Wednesday 29th April 2026
Blog Page 1780

Lax defence costs Oxford

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On the last Saturday in February University Parks was transformed into a sea of light and dark blue war paint, banners and ribbons. The pitch still fresh with the stud marks of the Swifts’ successful Tab-shoeing, the women’s Blues lined up for a stick check, knowing that all the hard work, sacrifices and 7am sprint practices had been leading up to this moment.

This was the match that everybody had been waiting for: crowds had gathered in their hundreds for the last lacrosse match of the day, and as the starting whistle blew, the spectators roared and waved their banners in support.

The first few minutes saw end-to-end play with a couple of great saves from Oxford goalkeeper, Alice Leach. The Dark Blues proceeded to have two goals disallowed in two minutes, one for a crossover and the other on the controversial grounds that a show from Emily Dally had hit the post, not the back of the net.

With the Oxford coach Raj Rout fuming on the sidelines, the home team finally broke the deadlock with a goal from straight attack Emily Sever. This came shortly after Cambridge defence Anna Harrison had been cautioned for a dangerous tackle and was relegated to the sidelines for two minutes.

Next it was Oxford midfielder Fiona Murphy’s turn to get a yellow card. Cambridge took advantage of their man-up situation to draw level with a goal from captain Alanna Livesey. After some solid settled play around the Oxford goal, Sever struck again with a brilliant assist from Lucy Andrew, but this lead was short-lived as Cambridge almost immediately pulled the score back to level.

This was the catalyst for a period of Cambridge-dominated play. The visitors went ahead for the first time with a well constructed goal from Laura Plant, and they quickly scored another, prompting Oxford to call a time-out with seven minutes remaining in the first half. The 90-second break served only to spur Cambridge on, and by half time they were four goals to the good, following a double from Welsh international Ellie Walshe, making it 6-2 to the Tabs.

As the players took to the field for the second half, it was Cambridge who remained on top for the first five minutes, scoring two more goals from settled play. Needing six to get back to level, Oxford managed to pull one back with captain Char Houston firing the ball into the top corner to make it 8-3, but the visitors proceeded to score twice in quick succession, putting victory all but out of reach for the hosts.

A goal from Sever, completing her hat trick, and another from Houston five minutes later tightened the score for the home team and gave them a glimmer of hope. But subsequent scores from Cambridge attackers, including Alice Bush, increased their lead to seven with five minutes left on the clock. A late goal from Fiona Murphy was a mere consolation for Oxford who, despite keeping up the fight until the final whistle, were beaten by the better team on the day.

The visitors had pulled two far ahead at the end of the first half for the Dark Blues to complete a valiant comeback. Elsewhere, however, Oxford enjoyed a clean sweep. The Men’s 1st XII thrashed their light blue counterparts 12-0, with the 2nd XII winning 4-2. Oxford’s mixed team and the women’s XII also emerged on top after close games, to make it an overall triumph for the Dark Blues. 

Heart disease drug may ‘reduce implicit racial bias’

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A recent study by researchers at the University has found that those who consume a specific type of heart disease medication are less likely to be racially prejudiced at a subconscious level.

The drug, propranolol, is commonly used to treat anxiety and panic as well heart disease, but also acts on the part of the brain involved in emotional responses such as fear, upon which some scientists believe that racism is founded.

The study, led by Dr Sylvia Terbeck, required 18 participants to consume propranolol and another 18 to take a placebo. The participants then undertook the IAT (Implicit Attitude Test), which involves the sorting of images of dark and light skinned individuals as well as negative and positive words.

The results of the test showed that, unlike any members of the placebo group, a third of those who took the drug obtained a negative result, meaning that they were implicitly biased against any racist sentiments.

However, Dr Terbeck warned against any claims that propranolol could be taken to modulate human behaviour. She stated, It is to jump to conclusions if people think that the pill cures racism; it misinterprets the findings. What we found was that it had an effect on implicit racial bias.”

She explained that racism is a “complex thing,” and added, “This drug affects one component. Your attitude to a lot of people consists of what you feel and think. This drug changes what you feel, not what you think.”

As well as examining their implicit bias, participants were also tested on their explicit racial attitudes after taking propranolol. In the latter, the drug was found to have no effect.

Nonetheless, Dr Terbeck was keen to stress that the findings were “promising”, adding, “It might give us some more understanding about the brain.”

Such feelings were shared by Professor Julian Savulescu, director of the Oxford Centre for Neuroethics and a co-author of the study, as he stated, “[This] research raises the tantalising possibility that our unconscious racial attitudes could be modulated using drugs, a possibility that requires careful ethical analysis.”

He warned that “Biological research aiming to make people morally better has a dark history,” and added, “Propranolol is not a pill to cure racism.” He concluded by calling for a “better understanding” of the side effects of the drug.

In response to the findings, one second year biochemist commented, “I have taken propranolol before and I honestly didn’t notice any difference in my thoughts about people of a different race. It may be because I wasn’t thinking about it at the time but even reflecting on it now, I really don’t think there was any difference.”

Another added, “Somehow I don’t think it’s going to turn neo-nazis into people who protest for minority groups.”

£10,000 spent on fake Oxford room

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A sixth form college in Hackney has spent £10,000 creating a copy of an Oxford tutor’s study.

Formerly a staff room, the “Red Room” in BSix Brooke House Sixth Form College has been designed to make inner-city students feel less intimidated by interview surroundings. It aims to help encourage them to apply to Oxford and other top universities. 
£4,000 was spent on building the room and £6,000 on appropriate furnishings, including an adjacent garden with replica classical sculptures. It is modelled on the colours of Pembroke College, Oxford, as part of the “Pem-Brooke” partnership programme between the school and the College. 
Dr Peter Claus, senior research fellow in history at Pembroke, teaches BSix students in the Red Room three days a week, running tutorials and seminars throughout the year. He believes that all academics ought to perform a similar “public duty” in light of “urgent” social mobility problems.
Last year, three quarters of the 319 BSix students who went to university were the first in their family to do so. Only 10 of those attended Russell Group institutions while just one student went to Cambridge in 2011, and another to Oxford in 2010. 
Headmaster Ken Warman said he was keen to grow the strategy and improve such figures. He told Cherwell, “We work with 13 other universities on similar programmes. In 2010, 10 students were on such a scheme. Our goal is that, by 2015, every student will be.”
Luke Pearce, a 16-year-old student at BSix, who wants to be the first in his family to study at university by reading PPE at Oxford, approves of the room, saying, “Just stepping in makes you feel quite inspired and privileged.”
Mr Warman stressed that, “If you go to Oxford it is a daunting experience. But if our students have already done it, they will be much more able to cope without being thrown by the unfamiliar surroundings.”
A first-year at Wadham, also educated in East London, commented, “Although it seems like a good idea, I feel there is more emphasis on “style over substance’”, but went on to state, “that said, this style of practice might be the perfect stimulus for some students, especially in regards to self-esteem and their perception of Oxford”. 
Simone Webb, a first-year PPEist, was more critical, responding, “I think that £10,000 could be better spent on improving the quality of education at the sixth form, which would far better prepare students for Oxbridge admissions.”
However, Mr Warman pointed out that he was “devoting the whole institution to the pursuit of high standards for all” and explained that use of the room would be open to all Hackney schools.
Helen Robb, St Anne’s JCR President, felt that, “At interview, one of the most important things for all applicants is to feel confident in expressing their ideas regardless of their environment. If the study can help this in any way, then of course it’s a good thing for those applicants who have access to it.”
Yet Hertford student Rhys Owens remarked: “If you’re the kind of person who gets intimidated by a building or a room, I’m doubtful as to whether applying to Oxbridge would really be the right choice.”
Reacting to accusations that it was “intimidating”, the University emphasised that it is “holding more than 1,500 outreach events across the country, trying to break down some of the myths that still persist about Oxford and its admissions process”.
Charlotte Hendy, Pembroke JCR President, was supportive of the scheme, adding, ‘The link between Pembroke and BSix has been an extremely successful initiative. The replication of the study at the school is just one of a number of phases that students go through to give them insight into what studying at Oxford, and other such institutions, is like. It recognises just how important it is to make the student feel comfortable and prepared for the interview process, and we hope that it will aid the scheme as it continues to go from strength to strength.’

Formerly a staff room, the “Red Room” in BSix Brooke House Sixth Form College has been designed to make inner-city students feel less intimidated by interview surroundings. It aims to help encourage them to apply to Oxford and other top universities. 

£4,000 was spent on building the room and £6,000 on appropriate furnishings, including an adjacent garden with replica classical sculptures. It is modelled on the colours of Pembroke College, Oxford, as part of the “Pem-Brooke” partnership programme between the school and the College. 

Dr Peter Claus, senior research fellow in history at Pembroke, teaches BSix students in the Red Room three days a week, running tutorials and seminars throughout the year. He believes that all academics ought to perform a similar “public duty” in light of “urgent” social mobility problems.

Last year, three quarters of the 319 BSix students who went to university were the first in their family to do so. Only 10 of those attended Russell Group institutions while just one student went to Cambridge in 2011, and another to Oxford in 2010. 

Headmaster Ken Warman said he was keen to grow the strategy and improve such figures. He told Cherwell, “We work with 13 other universities on similar programmes. In 2010, 10 students were on such a scheme. Our goal is that, by 2015, every student will be.”

Luke Pearce, a 16-year-old student at BSix, who wants to be the first in his family to study at university by reading PPE at Oxford, approves of the room, saying, “Just stepping in makes you feel quite inspired and privileged.”

Mr Warman stressed that, “If you go to Oxford it is a daunting experience. But if our students have already done it, they will be much more able to cope without being thrown by the unfamiliar surroundings.”

A first-year at Wadham, also educated in East London, commented, “Although it seems like a good idea, I feel there is more emphasis on “style over substance’”, but went on to state, “that said, this style of practice might be the perfect stimulus for some students, especially in regards to self-esteem and their perception of Oxford”. 

Simone Webb, a first-year PPEist, was more critical, responding, “I think that £10,000 could be better spent on improving the quality of education at the sixth form, which would far better prepare students for Oxbridge admissions.”

However, Mr Warman pointed out that he was “devoting the whole institution to the pursuit of high standards for all” and explained that use of the room would be open to all Hackney schools.

Helen Robb, St Anne’s JCR President, felt that, “At interview, one of the most important things for all applicants is to feel confident in expressing their ideas regardless of their environment. If the study can help this in any way, then of course it’s a good thing for those applicants who have access to it.”

Yet Hertford student Rhys Owens remarked: “If you’re the kind of person who gets intimidated by a building or a room, I’m doubtful as to whether applying to Oxbridge would really be the right choice.”

Reacting to accusations that it was “intimidating”, the University emphasised that it is “holding more than 1,500 outreach events across the country, trying to break down some of the myths that still persist about Oxford and its admissions process”.

Charlotte Hendy, Pembroke JCR President, was supportive of the scheme, adding, ‘The link between Pembroke and BSix has been an extremely successful initiative. The replication of the study at the school is just one of a number of phases that students go through to give them insight into what studying at Oxford, and other such institutions, is like. It recognises just how important it is to make the student feel comfortable and prepared for the interview process, and we hope that it will aid the scheme as it continues to go from strength to strength.’

Afghanistan: the beginning of the end

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In the early hours of Sunday morning, sixteen Afghan civilians, nine of them children, were killed by a rogue US Army soldier stationed at a base in Panjwai, Kandahar province. He acted alone in what many speculate was a pre-meditated attack. The soldier has not been named but the AP news agency quoted officials saying that he is 38, married with at least two children.  While his motivations remain unclear, one thing is certain. For America, this marks the beginning of the end of the Afghan mission.

This is not the first time soldiers have intentionally killed civilians. In 2010, four soldiers killed three unarmed men in Maiwand district. But the timing of these killings is significant. Afghans are still reeling from the accidental burning of Qurans in late February which led to widespread riots which left over 30 people dead, including two U.S. military officers killed Saturday in a heavily guarded Afghan government ministry. This came shortly after a video leaked showing US Marines urinating on the corpses of men they had killed. The Taliban have threatened a violent retaliation to the killings which has reignited anti-American sentiment and further undermined the delicate American battle for Afghan hearts and minds.

The great irony in Afghanistan is that the efforts of American generals and senior government officials to gain local support for the NATO mission has not been undermined by the large number killings of civilians which have come as the result of intentional drone strikes or other forms of military engagement. Rather a few, random, unpredictable scandals for which the US cannot be blamed have done the most damage.

Obama has interpreted the growing frequency of such scandals as a confirmation that it is time to withdraw, but perhaps it is the withdrawal itself which has increased volatility. Knowledge that the NATO presence is nearing its end, the Taliban are reinvigorated and have interpreted the withdrawal as a victory. The announced withdrawal has also changed the mind set of the Americans. The top command insist that America continues to have a long term interest in a stable and prosperous Afghanistan, but it is hard to communicate these sentiments down through the chain of command to the soldiers on the ground. Ordinary troops no longer feel the US has a great stake in the future of Afghanistan and even fear they have lost the support of the American people.

Over the next few days, Afghanistan will be on a knife edge. Some bases have doubled the number of soldiers on watch duty while others have begun guarding their barracks as well. Initial reports suggest protests have not reached the levels seen last week after the accidental burning of Qurans but regardless of whether Afghans choose to take to the streets, their faith in the American presence is waning. The feeling is mutual.

The Two Gentlemen of Verona: Actor’s Blog

Acting is, let’s be honest about it, something of an ego massage. A massage in the form of clapping and whooping and hugs from people you fancy and wise handshakes from people you wish would adopt you. It’s an activity based on being looked at and listened to by a crowd of people. If you’re good at it, lots of people want to look and listen to you, and it will be a large crowd. If you’re really good, they’ll want to do this for an extended period of time. They may even be willing to forgo common first world luxuries such as long, open-mouthed yawns of boredom and inconspicuous genital scratching. The best actors can render a very large crowd silent with awe and provoke most unusual behaviour: phones are switched off to prevent the distraction they are intended to provide; eating is done quietly or not at all; whispering will result in frowning and negative telepathic waves from nearby crowd members; and a laissez-faire policy on toilet breaks is repealed in favour of fascistic bladder discipline. Why? All to create an atmosphere more conducive to watching and listening to a bunch of actors prancing and yelling like their lives depend on it.

It’s nearly the Easter Vacation. I, like all the other actors in Two Gentlemen of Verona, are going through the usual process of poking around with the script, working out why on Earth we’re saying and doing the things that our scripts tell us to say and do. Kate O’Connor is going through the usual motions of a director, caressing everything into the right shape and right consistency, like a potter sketching out the first curves of a new pot. So far, it’s like any other play. It’s Shakespeare so we feel grand and impressive; as though if we say anything with enough conviction it’s bound to make an impression on the audience, who, in their jaw-dropped state of amazement at our fabulous diction and dextrous facial expressions will no doubt be mesmerised by such an inspiring, perhaps even intimidating abundance of talent.

Except this isn’t just like any other play. And if they’re silent something has gone wrong. If they don’t involuntarily wolf-whistle at Amelia Sparling’s Silvia then something is wrong. If they don’t cringe in agony at Ed Seabright’s Proteus then something is wrong. If they don’t palm their foreheads with embarrassment whenever Tim Gibson’s Valentine opens his mouth, snort with laughter every time Stephen Hyde’s Launce steps on stage and audibly roll their eyes every time Speed makes a horrific pun, then something is wrong. No: this will be a proper garden play. And that means the sun will shine (it will), the wind will be light but noticeable, and the grass will be bouncy and comfy for you to roll out your table cloths and unfurl your meticulously packed picnic sets and sip your Pimm’s and scoff your scones. So please, please do whisper to your friends; do laugh and point and spit your drink out in surprise. No it isn’t a pantomime, but it isn’t in a stuffy theatre somewhere either. You aren’t going along with that bizarre game that we all play every time we decide to top up on some culture and become ‘theatre-goers’.

You see, we will be having fun. We’ll be singing Sinatra and skipping around and cycling across stage and climbing trees and then jumping out of them. In fact, take this as a challenge: if you can have more fun than us then I’ll buy you drinks.* We’ll be having fun not just because we’re actors who love strutting about on stage (love that though we do), but because we’ll be playing around with a hilarious script, with a group of hilarious colleagues on a beautiful summer’s day in one of the most beautiful gardens in the country, if not the world.

I guarantee that I’ll be in good company. Hopefully, you too will be with friends who want something nice to do in the sun. Well, Two Gentlemen of Verona will be jolly, jolly nice.

 

*I probably won’t buy you drinks, but I will make you tea or give you a high-five.

 

Barney Iley-Williamson is playing ‘Speed’ in Barbarian Productions’ The Two Gentlemen of Verona, to be performed May 1st-5th in Christ Church Cathedral Gardens. Tune in next term for perspectives on memorising lines, finding props, bonding with toy dogs, and the run-up to opening night. For more information about Two Gents visit their website, www.barbarian-productions.com, or follow them on twitter @twogentsox.

Sermon preaches accepting homosexuality

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The Revd Dr Andrew Teal has been applauded this week for a sermon given at Pembroke Chapel, in which he encourages the acceptance and affirmation of the LGBTQ community from the Church.

The sermon, entitled ‘An Overdue Apology’, explains Teal’s decision to hang a Rainbow Flag inside Pembroke Chapel as “an opportunity” to connect the religious and social symbolism of the rainbow, and to “challenge the Churches and some perceptions of faith as merely an instrument of oppression or control”.

The sermon began, “This week has been a very public one for Pembroke College, but it has focused attention on issues which are really quite public for wider Church and society.  I want to begin with an unconditional affirmation, however: that equality and inclusion, the protection of the vulnerable, and the right of all students and staff to explore questions around, and exercise the dignity of, their sexualities and genders without fear of hostility, ridicule or being belittled, is an absolute and irreducible starting point and the ground for all relations in this place.”

He then went onto criticise Cardinal O’Brian’s recent Sunday Telegraph article, entitled “We cannot afford to indulge this madness.”, in which he opposes the government’s plans to legalize gay marriage from the perspective of the Coalition for Marriage as they will ‘shame the United Kingdom in the eyes of the world’.

Teal continued, “So why is this flag here tonight? Together with an icon of Noah and the Covenant of whom the Rainbow is a symbol in the Jewish, Christian and Islamic faiths, here is a sign of God’s commitment to the life of each creature after the fury of the flood. It’s a sign of absolute commitment to each person’s authentic life, guaranteeing not only the right to exist, but the right and duty to flourish and to build a society together where love may be the guide. You could say that’s not what the rainbow alliance flag actually means in public perception. Well, perhaps it is an opportunity to make such connections, and to challenge the Churches and some perceptions of faith as merely an instrument of oppression or control.

Inhabiting who we are is the hardest part of the journey of being human: ‘Dost thou know who made thee’ asks Blake in the anthem the choir has just sung – made thee – just as thou art… The faiths hold out to us a challenge – to inhabit who we are perfectly – that’s what holiness and perfection are, not corresponding to a set of external and often self-contradictory and ambiguous norms, but to live with integrity the path of our lives without shame or fear: and to equip other people to be who they might be – to build a world of hope and tenderness and colour – a rainbow alliance, building on the first universal covenant made with all living creatures – manifesting and celebrating the obligation to flourish. So, in Cardinal O’Brien’s words, ‘We cannot afford to indulge this madness’ – we cannot afford to collude because of our fears with the rhetoric which ridicules and contributes to cultures of bullying, we can’t afford fear.

Teal closed his sermon in a redrafting Pope John XXIII’s prayer apologising for the Catholic community’s collusion with Nazism and historical anti-Semitism. He said, “I’m not the pope – nor even a Cardinal – and I can’t speak on behalf of the Roman Catholic Church, or apologize or contribute to the discussion on behalf of Cardinal O’Brien after his article in today’s Sunday Telegraph: but I can redraft this prayer for myself, and the confused Anglican community of which I am a part:

We realize today how blind we have been throughout the centuries and how we did not appreciate the beauty of all your people, or recognize your  features in our belittled brothers and sisters who are lesbian, gay, bisexual, transgendered, intersex, queer, questing, asexual, or heterosexual. We are becoming uncomfortably aware the stains of persecution upon our heads and hands, and of the power of prejudice in our arguments and attitudes. In the course of centuries our sisters and brother have been lying bleeding and in tears on the ground through our fault, only because we have forgotten your love. Forgive us our unjustified condemnation of those whose gender does not conform to our conventions. Forgive us that by crucifying them we have crucified You again, and deny much that is uncomfortable within ourselves. Please forgive me, forgive us. We still do not grasp what we are doing.’ 

He ended, “If flying a rainbow flag can communicate that – you are not alone – to one desperate, lonely, or rejected soul, then I will wear one.”

Thomas Barber, LGBTQ Rep at Pembroke college, was “extremely grateful to the Chaplain for his decision to hang the rainbow flag”. He told Cherwell, “Andrew is of course a very highly respected figure who members of the community look to for moral guidance and spiritual insight. His deliverance of such a progressive and forward-thinking sermon was an extremely courageous move which will undoubtedly go some significant way to increasing the sense of self-worth of many members of, and encouraging more tolerant and understanding views in society towards, the LGBTQ community.”

Pembroke’s MCR President, Gabriel Schenk, commented, “It was beautifully written and expressed, and the tone was just right — not judgemental, not political, just a rush of genuine love, kindness, and clear thinking.” Following the sermon, Pembroke MCR unanimously chose to support the JCR’s original motion to raise the Pride flag, and expressed their gratitude to the chaplain for his words.

Jess Pumphrey, OUSU LGBTQ Officer, said “It’s great to see a church figure promoting equality and showing that the animosity shown to LGBTQ people by the church is needless and not in line with the values of Christianity. It is very affirming for students to be openly accepted by their wider communities such as their churches and colleges, not just within the LGBTQ community itself”.

Lee wins Union presidency

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Seung-yoon Lee was elected as President-Elect of the Oxford Union last week, pipping opponent Luke Eaton to the post by just 29 votes, with 585 votes to Eaton’s 556. Lee will take up the presidency in Michaelmas 2012.

Lee told Cherwell, ‘I am very surprised that I won, because I was certain that I lost before the result came out. In fact, the margin was very small – 29 votes. I just would like to thank everyone who supported me. Also, I still can’t believe that I am the first oriental president in the history of the Union.’

Rajiv Dattani secured the position of Librarian-Elect following his term as Secretary this Hilary, beating rival Madeline Grant by 97 votes.

Jocelyn Poon was elected Secretary, emerging victorious by 148 votes. Joseph D’Urso was elected unapposed as Treasurer-Elect.

Review: Out Through The In Door

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Once upon a time, some hapless individual seems to have told writer Alex Mills that he’s really bloody clever, and by God, I wish they hadn’t. Not that they were necessarily wrong – Mills writes with flair and initiative, and might have succeeded in creating a rather interesting and imaginative piece, had he not tumbled over his own ego on the way in.

‘Marketing Manager’ Alex Harris has done well to launch a cohesive and pervasive publicity campaign that harnesses all manner of media, social and otherwise, coupled with memorable posters by Sophie Stephenson-Wright. Before coming to see the play, they looked to me a little like something from the waiting room of one’s local mental health clinic. This is perhaps not totally inaccurate, for a play that was characterised to me by an overwhelming feeling of tiredness, and wanting to be able to leave my seat as quickly as possible.

Out Through The In Door is (quite apart from being an equally underwhelming album by psychedelic-heavy-metal quartet Vanilla Fudge) best described as an ambitious work. A ‘friend of the company’ had previously described it to me as a ‘meant to be a sort of mindfuck parody thing’, which was a helpful thing to have borne in mind.

Parody or no, the play lacks the blistering scorn of true satire, succeeding instead in being rather overwrought – not to mention an absolutely exhausting experience. I found myself at various points bored, disillusioned and entirely drained: while that may or may not be the ‘point’, this ‘bastard child of Pinter, Beckett and McDonagh’ lacks the spark or, dare I say it, soul to be worthy of such emotional malaise. At its best points, the tone is a little smug – at its worst, it’s downright self-satisfied. The laughs are there, on occasion, though many of them feel cheap, or underhand.

With a different director, cast and production team, I can say with absolute certainty that I would have got up and left. To Mills’ credit, though, he appears to have directed Pacitti and Lyons with skill and sensibility, making excellent use of the space available to him such that, visually, the piece is consistently interesting. The lighting works well too: in one especially stunning moment, Pacitti stands in the dark, outlined by a rather glorious yellow spotlight. The effect is terrific.

Pacitti and Lyons, though both extremely capable actors in their own right, are a less than ideal couple: Pacitti possesses a natural charm that makes his sudden lurches into rage feel a little insubstantial, while Lyons, even at his most wheedling and ‘affable’, never quite manages to shake off a sense of immanent misanthropy. On balance, though, they are both to be commended for excellent performances within the constraints of an extremely demanding script.

In short, then – before I am lambasted for being too harsh, this play has a number of redeeming features, though most of them lay outside of the script. I believe Mills to be an intelligent and witty writer, though one likely to improve with a few years in the cellar. Two thirds of the way through, Pacitti asks Lyons whether it’s over yet, and I found myself hoping for a response in the affirmative. Don’t take my word for it, though – if nothing else, Mills’ production provides genuine fodder for thought, and very nice lighting.

TWO STARS

Lewis-Duncan Weedon at London Fashion Week

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Lewis-Duncan Weedon, a London based fashion designer and stylist is a no stranger to the spotlight of London Fashion Week. The designer of demi-couture brand LDW Atelier held a show themed “Russian Princess meets Scottish Lord” for the Autumn/Winter 2012 collection at the Montcalm Hotel in Marble Arch, on Thursday 23rd February, as part of London Fashion Week.

 

 

Aiming to create timeless chic glamour, Lewis-Duncan Weedon exhibits his latest looks for men’s wear, featuring blazers (often embroidered) with matching trousers, and women’s wear ranging from semi-casual to evening gowns. Looking to expand his prêt-á-porter line into areas of London, Lewis-Duncan Weedon’s work is practical with a glam kick—flattering shape and form as an objective. Weedon doesn’t overcomplicate in his designs, sticking to classical shapes in order to enhance the natural body, and through his use of comparatively ‘real’ size models Weedon demonstrated this well.

 

 

Lewis-Duncan Weedon has been passionate about fashion, and modelling, since the age of 13, and is now designing pieces worn by celebrities on the red carpet. Encouraging aspiring designers to “work hard, always believe you can, and follow your thoughts. Don’t be led by others” in a 2011 interview, Lewis-Duncan Weedon combines his classic designs with a strong sense of personality which was present throughout the presentation of his winter collection, and he seems to be on the track to achieving his own aspirations.

 

Will The Gaúcho Ride Again?

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Brazil’s international successes and failures have been intrinsically linked to the icons that have led them. Ademir galvanised the nation in 1950, Pelé was central to three FIFA World Cup wins, and Ronaldo defeated the demons of 1998 to win the country’s fifth FIFA World Cup four years later. Ronaldinho’s dream is to taste success in 2014, but it’s a dream that’s currently in jeopardy.

Just over a year ago the two time FIFA World Player of the Year made his much anticipated return to Brazilian football with Flamengo CF. The attacking midfielder’s goal was to force his way into A Seleção following his omission from Dunga’s 2010 FIFA World Cup Squad. Playing in his favoured left wing position, the man whose dazzling runs once made him one of the most notorious stars in world football, enjoyed a renaissance. As Captain he guided Rubro-Negro to Campeonato Carioca victory – going unbeaten throughout – and scoring four goals in the process. His resurgence, Brazil faltering at the Quarter-finals stage of the Copa América and a wave of emotional public support, saw the 31 year old return to the national picture under Head Coach Mano Menezes last September. 

Whilst a number of journalists questioned the return of the 2002 FIFA World Cup winner to the National Team set-up, citing it as a cynical ploy by the 49 year old former Corinthians manager to pacify the growing wave of public discontent surrounding the team’s subpar performances in recent international friendlies, it was a return that initially paid dividends. The Porto Alegre-born man was viewed as an important figure in Brazil’s Superclásico de las Américas victory over Argentina in which he captained a youthful Brazilian side, and was industrious in the team’s international friendly encounter against Mexico in mid-October, sealing an impressive display with a wonderful free kick. Despite glimpses of his past excellence he, just like A Seleção, has remained unconvincing throughout the last 6 months.

The ex-FC Barcelona and AC Milan player is, in many ways, a microcosm of the current National Team set-up, one epitomised by a lack of urgency and flair – a far cry from the desired jogo bonito style of play that Mano Menezes had waxed lyrical about when he was appointed as Dunga’s successor in 2010. Since making his return against Ghana in September, Ronaldinho has struggled to adapt to the more intense rhythm of international football, among others. Surrounded by the youthful exuberance of Neymar, Leandro Damião and Hernanes, he has often been a passenger, failing to have any impact in the No.10 shirt, demonstrated once again in Brazil’s most recent 2014 FIFA World Cup warm-up game – a turgid 2-1 victory over Bosnia and Herzegovina. 

The 2005 Ballon d’Or winner’s recent off the field problems combined with a dip in his club form have made him an easy scapegoat for what is a wider question facing Mano Menezes: if not Ronaldinho, then who realistically is ready to make the No.10 shirt their own for the foreseeable future? Despite having previously asserted himself in that role, namely at the 2010 FIFA World Cup, and finding his form following a series of niggling injuries, Real Madrid’s Kaká has been constantly overlooked by Brazil’s Head Coach. São Paulo’s exciting teenage sensation Lucas Moura won praise for his performances in the Superclásico de las Américas, but the 19 year old needs time to mature. Perhaps the answer lies in the form of Santos’ Paulo Henrique Ganso.

The elegant left footed heir apparent to Ronaldinho is a talent with the ability to dictate play to his own tempo and pick out a pass with stunning precision. Yet his Copa América campaign came to expose faults within his game, namely his decision-making and, at times, inability to create in midfield. Like Kaká, the 22-year-old suffered with injuries that disrupted his 2011 campaign with Santos, thus rendering 2012 an even more important year for him in his quest to take one of world football’s most coveted positions by the scruff of the neck. So far, the attacking midfielder has been used relatively sparingly by Mano Menezes but the extent of his future role within the National Team set-up is dependent on Ronaldinho’s own form.

Come the 2014 FIFA World Cup Finals, the man who began his career with Grêmio, will be 34 years old. Whether he’ll still be able to cut it on the big stage is debatable. Mano Menezes’ decision as to whether to include him in his squad will be made harder due to the lack of competitive international football that Brazil is involved in between now and the 2013 FIFA Confederations Cup. By then the ground may have shifted towards a younger more vibrant Brazilian side. Nonetheless, it’s worth noting that similar questions were raised about Ronaldo and Zinedine Zidane at the 2006 FIFA World Cup Finals. On that occasion, both National Team Coaches, Carlos Alberto Parreira and Raymond Domenech, were left vindicated by their decisions.

In the meantime Ronaldinho will turn his attention to being a part of Brazil’s football team at this year’s Olympic Games in London. His ultimate wish though is to celebrate one last hurrah in his homeland two years down the line and, like previous Brazilian icons, bow out in style. Whether he’ll be granted his wish remains to be seen. 

Twitter: @aleksklosok