Monday, May 5, 2025
Blog Page 1727

Exeter Fellow writes a book on the origins of sex

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Exeter History Fellow Dr. Faramerz Dabhoiwala has written a book which he “hope[s] will improve people’s sex lives.’

The book in question, titled ‘The Origins of Sex: A History of the First Sexual Revolution’, focuses on how western attitudes towards sex have changed throughout history, asking “when did our culture change so strikingly? Where does our current outlook come from?”.

“It should make people realise”, Dr. Dabhoiwala told Cherwell, “that the ways we think and feel and behave nowadays are not natural, or hard-wired, or unchanging, but the product of a major historical revolution that began in the eighteenth century”.

Dr. Dabhoiwala sees this subject as particularly relevant to the 21st century. He believes that “the sexual freedoms we enjoy today, our conceptions of the private and the public, our presumptions about male and female sexuality, even our peculiar fascinations with sexual celebrity and the mass media — all these were created by the great social and intellectual changes of the Enlightenment”.

The book discusses how views have changed since 1700, when sex outside marriage was still illegal in every western society and how surges in pre- and extra-marital sex, as well as an increased privacy around sexual activity led to more sexual freedom.

Dabhoiwala said that “I can only claim that it will entertain, enlighten, and make its readers more self-aware about a central facet of their lives.”

However, if Germaine Greer’s tough critique is anything to go by, ‘The Origins of Sex’ tends to focus on how sex is presented in 17th and 18th century libertine literature, and that “[Dabhoiwala] nowhere tests his assumptions against actual human behaviour” – how the masses were reacting to sex.

“It is not enough to show that somebody somewhere was thinking thoughts that we might think of as amazingly progressive” Greer says, “without investigating whether those ideas were leavening public discourse or changing the attitudes of the multitude.”

The Origins of Sex: A History of the First Sexual Revolution (2012), which will be published in the UK by Penguin Press on 2nd February.

Smashed at the SSL

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A politics graduate student gained access to the Social Science Library early on Sunday morning and smashed through the toughened glass of an inner door.

The St Anthony’s student had been given 24 hour access to the library by his department.

The police were called at 1.15am and the man was arrested inside the library. University security services also attended the scene.

One source told Cherwell that the politics student used both a chair and a ‘book drop’ box to smash his way through the glass. He was found to have suffered cuts from the incident. The remainder of the toughened glass required a hammer to be cleared from the frame the next day.

The student was arrested for criminal damage but released on bail later on Sunday. He has claimed that he does not remember causing the damage but has offered the university an apology and says he will pay the cost of the replacement.

If the university accepts the student’s offer to pay for the damage and the money is paid, Thames Valley Police will not bring criminal charges. The glass in the door was bespoke and had been manufactured in Naples. A similar panel broken in the past cost £3,000 to replace, although the cost of repairing the damage may vary from this figure, depending on how the door is mended.

Louise Clarke, librarian at the SSL, told Cherwell that student disruption was kept to a minimum. The glass was cleared on Sunday morning. Although some of the first students visiting the library had to enter through a fire escape, the main entrance was soon made accessible. The door was made secure by 12.30, just half an hour after the stated opening hours on Sundays.

Oxford student Alistair Smout commented, ‘I basically live in the SSL these days, so I noticed the very next day. I didn’t realise it was an act of vandalism though! I know the SSL has its detractors but I don’t think that’s really on.’ He added, ‘Having said that, if I’d been stuck there with its artificial lights and 60s architecture for 24 hours it’s highly possible I’d end up wanting to break stuff too.’

Bed in a shed

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Demand for Oxford rooms has become so high that, for £450 per month, people were prepared to live in a garden shed.

A landlord tried to rent out the 8ft by 8ft shed, with no running water or electricity, as a “double room in a garden house” on the website Gumtree.

Although tenants would have been permitted to use the kitchen, bathroom and washing machine in the main semi-detached house, Homeowner Greg Farkas was forced to withdraw the advert after realising it fell foul of planning laws.

Mr Farkas, 34, told the Daily Mail he had more than 20 inquiries before he withdrew the advert in an area where the average house price is £230,000. He said, “I had no idea about the planning laws when I advertised the garden house.

“I only had the advert up for two days but I must have got over 20 inquiries from people interested in renting it out. Some were students currently living in Oxford but many were professional people with full-time jobs who just can’t afford to live in their current properties.

‘If you put insulation in it I think it should be fine. If people want to live in that shed that’s their choice.’

Oxford City Council said he would have to apply for planning permission for a new dwelling before he could rent the shed out to tenants.

Councillor Joe McManners said, ‘I think this demonstrates how dire Oxford’s housing crisis is, that people are charging a large amount of money for what essentially looks like a shed. ‘It is indicative of the shortage of housing to be rented at affordable rates. But it is not acceptable in the 21st century for people to be living in sheds.’

Currently, there are 6,338 people in Oxford on the waiting list for council housing. While the council has about 8,000 properties, each year less than 600 become available for rent.

Daniel Stone, OUSU Vice President for Chairties and Community, told Cherwell, “Oxford is an attractive location for commuters, families, young professionals and students. Market forces dictate that this level of demand met with a limited supply of housing will naturally lead to a rise in prices.

“It is the responsibility of Colleges and the University to provide affordable, good quality accommodation and to publicise the support available to students who might find themselves in financial difficulty.”

One Lincoln undergraduate, Leanora Volpe commented, “It’s ridiculous that we pay more than a lot of other students for their university halls, and considering our terms are shorter and we’re not allowed to work during term time it seems really steep.

“Having nothing left over from the loan to live on makes it hard to cope, especially towards the end of term.”

However, Simon Tyrrell, associate director of Finders Keepers in Cowley Road, felt that the case was not a common one, acknowledging the situation as “indicative of greed rather than the state of the housing market. If they were trying to rent it for £150 a month it would be different.” English student Cassie Davies agreed, saying, “It just seems absurd that he’d try to rent out a shed for that much, when for £20 more a month I can be living in a spacious en-suite room in college in the heart of Oxford.”

First-year Ellie Rendle opposed the council’s move to put a stop to the tenancy, commenting, “I was shocked and horrified by the council’s decision. It’s blatant discrimination against those massive lads like me who find the shed lifestyle liberating.”

Hugh’s fobbed off

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In an effort to curb crime, St Hugh’s have recently introduced a system which ‘zones off’ some buildings, only allowing those who live in them to enter them and to access the facilities there, and has been a subject of “considerable debate” in the JCR.

Bursar, Nick French, played down objections to the project, saying “The zoning of fobs is just a term used by the software package we use and it enables us to manage the system more effectively. Students are given access to all common areas and areas that are used by the JCR or MCR respectively (for instance the computer rooms, laundry facilities and tutor rooms) as well as the area in which they live.”

Though the changes were called “considerable” by Sara Polakova, the JCR President, in an email to the JCR, she later claimed that “so far” the changes were “of minor character and not particularly restricting” when contacted by Cherwell. She did suggest that more changes were likely to come, as only four staircases of one building are currently zoned off, yet the JCR was informed that plans are to zone off every floor or staircase in two particular buildings.

French identified the college’s motivation as “not only to increase security and therefore giving students peace of mind but also it is a much more efficient way to manage the system.” Ms Polakova agreed, saying the change was due “to an increase of crime in North Oxford”, property such as laptops going missing in the previous term, and advice by insurance companies and the police to tighten security.”

There was further disagreement between the information the JCR was given and what the Bursar and JCR President have told Cherwell. Nick French asserted the change “has not cost the college any money at all”, but one Presidential email to the JCR claimed it “costs A LOT”. Although the JCR was not consulted beforehand, she asserts that she respects the decision of college authorities, especially due to the scale of the changes. Earlier emails called the new situation “not ideal”.

Thomas Cureton, a 2nd year History and Politics student, commented: “At first this was apparently proposed as an improvement of security following several laptop thefts last year. However, it may indeed be the case that this is the result of complaints about people using kitchens in certain buildings as they are of a much better size and quality.

Effectively, despite the fact everyone pays a flat rate of rent, the college disallows the use of the best facilities to everyone – preferring to restrict their use to those who live within that accommodation area.”

Polokova said that although she saw both “advantages and disadvantages” of the new system, she and her Vice-President, Andy Wilson are looking into proposing a “slight alteration to the system, where both college’s security and people’s freedom of access would be preserved”.

Oxford tutors deny that students are academically weaker

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Oxford tutors denied this week that their finalists are “little better than A level students”, following a story in the national press which centred on the negative comments made by Oxford examiners.

The story, printed in the Daily Telegraph last weekend, featured excerpts from recent Oxford Examiners’ Reports. These included allegations that recent candidates struggled to spell “erupt”, “across” or “buries”, that their answers were guilty of “intellectual thinness and outdatedness” and that papers showed “haphazard and random generalisations.’

The story was accompanied by a caption, which read, “They are hailed as the brightest and best, but new documents reveal Oxford dons’ despair at some students’ failure to revise and inability to spell.”

Yet Oxford tutors this week suggested that such problems are not necessarily typical of students’ answers. Many questioned the fairness of selective quotation from Examiners’ Reports and explained apparently falling standards as a result of poor teaching in schools.

Dr Robin Knight, lecturer in Mathematics at Worcester College, told Cherwell, “A well-designed exam has to be such that some candidates will do better than others; in consequence, some scripts will be, by comparison, poor.”

Knight denied that there has been any decline in the innate ability of Oxford students, insisting, “Our undergraduates are just as bright, talented and creative as they ever were.”

Another Oxford Maths tutor, meanwhile, conceded that overall standards appear to have fallen, but argued the ablest students are as intelligent as ever, claiming, “I think the average quality has gone down, but that the top quality remains constant. This probably isn’t only something that happened recently, but it has been going on for some time already.”

Professor Peter Oppenheimer, an Emeritus Fellow of Christ Church who was an Oxford Economics tutor for over thirty years, blamed the apparently falling standards on school teaching, rather than on students, saying, “One’s pupils are just as able and willing as ever; what it means is that tutors have to make up for poor teaching, or resign themselves to not reaching the standards of earlier generations.”

He suggested that Examiners’ Reports have always included strong criticism of students’ performances, arguing, “It is very dangerous to quote recent Examiners’ Reports unless you have reports from 20 years ago. I am willing to bet that they contained just as many derogatory remarks then.”

One member of the English faculty criticised the Telegraph’s coverage of the issue, labelling the story “unusually dumb”, and adding, “They cherry-picked quotations from various examiners’ reports (it was unclear to me whether these were for Mods or FHS) and suggested these marked some decline, whereas my experience is that such comments have spiced every set of reports from every set of examiners since examinations began.”

The tutor conceded, however, that school teaching leaves undergraduates less prepared than in previous generations, saying that “A levels are now so directed that all but the very best students can have difficulty thinking independently” and that “with a few happy exceptions, the standard of teaching at state secondary schools in this country is scandalously poor.”

Caitlin Spencer, a second-year classicist at Corpus Christi College, also criticised teaching in schools, claiming, “Independent thought is not rewarded by the exam system and schools are under pressure to focus solely upon exam results as opposed to learning for its own sake and for enjoyment.

“The Telegraph article seems to choose to ignore these facts and instead prefers to join in the well loved sport of Oxbridge-bashing when the issue is clearly a much more widespread problem.”

A spokesperson for the University said, “Oxford academics expect very high standards from Oxford students – so it isn’t necessarily surprising to see such sharply critical comments about the minority of students performing below standard. Overall though, Oxford students show extremely high levels of performance at finals, as evidenced by the number of firsts and 2:1 degrees.”

Men on a Mission

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If you would like to find our more about John, Sam and Joe’s trip and how to support them you can follow their blog at www.oxford2africa.wordpress.com, and sponsor them via www.justgiving.com/oxford2africa 

First night review: Celebration

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4 stars

As has been noted in several esteemed publications, Oxford is not exactly lacking in Pinter this Spring.  Pinter himself said that ‘If you have only one of something you can’t say it’s the best of anything,’ and while it is not for me to say whether this production will be the best of the Pinters on display in the next eight weeks; it should certainly be in the running.

Celebration, Pinter’s last play, is a social satire that viciously exposes the vacuity of its ill-spoken, middle class characters.  The three couples we watch at dinner are served by three increasingly sinister members of restaurant staff, and the overriding atmosphere of the play is one of barely contained, animalistic anger.  Special mention must go to Eleanor Wade as Suki, for the slow, smiling rage she maintained throughout.  

The tension onstage did not reduce the humour of Pinter’s script, however, and the production was a very funny one. Some sections of the play did, perhaps, favour punchlines over pacing, and the quickfire dialogue could perhaps have been broken up a little more. However, comic timing was, on the whole, strong, with Paciti and Carslaw as the waiter and hostess adding an air of absurdism through their inappropriate anecdotes. The role of the Waiter, a character who ends the play and plagues the diners throughout with stories about his grandfather, is a difficult one, but Paciti with his restrained delivery achieved a convincing air of ambiguity.

Staged in the little-known Michael Pilch studio, this was a polished, elegant take on Pinter’s last work. Yes, The Hothouse will no doubt be more extravagant, but Celebration focussed on the heart of Pinter’s work: his difficult, morally complex characters.  Here, we have only six people eating dinner, yet it is a testament to Pinter’s genius and to these actors that each character becomes so well delineated by the meal’s end.  

Celebration runs until  Saturday 28th of January, 7:15pm at the Michael Pilch Studio, Jowett Walk 

Review: M83, O2 Academy

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Watching anything in the sold-out downstairs section of the O2 is a little bit like spending an evening at a swamp gig. This is partly due to the incredibly low ceilings; partly due to the viscous combination of sweat and saliva that clings to the walls and aforementioned ceilings; and partly thanks to the atmospheric haze that rises from a close mass of overheating bodies. (This could probably all be remedied by turning on the fans a little bit earlier.) M83’s particular band of stadium shoegaze pop misses out a bit when they lose out on the whole ‘stadium’ thing: the sounds are just too big and too full for a space with all of the charm – and space – of a nuclear bunker.

Whiny preamble aside, Tuesday’s gig had much to recommend it. Despite a lengthy technical hitch, the band did some really great things with the space, helped by an army of six MacBook Pros to the left of the stage. The lighting, for example, was some of the more interesting I’ve seen at the venue (a mysterious set of illuminated Stars of Davids clustered at the top made much more sense when I remembered that M83 is actually a spiral galaxy). The performance itself was really quite inspired, and characterized by long – but extremely skilful – instrumental sections, most memorable of which was a clever bit of strumming pizzicato overplaying whistling. Somehow, the group managed to hone in on precisely the right frequency to make all of the hairs in my nostrils (sorry, boys) start to vibrate.

One thing that really could not be faulted in the evening’s performance was their sheer dedication and enthusiasm. They lack the personableness, perhaps, of groups more comfortable with a setting as intimate, but made up for it with lots of cries and whoops of ‘Oxford!’. (Gonzalez’ French accent is much more notable in person.) Actual singing was unremarkable, at least in comparison to the instrumentals, but certainly not bad at all. Overall: a great group, with a great set, in entirely the wrong setting. A jolly good job, though, considering.

Review: Top Girls

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Perhaps it isn’t an easy thing to concoct a play that establishes, portrays and executes a culture of emerging feminism, draped with other leading ladies who have their own reasons for being proud of what they have done and ending with chilling sacrifice.  But the director, Max Stafford-Clark who directed both the premiere and this revival, has succeeded in reminding us why this play is a theatre classic.    

On entering, the eye was initially drawn to a fine looking dining table with the words ‘La Prima Donna’ shining out at the top – a herald of what we are about to experience.  What I enjoyed so much about the staging in general was its vibrancy and the efficacy with which it was produced.  Physical nuance was ever present. 

I was reminded, on more than one occasion, of ITV’s Loose Women, each with their constant babbling and seemingly inherent inability to listen to each other, ending in what might be described as a female equivalent of last term’s POSH.  These women are confident, loyal, clever, but not everyone was strong, which was highlighted by Marlene, perhaps typifying what woman had become by 1982. We imagine, therefore, that she is perfect by virtue of the fact that she is not like other women.  But as the play goes on, this pillar of a woman, Churchill appears to be trying to destroy before the very eyes of the audience.  And what is fascinating about it is that it is never quite clear if she succeeds or not. 

For the most part the acting, costumes and timing were good, but it took some time for them to warm up; in the first act, faces weren’t quite expressive enough and in the other two acts, accents (with one shining exception)  wobble a little bit.  The actors hold themselves well on stage, each personifying a different female nature with varied and distinguished features.  The changes that these women (or actors) have to go through is challenging, yet none shirked from giving it her all.

And now a trivial, yet curious thing – there are two intervals, which produced some confusion for some who left the theatre without realising the lack of applause.  Unless, of course, I’ve got it entirely wrong and a relatively high percentage people left due to offensive behaviour (of which there is almost none), parking tickets (but it was after 6pm) or boredom (I’ve never spent two and a bit hours so grossly absorbed).  So be warned.    

The content of the play really made me think – I found myself rooting for Marlene in adversity and, almost, weeping for any in grief.  Yet, despite an insistence on still being relevant today, I don’t think that’s quite true; Churchill captures a unique moment in history, an extraordinary zeitgeist, but one that seems almost comically dated today.  But I think that nonetheless ‘at what cost’ should be the question asked by everyone considering it.    

 

4 stars

Review: Latin! Or Tobacco and Boys

Be warned. When you go to see Stephen Fry’s Latin! Or tobacco and Boys you’ll find yourself back in school. Chartham Prepatory School for boys, to be precise. Fierce insults when you do not know your Latin declensions abound, though the promise of Chelsea buns in the interview is certainly compensation enough. Fry’s darkly comic tale centers on the highly inappropriate longing of one Dominic Clarke (Barnabas Iley-Williamson) for the blonde, blue eyed Cartwright (never seen). His efforts to take over the school, seduce young Cartwright and secure his young charges a place at Ampleforth are constantly undermined by the wonderfully creepy Herbert Brookshaw (Louis Fletcher), his jaded, equally perverse colleague.

In a production with only two actors, the strengths and weaknesses of both quickly become apparent. Both performed admirably; Iley-Williamson, despite his rather abhorrent tendencies (an avenue never, and I think, rightly, fully explored), was superb at evoking the audience’s sympathy. Fletcher was equally able at doing the reverse, teasing out his rather cringe inducing lines in a way that was uncomfortably convincing. The occasional slip or line fluff can be forgiven in the wake of such impressive direction from Fiamma Mazzochi-Alemanni, though Fletchers slight tendency to drop off at the end of his lines let down what was an almost seamless performance on his part.

The set greatly contributes to the school feel that this play creates. Being invited to sit on the benches on stage, the audience becomes part of the show; in the end I was rather glad I declined to sit on one of the benches for fear for being clipped by an exercise book tossed nonchalantly by Iley-Williamson, or rapped by the cane brandished with blustery conviction by Fletcher. It was a shame that the production had been unable to source convincing prep school furniture – the desk and chair were unmistakably at odds with the classroom aesthetic Mazzochi-Alemanni clearly sought to evoke – but again, these are small qualms, and ought not to put anyone off. Latin! is a funny play, rarely performed, and this production has done the piece justice. That is reason enough to head down to the Burton Taylor and enjoy some great acting and serious seventies nostalgia.                            

4 STARS