Wednesday, May 7, 2025
Blog Page 1801

Earliest medieval map of Great Britain digitally released

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The Bodleian Libraries, in colloboration with Queen’s University Belfast and King’s College London, have released this week a digital version of the earliest surviving map of Great Britain.

Known as the Gough Map, it depicts a recognisable coastline, geographically accurate locations of towns and the distances between them. The fifteen-month research project about this map discovered that it was made close to 1375, rather than in 1360 as had been thought. The project can also confirm that the map is the work of at least two scribes, although their identities are unknown. 

The researchers made such discoveries by exploring the map’s ‘linguistic geographies’: the writing used on the map by the scribes who created it. The digital image of the map works in the same way that a current digital map does, in that it is searchable by place name (current and medieval) and by geographical features. The website also contains scholarly essays about the map and news about the project.

Nick Millea, Bodleian Map Librarian, said, ‘the project team was keen to ensure that our research findings reach the widest possible audiences…To this end one of the main project outcomes is this web-resource through which the Gough Map is made more widely accessible.

‘We hope this will help others to develop other lines of enquiry on medieval maps and mapmaking, whether in academic or non-academic sectors, as well as provide greater levels of access to the Gough Map, enhancing it’s world-wide significance in the history of cartography.’

The curse of gridlock on US politics

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The spotlight has been thrown on the workings of America’s political system in recent weeks, as politicians attempted to strike a deal to get the nation’s legally allowed debt ceiling to be raised. Even though dire predictions have been made over the impact the US failing to raise its debt ceiling would have on America’s economy, and indeed the world’s, a deal was only done at the last minute.

It seems staggering that politicians would let things slide so far. To an extent the current crisis is undoubtedly testament to how fiercely partisan American politics is at the moment. However, the current impasse is far from an aberration. In the 1990s Clinton faced many of the problems that Obama does now.

The fault – as President Obama recently alluded to when he stated that America was in danger of losing its AAA economic rating because it did not have a political system to match – lies in the political system set out by, that most revered of documents, the American constitution. Strange as it may appear considering America’s current position as the world’s pre-eminent democracy, the Founding Fathers were deeply fearful of the consequences of mob rule. Many of the constitution’s provisions, such as the federalist system, the bicameral legislature and the relationship between the president and congress stem largely from this fear.

In many ways this produced a workable and balanced political settlement. However, the decision to introduce staggered elections in order to counteract the likelihood that a political group would control all the institutions of government has had grave consequences: especially when coupled with a system that gives numerous ways and opportunities for potential pieces of legislation to be defeated.

Elections to the House of Representatives are held every two years, while one third of the Senate is elected at the same time. Given how quickly the political mood can change, this often (though far from always) results in a legislature which is profoundly different in its political outlook and aims to those of the executive, or in the two chambers being controlled by different parties. The political result is what Americans refer to as gridlock.

Gridlock tends to lead to the different parts of government; specifically the legislature and the executive, not just checking each other but actively stopping the other part from functioning effectively. Consequently it is extremely hard to get bills passed, especially if the House and the Senate are controlled by different parties – as is the case now. As the wrangle over raising the debt ceiling shows, this can grind to a halt the passage of even the most necessary bills. The sitting President can forget about trying to pass anything that might be deemed controversial, or anything overtly ideological. America’s political system is all but shut down and slumbers comatose until the next set of elections, which might produce a result which will end the political stalement.

The UK’s political system, for all its flaws, does at least avoid this. If anything some have argued that the legislature does not provide an effective enough check on the executive, as the executive in most instances is drawn from the party with an absolute majority in the House of Commons. This has at times led to a situation called by Lord Hailsham an ‘’elective dictatorship’’, where the majority party is more or less free to enact its manifesto unhindered. While this means checks on the executive are relatively weak, it does mean serious change can be enacted and a party will, at least in theory, be able to put into place the policies it campaigned upon. In America political debate too often focuses on the same old tired disagreements, while the ability to carry out radical change, which could be hugely beneficial for the country, is for most presidents nothing but a distant dream.

Instead the American system often leads to endless torturous negotiations over minutiae of policy and fossilises the political landscape. With the constitution regarded by most Americans as sacrosanct and the mechanisms for altering it extremely hard to fulfil, this is a situation that is both hard and unlikely to change. The American government, in what looks like an age of increasing partisanship, may be unable to carry out radical changes it might need to remain the world’s leading economy. Gridlock at the heart of the American political system may well lead to a broader stagnation.

The Hitchhiker’s Guide to Morocco

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Zoe:

So. Hitchiking to Morocco. With my enormous rucksack packed in a last-bop-of-term haze, and the subsequent discovery as we began our journey of my entire wardrobe, 5 pairs of shoes, a pair of novelty breasts and a pink plastic visor, did I really think we’d be able to do this? Dubious.

Somewhat controversially, Amsterdam was our first stop, and we’d decided beforehand to take a 15-hour coach into the capital. Arriving in the harsh light of a late-March morning, our first priority was hostel-searching; 10 minutes later, we arrived at The White Tulip. Imagine a room shared with fifteen other people, rickety metal lockers and sheets which looked like they hadn’t seen a good wash in years: “What about your Cath Kidston sleeping bag cover, darling!” screeched my mother down the phone when I told her. Cath Kidston couldn’t save us now.

We spent 48 wonderful hours in this amazing city, wandering the streets and getting hopelessly lost. In the evenings we ambled along the red light district and poked our noses into the illustrious Condomerie. But all too soon it was time to pack up, sling on our bags and head to the Autobahn.
Andrew had hitchhiked before and knew what to expect, but Vidhi and I — complete novices — were geared up for a complete existential crisis after half an hour and three rejections. Eventually we piled into a lovely Dutch man’s car and sped off, away from the ‘Dam. There was something incredibly special about that first lift for me. It made me realise that it could be done, and that people were prepared to help us along the way; the conversations we had throughout the entirety of the route I still think about today.

That night we were deposited in Ghent, Belgium. A group of students dropped us in the grounds of the University and, as it was getting dark, we decided to adopt the ‘stealth camping’ approach and pitch our tent amongst the trees by the Maths building. That night, after an impromptu student party, we stumbled back. We were awoken the next morning by two uniformed security guards, and after fifteen minutes of feigned confusion (“We had no idea this was a university! This is the Master’s garden, you say? My how silly of us, pardon messieurs”) we were on our way once more.

Next, onto Triolo, and the less said about what we dubbed the ‘Anuba’ of France, the better. Paul, the lorry driver from Staines, gave us a long lift and, almost overnight, we’d reached Paris. Vidhi had a very classy couple of days touring the Eiffel Tower and generally being culturally-aware. Andrew and I opted for carton white-wine in the Jardins, checking into increasingly expensive hotels and, er, visiting the Louvre. Gotta love Paris.

Vidhi:

After Paris we stumbled around French countryside until we hit Bordeaux. We found a Romanian truck driver with Jesus on his dashboard and rosary beads around the mirror, who agreed to drive us all the way to north-central Spain. With him, we drove through the picturesque mountains and storybook villages of Spanish sierra listening to illegally downloaded music on his laptop. Nine hours later, he waved goodbye as he dropped us off at a service station on the road that linked Valladolid to our next destination: Madrid.

The road from Valladolid to Madrid was long and hard. The region had suffered from dire depopulation in the twilight of Franco’s regime and the families who had abandoned the countryside in search of work left it in decay. Crime rates were high and few were willing to trust three desperate hitchhikers. We made little headway that day and around 10 pm that night we decided to find somewhere to sleep.

The Bear Grylls spirit we had had in the early days of the hitchhike had withered. The countryside was dark and uninviting. Camping was out of the question. A solitary sign of civilization, Hostal Zamoran, squatted proudly in front of us.

Hostal Zamoran, to our dismay, turned out to be a brothel. Neon lights and leather corsets, fishnets and glitter, the sleazy businessman by the door: it sounds like a tacky Eurotrip cliché but the reality was somewhat more hard-hitting and tragic. The proprietress leaned over the bar and asked as through false eyelashes and a smile painted on in rubber red lipstick what we were doing here. Did we need money, she wanted to know — but oh, we looked so young – did we need a job? We tried to explain the situation through hand gestures and broken GCSE Spanish. Finally, one of women said she would call her friend Felipe, he would help us — go wait at the service station.

Felipe saved us that night. After taking us to the local bus and train stations, we discovered there would be no public transport until the next morning. Felipe offered his guest bedroom and yet again we were surprised at a stranger’s capacity for kindness.

We didn’t get into Madrid until the next evening. When we finally arrived, the capital was buzzing but we were too exhausted for culture. We didn’t want to see the Guernica or explore the city. The thought of trying “authentic Spanish cuisine” only brought back vomit-flavoured memories of the pigs ears swimming in blood sauce that Andrew had ordered in a moment of blind hunger earlier that day — we settled instead for a greasy Chinese and headed South after spending the following day lying in bed.

We rushed through the enchanting south of the country, promising to come back some day and swim in the sparkling waters at Cadiz but we pushed forward, desperate to reach Morocco. The baking heat of the Spanish sun inspired a moment of insanity and we launched, in the middle of the road into a lunatic moustache war. Andrew pinned me to the ground, Zoe straddled me and a proud permanent-marker moustache was inked onto my face as I writhed and kicked and screamed. (These moustache wars would repeat themselves in moments of psychotic vengeance at random moment for the rest of the trip.) Finally, bone-tired and painted, we reached Tarifa and got on the 7pm ferry to Morocco.

Andrew:

We landed in Tangiers and high-tailed it to the train station to get to Marrakech. The sleeper train was a blessing what with us having spent so much time in tents (or on the porch of gasolinas) over the last few days.

After a cosy night on the train we made it to Marrakech and found the charms of Djemaa el-Fna. Djemaa el-Fna is the main square, replete with snake charmers and monkeys during the day before giving way to cheap restaurants, story-tellers and music at night; and we ploughed headlong into the madness.

The souks were a complete labyrinth of passageways full of colourful clothes, lamps and exotic animals. We were confidently assured by one vendor that it was easy to smuggle turtles back to England on the plane through the use of empty cigarette packages. Whether we’d be able to smuggle back a chameleon under our clothes/clinging to our nether regions was open to debate though.

We did our bit as ambassadors for England by fulfilling our national stereotype and going in search of alcohol. Of course, searching for alcohol in a predominately Islamic society was always going to be a challenge and we were duly sent from place to place by cryptic locals.
The response in the supermarket was ‘yes, we do have, but first I must go make it.’ Fear of consuming anti-freeze or some other poisonous form of ethanol prompted us to keep going. Eventually we found a dark staircase leading down into a dingy cellar reminiscent of prohibition era America.

Once the vendors got over the shock of seeing two girls attempting to purchase alcohol we made our way out into the evening with our newspaper wrapped package tucked under the arm.
Our final fling together as a group was to head to the Ourika Valley to hike up and see the waterfalls. We trekked through a small Berber village before navigating the mountainous terrain up to the source.

At the top, in the sun, most people were content to sit back and savour the views. However, we planned on swimming in Morocco and since we weren’t heading to Rabat or elsewhere on the coastline we had to make this count. Let’s just say… the water was cold, very very cold. Standing under a waterfall made the day for us, especially when it became apparent that only the English contingent of our tour group was brave enough to do it!

With our mission complete and our time in Marrakech drawing to a close, it was time for the girls to head home for further adventuring, marathon running and for me to stay on and investigate the wonders of Fez, only this time there’d be no thumbs in sight.

Cherwell Music presents Mixer: July 2011

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From Michaelmas 2011, Cherwell Music will be bringing you a weekly online mixtape – and to whet your appetite we’re compiling the best tracks each month, all summer long. The July weather went from so-so to scorching, so here’s an appropriately eclectic round-up of recent releases and summer anthems (with Viva Brother firmly off the menu). Play loud and outside – and come back next month for August’s installment.

 

 

Washed Out – Eyes Be Closed

If 2010 really saw the “summer of chillwave”, Washed Out’s climactic layered synth ballad from this July’s Within and Without proves it’s far from dead.  

Ringo Deathstarr – Down On You

Austin, Texas isn’t the first place most people would associate with shoegaze, but ‘Down On You’ ably demonstrates that My Bloody Valentine’s influence has reached the Deep South. Re-released in July by London’s Club AC30, this is Ringo Deathstarr’s sunny response to New York’s recent noise-rock revival. 

Wavves – King of the Beach

Fact: the best summer single of 2011. Lo-fi surf rocker Nathan Williams is lucky enough to hail from the endless summer of San Diego, California; the rest of us will have to settle for this fantastic track.

Beirut – East Harlem

Beirut is back, and he’s somehow managed to pack even more instrumentation into his compositions. ‘East Harlem’ is a teaser for his new album The Rip Tide, and we’re already excited.

Herman Dune – Tell Me Something I Don’t Know

French anti-folk duo Herman Düne have been extremely prolific in their decade of existence; their quirky songwriting could be compared to countless plaid-shirted counterparts (the Mountain Goats certainly come to mind), but their humour and endearing Franco-Anglicisms set them apart, as they do on July’s ‘Tell Me Something I Don’t Know’. 

Unknown Mortal Orchestra – FFunny FFrends 

Unknown Mortal Orchestra provide the quintessential summer jam – don’t question the spelling, just enjoy the laid back psychedelia.

Trouble Books & Mark McGuire – Song For Reinier Lucassen’s Sphinx

The eponymous debut album from Trouble Books & Mark McGuire very nearly passed us by earlier this year but tracks like the sparkling ‘Song For Reinier Lucassen’s Sphinx’ have left us waiting with bated breath for their next move.

Common – The 6th Sense

Taken from 2000’s Like Water For Chocolate, Common spits his usual pearly wisdom atop one of DJ Premier’s most unashamedly gorgeous beats. Soulful hip hop for those long, lazy summer evenings.

Kendrick Lamar – Fuck Your Ethnicity

Up-and-coming Compton rapper Kendrick Lamar is tired of your bullshit. He’s got a message, and the flow to back it up. 

Björk – Crystalline

Björk’s tenth studio effort Biophilia is due to drop in September, and we’ve only got this to sustain us until then. A return to the electronics of the groundbreaking Homogenic, ‘Crystalline’ is sure to satisfy die-hard fans (for five minutes, at any rate).

Chad Valley – Shapeless

Oxford’s very own Chad Valley mounts a strong challenge to chillwave’s poster boy Washed Out with this dreamy cut off his latest EP, Equatorial Ultravox.

Little Dragon – Ritual Union

The summer is for many things: one of them is sex. By far the most sensual release of July was Swedish quartet Little Dragon’s Ritual Union, whose title track is an exercise in warm electronics and soulful longing, courtesy of Yukimi Nagano’s stunning voice.

Twin Sister – Bad Street

A summer single par excellence. Abandoning the cosiness of their debut EP’s nostalgic dream pop, Twin Sister’s turn to groove-heavy funk has many excited for this September’s full-length In Heaven.

Jamie xx – Far Nearer 

Coming off The xx’s incredibly successful self-titled debut and an acclaimed remix album of Gil Scott-Heron, producer Jamie xx continues his winning streak with this steel-drum-infused garage single.

The Horrors – Moving Further Away

Lead single ‘Still Life’ got all the attention when The Horrors returned last month with third album Skying, but this krautgaze monolith steals the show with its soaring vocals and unrelenting rhythms.

Mixer: July 2011 is also available on Spotify – click here to load the playlist.

Norway: Ideology has a role to play

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First things first: I agree with a lot of Hugh Burns’ article. I agree with his condemnation of the farcically sub-par journalism which accused al-Qaeda of the recent atrocious attacks in Norway. I agree with him that news shouldn’t been reduced to easily digestible narratives that undermine the complexity of the issues at stake. But ultimately it fails to tackle a fundamental problem at the heart of much of the media coverage: the absolute double standard between the coverage of Islamic “terrorists” and Western “gunmen”.

The most powerful example of this is the tendency of certain elements of the global media — notably among our friends across the pond — to continue emphasising the problem of Islamic terrorism in relation to the shocking events in Norway even after al-Qaeda was shown to have played no role in the attack. While Burns was right to castigate The Sun for their terrible front-page, at least they had the good sense to drop all mention of al-Qaeda in their subsequent online coverage. After such a humiliating mistake, who wouldn’t? Enter the Washington Post’s Jennifer Rubin. Having erroneously cited the tragedy as “a sobering reminder for those who think it’s too expensive to wage a war against jihadists,” she sparked fierce rebukes calling for her apology. Did she aplogise? No. Did she drop the item altogether? Nuh-uh. Did she write the following?

“That the suspect here is a blond Norwegian does not support the proposition that we can rest easy with regard to the panoply of threats we face or that homeland security, intelligence and traditional military can be pruned back. To the contrary, the world remains very dangerous because very bad people will do horrendous things. There are many more jihadists than blond Norwegians out to kill Americans, and we should keep our eye on the systemic and far more potent threats that stem from an ideological war with the West”

— in other words, did she continue to maintain that the events in Norway, as unconnected and unrelated to Islamic terrorism as they were, were still a sobering reminder for those who still think it’s too expensive to wage war against jihadists? You betcha. Steve Clemons makes the more logical inference that ideology analogous to Rubin’s own may have more explanatory power than radical Islam does regarding this attack.

Rubin also made a distinction between “lone-wolf domestic terrorists” and “organised jihadists” which highlights another trend in the media, and one that Burns is perhaps complicit in, if not guilty of. I imagine that he would apply the same level headed analysis to an Islamic terrorist atrocity, and this would show admirable consistency. However, the trouble is that large chunks of the media don’t apply such consistency, and by down-playing the role of ideology, he does the job of those less level-headed than he for them. Such people imply the lone-wolf is a one-off, who we need to analyse the psychological history of, whose thoughts and writings are mad rather than evil. Such people are nothing to be concerned about in the broader picture. On the other hand, jihadists, according to this account, are all engaged in an unceasing war against the West, are the embodiment of evil, they hate us. They aren’t afforded the same psychological leeway. Not that they should be, but some consistency which is not contingent on skin colour or religion might not be such a bad thing. Glenn Greenwald put it best on Democracy Now!:

“And what’s really amazing is, you know, every time there’s an act of violence undertaken by someone who’s Muslim, the commentary across the spectrum links his Muslim religion or political beliefs to the violence and tries to draw meaning from it, broader meaning. And yet, the minute that it turned out that the perpetrator wasn’t Muslim, but instead was this right-wing figure, the exact opposite view arose, which is, ‘Oh, his views and associations aren’t relevant. It’s not fair to attribute or to blame people who share his views or who inspired him with these acts.’ And it got depicted as being this sort of individual crazy person with no broader political meaning, and media interest disappeared. It’s exactly the opposite of how it’s treated when violence is undertaken by someone who’s Muslim.”

Burns argues exactly that we shouldn’t attribute blame to people who inspired these acts, and I agree — Breivik is fully to blame for all the suffering he caused, and just as psychological trauma could never justify what he did, neither can his ideology. Burns argues that “while some may believe the views of Glenn Beck or the Daily Mail to be reprehensible, that does not justify the imputation onto these people of even more reprehensible views that they do not hold.” This is also entirely true.

So lets have a look at what Glenn Beck had to say on the incident, to ascertain what views he does hold. “There was a shooting at a political camp, which sounds a little like, you know, the Hitler Youth. I mean, who does a camp for kids that’s all about politics? Disturbing.” One piece of advice I have for Beck is that if you’re a controversial right-wing figure, noted for your emotional speaking style and holding mass rallies, it’s probably not the best idea to bring Hitler into the conversation yourself. Also, be sure that a political movement close to your own heart doesn’t already hold such political camps. But more to the point, Beck hasn’t exactly framed the issue in a way that is sympathetic to the victims of the atrocity, and is guilty of the most abhorrent and unjustifiable suggestiveness. Question: “Who does a camp about politics?” Answer: The Nazis. Oh, but the victims were actually attending a political camp? “Disturbing”. As the Boston Herald has observed, “actually, it’s the shooting that’s disturbing”

This is why I personally am quite happy for the parts of the British press, such as the Guardian and the Telegraph, to counter this trend and to pursue links to the EDL and evidence of a right-wing ideology of Anders Behring Breivik, rather than to dismiss this as the one off act of a madman. Too much of the media would happily downplay the role of ideology as it is too similar to their own. Burns writes that inferences “that the massacre represents something like the “logical conclusion” of the kind of agenda that might be pushed by such figures and outlets as Glenn Beck, the Daily Mail, Geert Wilders, or whoever” should be avoided, and I completely agree. However, while these actions are not the logical conclusion of the Daily Mail’s ideology, the very nature of ideology is that it leads to different logical conclusions for different people at different times. Marx’s ideology concluded that the state would wither away; Stalin’s interpretation led to the most overbearing state conceivable. True, Mao thought the Soviet Union was ideologically impure, but his efforts to restore Marxist purity to China led to the deaths of 45 million in the Great Famine and atrocities in the Cultural Revolution. The point is, the role of ideology can’t be downplayed just because its effects are unintended or its principles have been distorted by “crazy” individuals.

For my final example, I return to Mr Beck. On that same radio show he in fact says that Anders Behring Breivik’s acts are “not anything that anyone should engage in”, ostensibly distancing his ideology from that of the shooter, and even calling him a terrorist. But prior to this, he recalls a prophecy that he foretold last Autumn. It was made when he had the aforementioned Mr Wilders was on his show. “What is going on is exactly what I said would happen” he said, before relating Wilder’s argument that Muslims are taking over and “multiculturalism is killing Europe”, which would inevitably lead to a violent response from the right-wing. At the time, perhaps he didn’t make it clear that such acts are not anything anyone should engage in. After the event, it’s easy to make such condemnations. But the fact is that the events in Norway have been claimed as the logical conclusion of right-wing ideology by some elements of the extreme right-wing itself. So the idea that Breivik took it upon himself to fulfil this prophecy is unfortunately not as far-fetched as Burns would like, and it’s an idea which merits responsible exploration by the press.

Ginvestigative journalism

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Woodstock is only a 20 minute bus ride away from central Oxford, but once you’re there you couldn’t feel further from the slightly horrible, sweaty bustle of the city in summer. The village, also home to Blenheim Palace, is slightly reminiscent of a Midsomer Murders set with its sleepy charm, abundance of pubs and suspicious-looking locals. Yet it was neither the scenery nor the prospect of being murdered by a vengeful vicar with a pitchfork that had brought me and my companion to the village: it was the gin.

Woodstock is home to The Feathers Hotel, which boasts a restaurant and bar specialising in gin. In fact, specialising is a bit of an understatement:  the Feathers bar stocks almost 100 different gins from all over the world, and eight tonics to boot. What’s more, the two of us had signed ourselves up for the ‘Gin Experience’, a five-course meal (although it turned out to be eight), where that finest of spirits features in every course. To someone who considers Gordon’s to be a decadent departure from Tesco’s own-brand, the prospect was rather overwhelming.

I can only apologise in advance for the number of puns one can make using the word gin. Ginteresting, gintense, ginspirational, gintimate – all of these go some way to describing the ‘Experience’. We were first offered quails eggs and pâté (the first unexpected surprise) while we hastily attempted to read the descriptions of the dozens of gins on the menu. Making an informed choice was inevitably impossible, so I opted for a gin beginning with ‘I’, and my companion went for the one with the longest blurb. The two resultant G&Ts were completely different to the taste, thus enabling us to copy our waiter by making a number of pretentious remarks to each other about “notes of juniper” and “rich botanicals”.

Things flowed smoothly on from there, with a slightly strange – but wonderfully rich – celeriac soup in an espresso cup proving another unexpected delight before the meal-proper began. I won’t spoil the surprise by revealing how the gin appeared in each of the courses that followed (mackerel, quail, crab, lamb, sorbet and lemon Bomb Alaska), but among its guises were jelly, a shot of Red Snapper and a flaming sauce in a silver saucepan. The food was delicious and the portions perfect – small enough that we never felt too full for the next one, but never quite that irritating ‘expensive restaurant’ kind of small. My personal favourite was the softshell crab, but the quail’s leg stuffed with black pudding came a very close second.

An added bonus was that, despite clearly being a Very Good and Expensive restaurant, the atmosphere of The Feathers was welcomingly unstuffy. Although we were obviously students, the maître’d was as attentive to us as he was to the very fat businessman on the next table, and once we began to feel the full effects of the gin we didn’t feel that we had to keep our laughter too quiet.

Sadly, the price of the Gin Experience might prove prohibitive for students: coming in at just under £200 (including a bottle of wine and service) the meal was very far from cheap. But for a very special occasion or as a birthday present for a big ginthusiast (my own reason for going), you really couldn’t ask for better. Gincredible.

Review: Snow Patrol – Called Out In The Dark

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Snow Patrol aren’t just any old indie rock band. With hits like Chasing Cars, Run, Open Your Eyes and Signal Fire under their belt already, it’s not surprising that we’ve come to expect nothing short of excellence from the Bangor rock group.

Snow Patrol have been lying low since A Hundred Million Suns was released back in 2008. But now their return is imminent. Called Out In The Dark will be the first comeback single to be released this September from their much anticipated sixth studio album, Fallen Empires. What will the boys unleash this time around? Snow Patrol have suggested that a change of direction away from the group’s rock foundations may be in store for us, taking this new album to exciting unknown waters. The Northern Irish band have been working with Grammy award winning music producer Garret ‘Jacknife’ Lee in Los Angeles to bring a new dimension to their already wide repertoire.

The forthcoming single is a delightful, electronica infused, powerful gem of a song. Beginning with an underlying, steady acoustic guitar riff that runs relentlessly throughout this track, quickly followed by a dancelike drumbeat which boldly kicks in alongside Gary Lightbody’s distinct vocals declaring, ‘it’s like we just can’t help ourselves cause we don’t know how to back down.’ The song builds momentum and reaches a climax with a striking, textured, electronic heavy chorus, ‘we are listening and we are not blind, this is your life, this is your time.’ Lyrically, it’s rather poetic at times: ‘how the heavens, they opened up like arms of dazzling gold, with our rain washed histories, well they do not need to be told.’ The song aptly ends with the repeating, hypnotic guitar riff and its accompanying drum riff. On a happy note, we are left with the notion of hope and ‘magic’, despite adversity, despite all odds, despite the ‘dark.’

Snow Patrol have delivered again and again, and this taster track has certainly whetted my appetite. Such an unveiling promises more goods to come. ‘We are listening.’ 

Review: The Horrors – Skying

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Here’s a thesis: The Horrors have been writing pop songs since they formed, but until now they’ve been doing it so subversively that no-one’s really noticed. Skying changes all that, with a new taste for soaring choruses and anthemic key changes, and a developed enthusiasm for pure melody. At its best, the band’s third album showcases some maturing songcraft. Lead single ‘Still Life’ and the baggy, psychedelic opener ‘Changing the Rain’ have an assured unity to them, as if they’ve emerged fully formed from the Dalston basement where the band wrote, rehearsed, and recorded the album.

In particular, krautgaze juggernaut ‘Moving Further Away’ – a worthy heir to 2009’s ‘Sea Within a Sea’ – rewards repeated listening as swooning noise-rock guitar darts around Tom Cowan’s synthesizers; Faris Badwan’s spectral vocals unite the disparate strands (even the sampled seagull noises make a weird kind of sense) until the whole thing accelerates into a kind of shuddering ecstasy. ‘I Can See Through You’ is smaller, stranger, and comes with a strangely vintage feel, as if Joe Meek had survived to mess around with analogue synths and phasers in the ’80s.

Most satisfyingly, though, The Horrors seem to have finally and fully transcended the ‘record collection rock’ tag that they’ve previously attracted. While previous albums Strange House and Primary Colours were decidedly more than the sum of their parts, those parts were fairly easy to pick out. On Skying, the sheer density of sounds and influences refracted, inverted, and indeed invented mean that it comes much closer to a unified and unique whole.

The greatest achievement of Skying is this unity, the creation and establishment over the course of the album of a swirling, dreamlike sonic world. Subversive elements flicker around the edges of what might otherwise be straight-up pop songs: unsettling, clattering synths meet guitars played backwards, colliding into each other and distorted beyond recognition. Some songs unexpectedly change direction: ‘Endless Blue’ floats like Neu! playing bossa nova for a minute and a half, and then erupts into a snarling interplay between Josh Hayward’s distorted guitar (taking cues from Sonic Youth) and Cowan’s chilly synth lines; while ‘Monica Gems’ pulses between jagged riffing and fluid shoegaze-pop – some near-inaudible backing vocals and trumpet fanfares make it sound like it’s being haunted by the ghost of Sergeant Pepper.

This shifting but cohesive musical atmosphere is the album’s major strength, but it also leads – paradox alert – to one of its weaknesses. Several tracks on the album are weaker than they should be, seeming like mere vehicles for sonic experimentation and falling short of the consummate wholeness achieved elsewhere. Badwan’s vocals are  cryptic, allusive, symbolic; the cynical might say vague, but they’re delivered with subtlety, burning and expanding slowly into the band’s organic sounds. On ‘Wild Eyed’ and ‘Dive In’, and particularly the first five touching but aimless minutes of ‘Oceans Burning’, there’s lots to enjoy but little to remember.

That’s not to say that any of Skying’s tracks are actually bad, just that they fade slightly into the background compared to the more developed material on display. Nonetheless Skying is an immersive and fascinating experience from beginning to end, working – like the best albums – as a coherent whole with several stand-out tracks. It’s certainly a unique sonic artefact, and once The Horrors have written a few more songs as good as the best ones here, they’ll have both the complexity and the tunes to be unstoppable next time around.

Oxford develops insect spy machines

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Researchers from Oxford’s Department of Zoology have developed insect-sized aerial machines designed to revolutionise surveillance work.

With wings closely modelled on those of real insects and the incorporation of micro-cameras, the machines are suitable for surveillance operations considered too dangerous for people to carry out as well as more covert operations. 

Dr Richard Bomphrey, leader of the research, said that he aimed to ‘‘explore how human made vehicles could transcend the constraints imposed by nature.” His research has focussed on the evolution of insect wings over the last 350 million years.

Currently the smallest unmanned surveillance device is around a foot wide.The new technology is likely to be used by the defence industry within three to five years, and may be widely deployed within 20 years.

NATO, the US Air Force and the European Office of Aerospace Research and Development have all expressed interest. The machines could be used for a variety of tasks from entering a hostile area or exploring the effects of a chemical spill to enhancing TV coverage of sports events.

Review: Two Gallants at Hoxton Bar

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After a two year hiatus, involving two separate solo albums, a bike accident, and a career-threatening car crash, there was certainly a feeling amongst the packed crowd at Hoxton Bar that we were lucky to be witnessing Two Gallants’ return to the road. Tonight’s gig was the second consecutive sold-out night at the venue, and its intimate setting enhanced this atmosphere of expectation, which was not to be disappointed.

Two Gallants are a two-piece made up of childhood friends Adam Stephens (vocals/guitar/harmonica) and Tyson Vogel (drums/vocals), who play an original, punk- tinged blend of blues and folk. The first thing that hit me when they started playing is just how much noise it is possible for two men and their instruments to make. The second thing was quite how brilliant they are at playing them, with Stephens’ intricate finger picking weaving perfectly around Vogel’s powerful, almost melodic, drumming. It really isn’t surprising to find out that these two have been playing music together since the age of twelve.

The set included songs from all four of their releases, as well as plenty of new material, which went down almost as well as old favourites, something not many bands pull off.  The intensity and emotion powering the whole gig suited the lyrics of many of their songs, which range from tales of heartbreak to narratives about murder and slavery. Whether playing louder numbers such as ‘Las Cruces Jail’ or sharing the microphone for the new, acoustic ‘Broken Eyes’, both were clearly putting everything they had into their performance, demonstrated both by the amount of sweat pouring off them and the way Vogel occasionally collapsed over his drums at the end of a song. The passion and honesty displayed in the performance led to slightly awkward silences as the crowd waited for Stephens to retune his guitar in between songs, but idle chit-chat might have felt anticlimactic in these moments.  Instead, I happily settled for watching a strange love-triangle developing in the second row.

Two Gallants are a band I’d wanted to see for years, and as they finished with a drum-less rendition of ‘Seems Like Home to Me’, my only complaint was that it had to end so soon (but not as early as it did for the jilted boyfriend in the second row, who’d already stormed off). If you don’t know this band, take a punt on iTunes or YouTube, but if you ever get the chance, go and see them perform, where the songs can really come to life.