s Happy Hour, in which Joly and his de rigueur ‘idiot friend’ Peter Wilkins explored drinking cultures around the world in a gloriously irreverent spoof on the traditional travel show. When they weren’t drunk (which wasn’t very much of the time), Joly and Wilkins goofed around in what was a mostly improvised show. The most recent equivalent is probably Team Gervais’ An Idiot Abroad (also on Sky One), though Joly is not a fan. ‘I thought it was appalling,’ he said, very matter-of-factly, ‘I quite like Karl Pilkington, and I think he’s funny, but it was just one joke – the bloke doesn’t like going abroad.’

When asked what he thought on recent pranking shows such as Facejacker, Balls of Steel and Olivia Lee, Joly revealed that he doesn’t really watch other comedy shows – ‘I find British comedy a bit dull. I watch Curb Your Enthusiasm and because I’m on tour I’ve got about a thousand Seinfelds.’ I pressed him – surely he must have seen something recently (my extensive iPlayer knowledge, which before had seemed so useful, was suddenly looking like a poor investment).  ‘Just recently there’s been some stuff I’ve liked; Campus and Twenty-Twelve,’ he conceded, ‘but I certainly don’t want to watch stuff similar to what I do – either it’s really good and it makes me angry or it’s really bad and it makes me angry.’

He was however, an avid fan of I’m a Celebrity, and jumped at the chance to be on the show last year. ‘Everyone said I shouldn’t do it, and I just thought, ‘I love that show – I’m going to do it’, and I really enjoyed it.’ That said, he found it a lot more ‘hardcore’ than he’d expected; ‘It’s as close as you can get to a hostage situation – you don’t speak to anyone, you’re very reliant on your captors, you get fed tiny amounts, and the boredom is insane. And you’ve just got to deal with it.’

The pop-culture kick didn’t stop at Celebrity – Joly is now a full-time Twitter user, with over 80 thousand followers, with whom he interacts on an hourly basis. He answers questions (with brutal brevity, mind), replies to those who insult him (which is better than Giles Coren, who simply blocked me when I offered a less than favourable review of a video of his), and even runs mini-competitions for his followers to win free tickets to his live show. More than that, he loves its practicality on a global level. ‘When I travel it’s incredible – if I’m in Phnom Penh or somewhere I just say ‘I’m in Phnom Penh ’ and people tell me where to go and so on – I love it.’

After the tour, a hard earned break is in store, before a return to what is an increasingly packed schedule for Joly – round the world in a week for I Newspaper, a television show for ITV, starting work on his new book Scary Monsters and Super Creeps, in which he’ll be looking for mythical beasts in the Congo, and then getting onto the long awaited Trigger Happy film that fans have been waiting on for years now. ‘People are saying it’s the Trigger Happy movie – it’s not,’ Dom insists, ‘It’s the people who made Trigger Happy (Joly and his cameraman Sam Cadman) and it’s hidden camera but it’s got none of the characters. It’s on a huge scale, so I’m calling it the Ben Hur of hidden camera movies.

’With so much work in so many areas, both in the past and in the immediate future, does Joly feel there is a lack of direction to his career? ‘I’m a completely confused idiot – I have no career plans whatsoever, and I’ve just sort of muddled my way through. I guess I get bored really easily […] I normally don’t know what I’m going to do, so when something interesting comes in I can say yes. I just love doing different things – I’ve blagged ten years of doing nothing, pretty much.’ From where I’m standing, far from lacking direction, Dom Joly’s career has one only clear bearing, and that’s up.

 

Dom is appearing at the Glee Club on the 17th July

Bye, Bye, Miss American Pie

0

As the Oxford University website explains: ‘Students currently come from 138 countries around the world and study a wide range of subjects. [International students] make up one third of our student body, including 14 percent of our full-time undergraduate students and 63 percent of our full-time postgraduates.’ Arguably the least interesting of these countries is the good old U. S. of A. I hail from that land of the almost free with its purple mountains and Big Macs.  However, I do not technically fall into this category of full-time international students. I, along with a motley crew of somewhat undesirables, inhabit the strange limbo that is the life of the “visiting student.” To be more exact, I am an associate student at Hertford College, not a visiting student at Oxford University. We are not merely Americans, which, let’s be honest, is bad enough, but Americans here for that brief interval between one term and one academic year—a year sans finals and lectures. We are frauds leading half-lives, sentenced to live in social siburbia.

Siburbia is a term I have proudly coined for those of us with silly pink Bod cards, bad accents and houses on Botley Road. We live in some combination of suburban landscape and Siberian social standing. We huddle together at necessarily incestuous house parties to stay warm. The advice given to us at our orientation, on the ever-important subject of how to “integrate” with British students, was to sit next to them in hall and strike up a conversation with a stranger in this confined and comfortable social setting. However, after having eaten a stewy dinner whilst crouched on the end of a table populated by Goth kids effectively ignoring this fact, one realises that this is awful advice. You must understand that we want desperately to “integrate.” Botley road just plain sucks. The term “integration” itself, in all its official implications of otherness, really says it all.
Luckily for me last term some fairy godmother, incarnated for god knows what reason as my brother-in-law, led me to a coffee date with a “real student,” as we outsiders must call them. Somehow, in this crazy, mixed-up world, something resembling genuine friendship blossomed under the rather adverse circumstances. This tenuous position as friend-of-British-girl made me particularly able to assess the strange social anachronisms between you Brits and those less cultured masses—i.e. us. 
Well, let’s start by saying I went to my first ball a few weeks ago. I realise to you people both the term “ball” itself and the party it refers to is part of the normal university experience, but to us it’s still synonymous with a Cinderella type event. I go to school in what is effectively a mud pile, populated by philosophy students in flannel and frye boots. I do not own cocktail dresses, let alone a ball gown. We wear jeans and dirty shirts to go out, if with a little mascara. Here girls have several ball gowns, and they aren’t even royalty or anything. 55 pounds out on a ticket, 60 on a dress, 20 on heels, some more on makeup and body lotion, and I was ready for a princess moment. It didn’t really come. 
The ball consisted of burnt and cold hamburger meat and oh-so-much alcohol in tiny plastic cups. The champagne bit at the beginning was a classy mislead really. The night ended, if we’re going to be honest, with friends crying on my floor and me crouching in the toilet. But I did like the dress – you know, the one I’ll never wear again. 
The not-so-strange difference we can point out here is that you guys can drink. More than water. This makes a big difference on the way social gatherings manifest themselves. (However, my college back in the states has a sum total of 2,000 students and a reputation as the “biggest dinner party school,” so, hey, what do I really know?) While going to clubs is entirely legal for y’all, us Americans are less than lucky. We are the frequenters of house parties, equipped with too much booze, no mixers and red cups. There is no kind of temperance or middle ground with us. There is a lot of rolling around on someone else’s un-vacuumed floor — or, as I once experienced, walking inebriated and dazed through someone’s living room whose only decoration was a small camping tent. Liberal arts schools and Universities perhaps differ in this way. Regardless, we’re kind of a mess, and old habits die hard. Any chance we get, those of us Americans — lumped together, left out of the regular Oxonian loop, intentionally or otherwise — have thrown parties at every semi-decent opportunity. They were all themed. 
This is a weird thing about Americans. Perhaps to compensate for the unconscious perception of the parties’ pathetic-ness we feel the need to add some extra pizzazz in the manner of thematic rapture. This rapture is, of course, just a means for public nudity. (Interesting, because another strangeness involving our perception of British lifestyle is that many American ladies find British club style a bit naked. Yes, we’re asking for it, but you guys wear sheer blouses. I don’t know why, but apparently we can’t cope.) Some themes of American people parties include: ‘golf pros and tennis hoes’, ‘hoes and bros’, and ‘ABC: anything but clothes’. If you noticed unlike the generally ambiguous themes of the bops, ‘jungle fever’ and what not, ours have an unavoidably chauvinistic tinge. Note that ‘ho’ was used twice. I am a feminist. Pro-choice and all that. But still I donned a trash bag top for ABC. To be fair some men showed up in towels. Even less subtle. 
In some way, however, I’ve come to realise our house parties and the balls aren’t really all that different. I don’t mean to go all ‘we’re really all the same on the inside’.  No need for kumbayas. But really they both involve relatively small groups of people who know each other, wearing costumes that will allure the opposite sex and drinking until somebody passes out. My mother keeps telling me that the difference between American and British students is that over here the kids don’t get ‘blado’. But I know some people, lovely, posh, and conceivably brilliant, who have weed on themselves. 
I can’t tell which group takes themselves more seriously. Because this, I think, might be the real reason there is no cross -over between the two dimensions, why we exist as denim-clad ghosts haunting the Rad Cam without ever really being seen.  All of us like to dress up: to be, in some ways, someone else for the evening. I am going to a bop tonight where we are all to dress like cowboys and aliens. It is strange because in reality here I feel as though I am a bit of both. Perhaps there should be a bop where the Americans must dress as Brits and visa versa. Let’s just get all the stereotypes out on the table, and then start making out on it. 
This feature has turned out a lot raunchier than expected, a lot more about underage drinking as well. But when it comes down to it, we have better bagels. Trousers are pants, chips are fries, crisps are chips, and a fizzy drink is a really awful name for a soda. We really aren’t so very different, and yet we seem very intent on pretending that we are.  Kids these days.
Next time you’re in the library, look for me. I’ll be wearing red white and blue. You know that our flags both have those colours, right?

As the Oxford University website explains: ‘Students currently come from 138 countries around the world and study a wide range of subjects. [International students] make up one third of our student body, including 14 percent of our full-time undergraduate students and 63 percent of our full-time postgraduates.’ Arguably the least interesting of these countries is the good old U. S. of A. I hail from that land of the almost free with its purple mountains and Big Macs.  However, I do not technically fall into this category of full-time international students. I, along with a motley crew of somewhat undesirables, inhabit the strange limbo that is the life of the “visiting student.” To be more exact, I am an associate student at Hertford College, not a visiting student at Oxford University. We are not merely Americans, which, let’s be honest, is bad enough, but Americans here for that brief interval between one term and one academic year—a year sans finals and lectures. We are frauds leading half-lives, sentenced to live in social siburbia.

Siburbia is a term I have proudly coined for those of us with silly pink Bod cards, bad accents and houses on Botley Road. We live in some combination of suburban landscape and Siberian social standing. We huddle together at necessarily incestuous house parties to stay warm. The advice given to us at our orientation, on the ever-important subject of how to “integrate” with British students, was to sit next to them in hall and strike up a conversation with a stranger in this confined and comfortable social setting. However, after having eaten a stewy dinner whilst crouched on the end of a table populated by Goth kids effectively ignoring this fact, one realises that this is awful advice. You must understand that we want desperately to “integrate.” Botley road just plain sucks. The term “integration” itself, in all its official implications of otherness, really says it all.

Luckily for me last term some fairy godmother, incarnated for god knows what reason as my brother-in-law, led me to a coffee date with a “real student,” as we outsiders must call them. Somehow, in this crazy, mixed-up world, something resembling genuine friendship blossomed under the rather adverse circumstances. This tenuous position as friend-of-British-girl made me particularly able to assess the strange social anachronisms between you Brits and those less cultured masses—i.e. us. 

Well, let’s start by saying I went to my first ball a few weeks ago. I realise to you people both the term “ball” itself and the party it refers to is part of the normal university experience, but to us it’s still synonymous with a Cinderella type event. I go to school in what is effectively a mud pile, populated by philosophy students in flannel and frye boots. I do not own cocktail dresses, let alone a ball gown. We wear jeans and dirty shirts to go out, if with a little mascara. Here girls have several ball gowns, and they aren’t even royalty or anything. 55 pounds out on a ticket, 60 on a dress, 20 on heels, some more on makeup and body lotion, and I was ready for a princess moment. It didn’t really come. 

The ball consisted of burnt and cold hamburger meat and oh-so-much alcohol in tiny plastic cups. The champagne bit at the beginning was a classy mislead really. The night ended, if we’re going to be honest, with friends crying on my floor and me crouching in the toilet. But I did like the dress – you know, the one I’ll never wear again. 

The not-so-strange difference we can point out here is that you guys can drink. More than water. This makes a big difference on the way social gatherings manifest themselves. (However, my college back in the states has a sum total of 2,000 students and a reputation as the “biggest dinner party school,” so, hey, what do I really know?) While going to clubs is entirely legal for y’all, us Americans are less lucky. We are the frequenters of house parties, equipped with too much booze, no mixers and red cups. There is no kind of temperance or middle ground with us. There is a lot of rolling around on someone else’s un-vacuumed floor — or, as I once experienced, walking inebriated and dazed through someone’s living room whose only decoration was a small camping tent. Liberal arts schools and Universities perhaps differ in this way. Regardless, we’re kind of a mess, and old habits die hard. Any chance we get, those of us Americans — lumped together, left out of the regular Oxonian loop, intentionally or otherwise — have thrown parties at every semi-decent opportunity. They were all themed. 

This is a weird thing about Americans. Perhaps to compensate for the unconscious perception of the parties’ pathetic-ness we feel the need to add some extra pizzazz in the manner of thematic rapture. This rapture is, of course, just a means for public nudity. (Interesting, because another strangeness involving our perception of British lifestyle is that many American ladies find British club style a bit naked. Yes, we’re asking for it, but you guys wear sheer blouses. I don’t know why, but apparently we can’t cope.) Some themes of American people parties include: ‘golf pros and tennis hoes’, ‘hoes and bros’, and ‘ABC: anything but clothes’. If you noticed- unlike the generally ambiguous themes of the bops, ‘jungle fever’ and what not- ours have an unavoidably chauvinistic tinge. Note that ‘ho’ was used twice. I am a feminist. Pro-choice and all that. But still I donned a trash bag top for ABC. To be fair some men showed up in towels. Even less subtle. 

In some way, however, I’ve come to realise our house parties and the balls aren’t really all that different. I don’t mean to go all ‘we’re really all the same on the inside’.  No need for kumbayas. But really they both involve relatively small groups of people who know each other, wearing costumes that will allure the opposite sex and drinking until somebody passes out. My mother keeps telling me that the difference between American and British students is that over here the kids don’t get ‘blado’. But I know some people, lovely, posh, and conceivably brilliant, who have weed on themselves. 

I can’t tell which group takes themselves more seriously. Because this, I think, might be the real reason there is no cross -over between the two dimensions, why we exist as denim-clad ghosts haunting the Rad Cam without ever really being seen.  All of us like to dress up: to be, in some ways, someone else for the evening. I am going to a bop tonight where we are all to dress like cowboys and aliens. It is strange because in reality here I feel as though I am a bit of both. Perhaps there should be a bop where the Americans must dress as Brits and visa versa. Let’s just get all the stereotypes out on the table, and then start making out on it. This feature has turned out a lot raunchier than expected, a lot more about underage drinking as well. But when it comes down to it, we have better bagels. Trousers are pants, chips are fries, crisps are chips, and a fizzy drink is a really awful name for a soda. We really aren’t so very different, and yet we seem very intent on pretending that we are.  Kids these days. Next time you’re in the library, look for me. I’ll be wearing red white and blue. You know that our flags both have those colours, right?

Review: C.A.R.N.

0

Many have been puzzled over the past week by posters for C.A.R.N. (or Careers Advisory Resource Network or even C.A.R.N.IVAL), wondering what careers could possibly have to do with ‘an immersive theatre experience’. Whilst C.A.R.N. is definitely immersive, even for the extensive team behind it who have collaborated at every turn, whether it will help you on your way to economic success is probably down to you, and that is possibly the most important reason to go to Oriel to watch the sunset in 6th week. This play has a real chance at telling you something about yourself.

The basic premise is that you are at an event where you have the chance to meet ‘Ogden and Bogden’, a corporate law firm for whose Summer Internship you get the feeling some, including Louisa the president of OxForward, would kill.  

[mm-hide-text]%%IMG%%3388%%[/mm-hide-text]

She shouldn’t have to as she has already gained a place but, as her waiting staff misbehave and the rest of the OxForward committee seem not to have fully bought into her vision for the evening, the possibility is ever present that she may do something drastic to save face in front of a prospective employer.  As the tension mounts and relationships deteriorate, you selfishly hope that if she does happen to lash out it won’t be at you. 

However, this is secretly a very organised chaos. With hundreds of post-it notes in hand Chris Adams, producer and co-director, allegedly knows what is going on where and when. It might be fairer to say that it is the script that has been lost rather than the plot, since so much of the dialogue is audience driven, whilst the sweeping premise of the play is fluid but not unchecked. On the individual level, everyone will have a different experience, and try as you might it is unlikely that there will be time to interact with everyone – if you arrive early, go to the bar area where there will not only be Pimm’s for sale but you will be able to meet the waiters even before the event has officially begun. Adams personally sees the entire event as inspired by and following the trajectory of the Greek tragedy, Euripides’ Bacchae, in which frenzy gives a mother the strength to rend her own son limb from limb.

[mm-hide-text]%%IMG%%3389%%[/mm-hide-text] 

It probably won’t degenerate that much, as far as I’m aware, but the atmosphere of the piece, with its red lights and enclosed spaces, definitely creates a surreal lack of inhibition as you share dreams with strangers. Either prepare a character for yourself, in what might be the easiest way to begin your Oxford acting career, or dare to lay bare the whole truth with consequences which will outlast the evening’s formal conclusion – a nice piece of ring composition which breaks the spell. If you are hoping to go into Law you may find it a useful practice, as I doubt any other mock interviewer will be quite so honest or brutal as these actors, who are hoping you’ll just play along.

What I did learn about myself, as I acted out the ritual of telling a stranger a concoction of half-lies confident in the fact that they won’t remember a word I said the next day, is that I’m an egoist strongly committed to relativism and my failure thus far in life to grow a beard or even a moustache will have dramatic consequences in my quest for a job. You see, what everyone wants is real success and I believe, with a little co-operation from their audience, these guys at C.A.R.N. might just achieve it.

How green can you go?

0

An investigation carried out by Cherwell finds that between Oxford colleges there is a large discrepancy between environmental approaches.

Trinity was the only college in the survey who had a specific environmental budget which is set at £50,000 annually.

When asked how much they spent on environmentally orientated matters, most colleges said but that refurbishments, alternate energy sources, and recycling facility costs all came out of their normal maintenance budget. Hertford said that last year, £101,000, 25% of annual maintenance budget was spent on environmental measures and they pledge this year to reduce food waste and use sustainably sourced products.

Jesus College claim to have spent far more than this however, citing over £500,000 on environmental measures on average per year for the last five years. They concluded that they have, “the ambition of spending £500,000-£1,000,000 per year on projects with key environmental impacts.”

A student at Jesus told Cherwell that while the figure was “a lot”, he thought that the environment was important and that therefore “while the college can afford it, it’s a good idea.”

 

‘Trinity has a £50,000 annual environment budget’

 

Roberta Iley, Chairperson of the OUSU led Environment and Ethics Committee, commented: “At Oxford we contend with a very difficult college system that is unfortunately not very accountable relative to the university as a whole. “Inevitably, this means that many of the colleges’ environmental standards are lagging behind those seen in the departments and at other universities.”

61% of the colleges who responded to us said that they did have recylcing bins in student rooms.

However, in other colleges such as Harris Manchester this is not standard, a spokesperson for the college said, “Recycling bins are available in rooms for a deposit and it is the responsibility of the student to empty them. “There are no current takers for this.”

Winston Featherly-Bean, the college’s JCR President told Cherwell that “At Harris Manchester, a lot of students look for opportunities to recycle and help the environment.

“I suspect that not everyone was aware of this option and so the next step is for the JCR Committee to make sure everyone does.”

OUSU’s E&E Committee are currently carrying out a survey of Oxford colleges dubbed “Recycling with Honours” whereby colleges are rated on their facilities and given a tailor-made advice pack accordingly.

Natalie Haley, the Recycling and Waste Officer, said, “We looked at the current state of recycling facilities in Oxford colleges and we were shocked at how bad the provisions could be hence decided to start this campaign.”

St Peter’s E&E Rep, Sinead Lane revealed, “We’ve been trying to get comingled recycling for about a year and a half.

“However after informing the bursar about the OUSU E&E committee’s campaign to rank all colleges by their environmental standards they’ve been much more helpful and now we’ve got comingled recycling.”

Almost half of the colleges who responded to our survey had renewable energy on the table: most of them as part of new developments which are required to generate 20% of their own energy under Oxford City Council building regulations.

 

[mm-hide-text]%%IMG_ORIGINAL%%3387%%[/mm-hide-text]

 

One such construction is the Ship Centre owned by Jesus which has solar panels on the roof, providing an estimated 5-10% of the energy used for space heating and hot water. The college has further announced plans of a project to install solar thermal, solar photovoltaic or geothermal systems at all the student residences.

Exeter have installed on their facilities air source heat pumps, ground source heat pumps, solar thermal panels, and solar photovoltaic panels which together produce 25% of the college’s energy requirement.

One Exeter student commented, “I think it’s good that we’re doing all we can and even if things are slightly more expensive for a while, I’m happy to pay if that means we’re doing our best for the environment.”

Other schemes in the pipes, no pun intended, include plans to generate energy from food waste at Catz, and installing ground source heat pump coils in the lake at Worcester.

Another issue which arose from our survey was how colleges were to become more energy efficient without defacing their buildings.

Built in the 1960’s, St Catz was the only college in the survey which can boast to being 100% double glazed, only 23% of the colleges asked said more than half of their student accommodation is double glazed.

Merton and St John’s both stated that this was due to having listed buildings as college room but secondary glazing has been used.

 

‘Oxford has a really exciting potential to go green’

 

St John’s student Domonic Parikh said, “Double glazing seems like a win-win, especially in student accommodation. “I’m not sure how bad double glazing would really look – certainly my building at John’s is hardly pretty in the first place.”

Daniel Lowe, a member of the OUSU E&E committee, told Cherwell, “Double glazing in colleges is often very difficult due to many college buildings being listed, but King’s College London have shown how a grade I listed building can become energy efficient.”

The 1829 building in London was refurbished in 2007 to maximise the effect of natural light and solar heat. It now saves around 383 tonnes of CO2 per year and £77,000.

Other less conventional methods to encourage green thinking include OUSU’s Beds for Bees Campaign” which aims “to establish a network of ‘nectar beds’ across Oxford.”

The flower beds planted at colleges and other sites will contain native plants that will provide nectar and pollen from March to November, making Oxford “a great place to bee!”

Andrew Campbell Black, E&E Rep for Mansfield who are participating, said of the scheme, “I think it is quite important and something that Oxford colleges can do very easily. “They often only need to order a new batch of seedlings and the differences to the bees will be large.”

Linacre, regarded by the E&E Chairperson Iley as “the most environmentally-college by [her] standards”, took some different approaches.

To encourage students to do their bit, the college held a competition between different accommodation blocks which meant that some buildings have decreased their energy usage by a quarter.

The winning students will be awarded with a, “free low carbon dinner in the small dining room”. Niel Bowerman, a physicist and environmental activist at Linacre told us, “In the past year we have cut our carbon emissions 13% compared with last year.

“Everyone at Linacre has been working together to drive down our energy usage from students to the cleaning staff to the Principal himself.”

Patrick Kennedy, from the E&E Committee, told Cherwell, “With the university ranked 89th in the national ‘Green League’, it’s more than clear that there’s definite space for improvement.

“Oxford has a really exciting potential to turn green, and it’s great to see some colleges make positive changes.

“However, many colleges are clearly lagging behind, and need to start thinking urgently about sustainability.”

Review: A Row of Parked Cars

0

This absorbing drama written by Jesus College student Matthew Parvin had its first outing in the Turl Street Arts Festival last term and is now coming to the Burton Taylor with an all new cast. I say ‘cast’: there are only two actors in this intimate hour long play, but thankfully their performances are sufficiently strong and distinctive to propel the play forward with panache.

Jeremy Neumark Jones shows great range and explosive energy whilst Sam Smith gives an understated and nuanced performance. They bounce off each other to make the drama compellingly unpredictable. The play explores some rather ‘big ideas’, some rather ‘dark thoughts’, some rather enormous ‘human condition’-shaped elephants in the room, but what else would you expect from a night of student drama at the Burton Taylor? I would be quite taken aback to see a play there that does not toy with suicide, highlight the futility of our banal existence and reference both cancer and the other ‘c-word’.

The play revolves solely around the interaction between vicar/therapist Regis (Sam Smith) and troubled student Jeremy (Jeremy Neumark Jones). There are five short acts, each corresponding to a session between these two intriguing characters as their quite fractious and combustible relationship continues to develop. Whilst the premise and the plot could seem a bit arch and over-engineered, the quality of the dialogue and the intensity of the performances more than compensate for this and the result is authentic and watchable. At times, Jeremy comes out with such perfectly formulated lines and intelligently voiced ideas that the dialogue risks becoming a little over-written or contrived and the otherwise ultra-realistic tone of the play comes under threat, but the overall quality of both the writing and the acting wins over and the play proves convincing, engaging and thought-provoking.

 

3.5 STARS