Thursday 26th June 2025
Blog Page 1696

Interview: Alan Duncan

0

Judging by the pasty grey complexions on show at Portcullis House, nobody in Whitehall had seen a ray of sunlight in weeks. Except, of course, Alan Duncan, whose glowing tan tells of a man who is travelling the world as Minister for Interna­tional Development. His CV glows golden as well, and reads like a first class ticket to Cabi­net: St John’s PPE, Oxford Union President and Kennedy Scholar to boot. And yet, after an un­successful leadership bid in 2005, the sun isn’t yet shining on his political career, and he is stuck playing second fiddle to Andrew Mitchell at the Department for International Develop­ment (DFID).

Duncan may be short of power at DFID, but he is certainly not short of money. While most ministries are struggling with shrinking budgets, DFID is struggling to find ways to spend its rapidly growing allowance, which from 2013 will amount to 0.7% of British GDP. The increased funding is the result of a mani­festo pledge by the Conservatives – in 2010, they attempted to try and detoxify the Tory brand after the notorious 2005 election campaign, widely criticised for straying too far to the right. But a recent study by Politics Home in association with YouGov indicates that while the policy pleases Labour and Lib Dem voters, it doesn’t satisfy Tories nearly as much. 18% of Conservative voters have a very unfavourable view of international aid, higher than for other political parties. Duncan explains the trend as an “out of date view that all aid is left-wing, not very practical and squandered.” But Duncan and his all-Tory ministerial team are working with the DFID to change this stereotype, win­ning plaudits the world over for the efficacy and transparency of the DFID’s programs. “We don’t give any money to African dictators, to stash away in Swiss bank accounts. We aren’t naive like that.” Winning the argument on in­ternational development (particularly against those to the right of the Conservative party) has taken on even greater priority for in recent months, as the government finds itself ever more frequently branded as ‘compassionless’ for its neglect of the poor and vulnerable.

I tried to explore the idea of compassion with Duncan by asking how much priority a government should give to its citizens. He au­tomatically replied, “We give 99% priority to home because less than 1% of spending goes to international development. No one really who is reasonable can baulk at this level of spend­ing going to international development.” But I wasn’t baulking at how large our aid budget is, but rather at how small. When I made my point clear, Duncan seemed rather bemused: he is so used to defending his government’s interna­tional development policies from right wing attacks, he didn’t really have an answer pre­pared for those who say we don’t give enough. “It doesn’t make sense for us to be too much out of line with other countries who help poorer countries.” However, he concedes that 0.7% of GDP, a figure which emerged from calculations made by development economists several dec­ades ago, is a completely arbitrary figure.

But 0.7% of GDP will give DFID enough funding to eclipse most other departments, most nota­bly the Foreign Office, which it will out spend by a factor of six to one by 2013. This reflects a growing belief in Whitehall that power is pro­jected most effectively not just through mili­tary and diplomatic channels, but through economic assistance as well. British diplomats across the developing world are finding their power usurped by a new rival whose gargan­tuan funds provide a loud voice. When I ask Duncan whether DFID is overtaking the FCO as the primary instrument for Britain’s overseas influence, he produces a diplo­matic reply. “One of the great successes of the coalition government is to have built the na­tional Security Council structure which binds the FCO, DFID and the MOD into a coherent partnership with a single united British pur­pose”. But of course the objectives of the three departments are poles apart, and near impos­sible to reconcile. The reality is that a constant power struggle exists on the ground, which the FCO seems bound to lose.

However, one area in which these depart­ments do have overlapping goals is in the pro­motion of ‘British values’, a powerful cocktail of moral absolutism and neo-colonial paternal­ism which jars at times with the ideals of the global south. In fact, he says, “We do not give budgetary support to any country we disap­prove of for whatever reason”. Often, this inter­ventionist stance puts Britain in the awkward position of promoting democracy with one hand, but castigating democratic decisions with the other. Nowhere was this better exem­plified than in Uganda, where a bill which tried to introduce the death penalty for homosexu­ality was riding through parliament on the crest of a wave of public support. Britain and her allies intervened, and the bill is gone, for now. Duncan argues that Britain’s actions are not hypocritical because “you can’t look at for­eign policy as a black and white moral choice, there are all sorts of grey areas where you have to balance human rights with freedoms.”

While Duncan may have a nuanced approach to diplomacy, many British celebrities certain­ly seem to see it in exactly the black and white moral terms which he so readily dismisses. No one more so than Bob Geldof, whose tireless campaigning to help the African poor has been heavily criticised by many in the aid indus­try for oversimplifying the problems at hand. Duncan, however, is clearly a fan. “I think the criticisms of the likes of Bob Geldof are trite…He makes a younger generation appreciate the importance of development.” But I hesitate to subscribe to the idea that awareness is an end in itself. Raising western awareness will often put political pressure on politicians to react, but the reductive understanding which ‘awareness’ implies will often encourage the wrong reaction.

This is certainly the case with the Kony 2012 campaign, which Duncan respects as a dem­onstration that “we now live in a world where people who do dreadful things are not going to get away with it.” But what exactly the Kony video has done in bringing anyone to justice is unclear. For Duncan, “proper prosecution through the ICC, will hopefully be a powerful force in making people govern their own coun­tries properly.” But the ICC’s authority is being undermined in Africa by accusations that it en­gages in selective justice by only investigating atrocities in that self-same continent. Duncan shrugs off the criticism, suggesting it is just a reflection of the high number of conflicts that Africa has endured in recent decades.

Only after a barrage of policy questions on Af­rican issues does Duncan finally admit that he “doesn’t lead on Africa”. For a man who was blag­ging, he put up an impressive effort. It is the same sort of blagging skill which allowed him to cruise through his finals with only 4 weeks of revision. “I had originally left eight weeks to re­vise for finals but then the Labour government lost the vote of confidence so the campaign started…. It was going to be one week for each paper and it ended up being one week for two papers”. In the end, things worked out for Dun­can at Oxford. I have the feeling the same will happen in politics.

Text a question about LGBT for a cocktail

0

Exeter College LGBT Society hosted a cocktail evening on Wednesday with the aim of encouraging members of the college to discuss LGBT issues.

Students were encouraged to text a question and place a cocktail order. The answer to their LGBT-related issue was then delivered with a cocktail of their choice.

The event was held on Wednesday and follows in the footsteps of the Christian Union’s ‘Text a Toastie’ event, which is held every Monday and offers free toasted sandwiches to students who pose questions about the Christian faith.

The LGBT Society hopes that the ‘text a cocktail’ event will persuade students to consider any questions that they may have concerning the LGBT community.

The event has been warmly received by students in the college. One of the event organisers explained, “The response so far has been absolutely amazing. People are really excited about the cocktails and it will be a great way to get people thinking about LGBT issues and raise money for a worthwhile charity.”

He added, “Exeter College is a fantastic place for LGBT members. It is very welcoming, we have a prominent LGBT community. Hopefully we will be able to keep text a cocktail going for many weeks to come, and with the response so far this looks very likely!”

The response from the CU was equally positive. Emma Hodgson, a CU rep from Exeter, commented, “It’s good to have the opportunity to be well informed on big issues like this, and communication is a crucial element in uniting the college community. I’ll certainly be ordering a cocktail!”

Another student commented, “I think it is a great idea. Our LGBT reps are very welcoming to all, and this gives us an excuse to enjoy a cocktail with them.”

The event asked for a donation of £2 for each cocktail and the money raised will go towards the Helen & Douglas House charity, which provides hospice care for children and young adults.

Union finds Madeline Grant guilty

0

Madeline Grant, an English student at St Hilda’s College, was found guilty of bringing the Oxford Union into disrepute with her election manifesto at a disciplinary hearing at the Union on Wednesday. Her draft manifesto for the position of Librarian declared, “I don’t hack, I just have a great rack”. It was later altered to “I’m no hack; I’m just here for the craic”.

Sam Heitlinger, St Anne’s student and frequent Union visitor, called the disciplinary hearing “absurd”, stating, “Maddy’s manifesto was clearly meant to be taken with a pinch of salt. The Union has been crying out for someone who is willing to poke fun at it; she is a breath of fresh air. It seems to me that the reaction to her campaign is symptomatic of the Union’s tendency to take itself far too seriously.

“The powers that be ought to be applauding someone who is prepared to ridicule the Society’s embarrassingly dull ‘manifestos’. Anyone who knows Maddy would understand that she is not sexist and her manifesto was obviously a joke.”

Henry Tonks, a first year historian at Corpus Christi College, told Cherwell that he was not surprised about the disciplinary hearing, but added, “I equally don’t think they should be doing so. It’s another case of the Union taking itself a bit too seriously really – the campaign/manifesto was clearly done in a spirit of fun.”

Grant herself told the Daily Telegraph, “It’s ridiculous. At great expense they are paying for former Union officials to come to Oxford and sit on the committee which will decide my fate. I’m wondering if I should leave the Union. The main speakers they have lined up are Geri Halliwell and Nelly Furtado, so I wouldn’t miss much.”

Isabel Ernst, President of the Oxford Union, released an official statement, saying, “Madeline Grant breached the Union rules by speaking to the press without written permission from the President. It is the President’s and Standing Committee’s task to make sure the rules are upheld, and the President is thus obliged to bring action against her.

“The disciplinary hearing will only consist of ex-Officers who are still in Oxford, so will be at no cost to the Union or Union members.”

On Thursday, the Oxford Union Press Office confirmed the result of the hearing. Its statement read, “Following Madeline Grant’s disciplinary hearing last night, we can confirm that she was found guilty and fined 120GBP overall. The panel has now adjourned to investigate potential evidence that arose during the hearing with regard to a administrative procedure.

“However the panel has not decided yet who will be called back and we cannot confirm that anyone in specific is under investigation for the time being.”

Exeter students to seek college apology

0

Exeter students are planning to submit a petition voicing concerns over the behaviour of The Wilberforce Academy conference at Exeter during the Easter vacation and the College’s response.

The annual conference was organised by pressure group Christian Concern, who have advocated ‘corrective therapy’ for homosexuals.

The petition currently has 146 signatures and aims to stop future conferences at the College causing hurt and offence to students.

It outlines the treatment of Exeter student Nicholas Georgiou, stating, ‘[Georgiou] was approached by a conference representative during the peaceful protest who, without provocation, made direct and explicit comparisons between [Georgiou’s] homosexuality and paedophilia, and labelled him as ‘immoral’.

‘A representative from Thames Valley Police’s HALT (Homophobia Awareness Liaison Team) present at the protest later contacted Nick and encouraged him to report the incident which has now been recorded by police.”

The petition also raises objections to talks held by Christian Concern, entitled ‘Understanding the Challenge of Islam’ and ‘Triple Jeopardy: Aggressive Secularism, Islamism, and Multiculturalism’.

It states, ‘Any Muslim student who is told that their religion is a ‘challenge’ would naturally take offence.’

Georgiou told Cherwell that students had been unhappy when they found out about the scheduled conference over the Easter vacation, and described, “the outrage many of us felt at the prospect of offering a platform to a conference organised by a self-professed fundamentalist religious group.”

The Academy’s arrival prompted a group of Exeter students to organise a peaceful protest. Exeter first year Edward Nickell said, “Our best act of defiance was the massive LGBT party hosted by the MCR. Attendance was fantastic, everyone had an amazing time, undergrads, postgrads and staff”.

The petition also highlights what it describes as “the indolence of [Exeter] College when it came both to responding to media criticism and to ensuring the behaviour of the conference participants [which] has damaged our image in the public eye.”

Nickell said, ‘The college seem to be so afraid of damaging their reputation that they haven’t done as much as they can to stand against Christian Concern.”

The petition calls on the college ‘to issue a statement of regret for the offence and hurt caused to those in college at the time of the conference…[and to] add further details of the College’s acceptance of LGBT people to the website and the prospectus.”

The petition will also ask the college to “issue a statement to the effect that this conference will not be welcomed in future years”, and to introduce a “new vetting process for private conferences”.

Edward Allnutt, LGBTQ rep at Exeter, told Cherwell, ‘We want to underline…that this petition is more about moving forwards with college to retain an open, friendly atmosphere to LGBTQ and other communities, than it is about attacking them for past mistakes.’

Exeter linguist Ianthe Fry expressed her support, saying, “I approve of this petition, it shows the importance we place in maintaining the friendly and tolerant enviroment we have here at Exeter.”

Georgiou said that he was “very proud to be a member of such a modern and forward-thinking JCR.”

Students from other colleges were also supportive of the petition. Lincoln student Mitchell Byrne said, “As a Christian myself, I feel it is important that we are careful not to see a division between LGBT and the Christian faith, the petition is a good way to ensure that this is the case.”

Exeter College declined to comment. Christian Concern did not reply when contacted.

UKIP Candidate slammed for ‘homophobia’

A UKIP candidate who ran for the Oxford City Council in yesterday’s elections has come under fire for making allegedly homophobic comments and for linking the Koran to Hitler’s Mein Kampf.

Dr Julia Gasper, who has a DPhil from the University of Oxford in English Literature, stated that she has received “death threats” and demands for her to be “gassed”, “pushed off a cliff”, and “electrocuted” in response to her views.

Gasper wrote on her blog, “We ought to reflect that there is a strong connection between male homosexuality and paedophilia. Why hush it up?” In the same post, entitled ‘Why I think Gay Rights have gone too far’, Gasper alleges that homosexuals, “rather than claiming equality, are in many respects now claiming privilege and special treatment.”

Gasper also called for homosexuals to express “gratitude”, as “homosexuals are completely dependent on heterosexuals to create them”. She also stated that homosexuality was a “choice”. In an email sent earlier this year to Colin Cortbus, a former UKIP activist, she reiterated her belief in a supposed link between paedophilia and homosexuality, claiming that “although gay men are only about 3% of the population, they are about 50% of the paedophiles”.

When approached by Cherwell for comment, Dr Gasper denied the accusations of homophobia levelled against her, stating, “This is a malicious witch hunt, people enjoy stirring this up. I have always been tolerant, but I have been demonised by malicious people.”

Gasper also labelled her views “very, very middle ground”, and stated that she “[had] never said anything homophobic.”

She was also criticised by Cortbus for her “shocking” views regarding Islam. In an email to Cortbus earlier this year Gasper said, “Why is it any more wrong to assert that the Koran is a fascist book than to assert that Mein Kampf is a fascist book?

“The Koran is a lot more explicit in advocating hate and murder than Mein Kampf is.”

Reacting to the claim that she was mistaking the majority for a minority with regards to Islam, Gasper stated, “I am not going to be fobbed off with the myth about ‘a small number of extremists’. The fact is that Islam itself is a severely oppressive ideology.”

Gasper told Cherwell that comments which she has been criticised as having made came from a series of private emails. She stated, “The fact is that I have not made any public statement at any time about the Koran nor have I ever attacked Muslims.

“I have many Muslim friends and work with them on a daily basis. I am entitled to my private opinions about any book.”

Cortbus forwarded a number of private emails between himself and Gasper to Cherwell, stating that it was his “moral duty” to expose the would-be councillor’s “truly shocking” statements.

Cortbus called current accusations over Gasper’s alleged xenophobia “the tip of the iceberg”. He said that comments made by Gasper about the Koran were “shocking beyond any Islam-related far right sentiment [he had] ever heard, even from the BNP.”

He said, “UKIP was founded by people like Alan Sked to advocate liberal euro-scepticism, but has long-since embraced the hurtful politics of shouting loudest.” In an interview with Cherwell, Cortbus also called the invitation of Barry Malender, an MEP for the Dutch political party PVV, to the 2011 Eastbourne Party conference ‘a saddening and omnious signal to party activists’.

While stating that Gasper had a “right to voice [her views]”, UKIP stated that her views did not reflect party policy, adding, “Dr Gasper’s comments on this subject are her own and her own alone.”

The LGBT community at Oxford expressed their concern at Gasper’s comments about homosexuality. Sam Weinberg, President of Oxford University’s LGBTQ Society, commented, “I think most people recognise how far-fetched her positions on homosexuality are. I would be very surprised if she does at all well in the campaign.

“Still, I do believe this kind of rhetoric ought to be considered a serious problem. It is the job of the Oxford community, and the LGBTQ community in particular, to counter her positions.”

New College LGBT rep Henry Ashwell commented, “Her views on homosexuality are more worrying than offensive. That someone, who genuinely thinks that, as a supposed by-product of a heterosexual society, homosexuals should somehow show ‘gratitude’ for their existence, could think themselves a suitable candidate to represent all members of the Quarry and Risinghurst community should be a sobering thought for us all.

“The trouble is, Ms Gasper has absolutely no grasp of the wider picture beyond her own convictions. Her definition of ‘homosexuals’ as those who ‘simply choose a same-sex partner’, is, likewise, entirely bound up in her own bigotry. She provides absolutely no evidence for this – because she can’t.

“If Ms Gasper truly believes every word of her blog, then she should have the decency to stand aside for someone who has the tolerance, experience and selflessness that the community needs.”

Jim Everett, the Corpus LGBTQ rep, said, “I think it’s very unfortunate [that] an obviously very intelligent person has let their prejudice cloud their judgement so much. The council should not have a place for such intolerant, offensive and outdated views.”

Dr Gasper came last in the Quarry and Risinghurst ward with 69 votes out of a total of 1,714 votes cast. Labour candidate Laurence Baxter won with 848 votes, retaining the seat. The Liberal Democrats came second in the ward with 411 votes, followed by the Conservatives with 310 votes and the Green Party with 76.

She was elected as Parish Councillor for Risinghurt and Sandhills. 

Origami fairy hits Corpus Christi

0

[mm-hide-text]%%IMG_ORIGINAL%%5313%%[/mm-hide-text]

Students at Corpus Christi college were bewildered on Wednesday after a flock of paper cranes appeared in the library overnight. 

The origami birds, which came in pink, green, yellow and orange varieties, were found at regular intervals throughout the working area. Some were perched atop piles of books; others were peering out from shelves; still others were positioned on windowsills.

Students’ reaction to the birds was generally positive. Second-year Joe Dawson said, “The birds were a welcome ray of sunshine in all of our lives.”

Leo Topp, Corpus student and President of Oxford’s Origami Society, commented, “OrigamiSoc approves of all propagation of origami. Origami is a fun and beautiful art form, and this kind of gesture is exactly how it is best used, to add some colour into people’s lives. I just hope this isn’t the last we hear from our mystery folder!”

Others, however, were less enthusiastic. Alex Law, a second-year Classics and Oriental Studies student described his reaction on discovering the colourful cranes, complaining, “It made me want to vom. The library is not a place for fun.

[mm-hide-text]%%IMG_ORIGINAL%%5316%%[/mm-hide-text]

[mm-hide-text]%%IMG_ORIGINAL%%5315%%[/mm-hide-text]

Photos by Kezia Lock

Oxford Oddities #3 – Univ

0

Percy the tortoise, much-loved pet of University College, is aptly named after their greatest and most radical student, Percy Bysshe Shelley. The romantic poet whose frequently quoted verse has echoed through the generations, led a life that was not as aesthetic as his poetry might suggest. Eldest son of parliamentary Whig, Timothy Shelley, Percy whiled away his childhood in aristocratic tranquillity, fishing, hunting and being home-schooled. This sheltered upbringing clearly failed to prepare him for his teenage years at Eton where Percy was bullied by ‘Shelley-baits’ who reduced him each day to a high-pitched, screaming wreck.

Percy the tortoise, much-loved pet of University College, is aptly named after their greatest and most radical student, Percy Bysshe Shelley. The romantic poet whose frequently quoted verse has echoed through the generations, led a life that was not as aesthetic as his poetry might suggest. Eldest son of parliamentary Whig, Timothy Shelley, Percy whiled away his childhood in aristocratic tranquillity, fishing, hunting and being home-schooled. This sheltered upbringing clearly failed to prepare him for his teenage years at Eton where Percy was bullied by ‘Shelley-baits’ who reduced him each day to a high-pitched, screaming wreck.
At Oxford, Shelley only managed to attend one lecture since his time was taken up by sixteen hours of reading a day. He was later expelled for a radical pamphlet which he refused to recant. By this time, he had matured into a fiercely liberal poet whose radical views included public support for the poor and a non-exclusive model of love and marriage.
Shelley’s expulsion was followed swiftly by his passionate affair with Harriet Westbrook. They eloped to Scotland to rescue her from boarding school and from her suicidal depression. But this infatuation did not last long, Shelley began to suspect that she had married him for his money and he grew tired of her lack of intellectualism.
His craving for intellectual female companionship culminated in his falling in love with Mary Godwin. The pair met secretly at the grave of Mary’s famous feminist mother, Mary Wollstonecraft. In Mary, Shelley found the intellectual and artistic companion he had longed for.
Faced with the hostility of Mary’s father and the pregnancy of Harriet, Shelley and Mary ran away to Switzerland together, taking Mary’s younger sister Claire with them because of her French abilities. The trio travelled across Europe reciting aloud the works of literary greats and enjoying a bohemian lifestyle of creative indulgence and appreciation. They repeated a similar trip a few years later when they met the celebrated Byron, with whom Shelly formed an intense poetic friendship and by whom Claire fell pregnant.
But this lifestyle was not without its misfortune. Shelley’s insistence on following the desires of his heart broke the hearts of others. Within two months of each other both Harriet and Mary’s younger sister Fanny committed suicide, after being abandoned by the poet’s artistic trio. Shelley quickly married Mary in the hope of securing the guardianship of his children by Harriet, but was unsuccessful.
Shelley, Mary and their poetic acquaintances continued their bohemian life in Europe until 1822, when a boating accident sent him to a watery grave. At Shelley’s funeral his friend Trelawney, moved deeply by the poet’s death, snatched his heart from the depths of the funeral pyre, unable to bear the thought of such a great heart being reduced to common ashes.

At Oxford, Shelley only managed to attend one lecture since his time was taken up by sixteen hours of reading a day. He was later expelled for a radical pamphlet which he refused to recant, called ‘The Necessity of Atheism’. By this time, he had matured into a fiercely liberal poet whose radical views included public support for the poor and a non-exclusive model of love and marriage.

Shelley’s expulsion was followed swiftly by his passionate affair with Harriet Westbrook. They eloped to Scotland to rescue her from boarding school and from her suicidal depression. But this infatuation did not last long, Shelley began to suspect that she had married him for his money and he grew tired of her lack of intellectualism.

His craving for intellectual female companionship culminated in his falling in love with Mary Godwin. The pair met secretly at the grave of Mary’s famous feminist mother, Mary Wollstonecraft. In Mary, Shelley found the intellectual and artistic companion he had longed for.

Faced with the hostility of Mary’s father and the pregnancy of Harriet, Shelley and Mary ran away to Switzerland together, taking Mary’s younger sister Claire with them because of her French abilities. The trio travelled across Europe reciting aloud the works of literary greats and enjoying a bohemian lifestyle of creative indulgence and appreciation. They repeated a similar trip a few years later when they met the celebrated Byron, with whom Shelly formed an intense poetic friendship and by whom Claire fell pregnant.

But this lifestyle was not without its misfortune. Shelley’s insistence on following the desires of his heart broke the hearts of others. Within two months of each other both Harriet and Mary’s younger sister Fanny committed suicide, after being abandoned by the poet’s artistic trio. Shelley quickly married Mary in the hope of securing the guardianship of his children by Harriet, but was unsuccessful.

Shelley, Mary and their poetic acquaintances continued their bohemian life in Europe until 1822, when a boating accident sent him to a watery grave. At Shelley’s funeral his friend Trelawney, moved deeply by the poet’s death, snatched his heart from the depths of the funeral pyre, unable to bear the thought of such a great heart being reduced to common ashes.

A Bluffers’ Guide to: Anton Chekhov

He’s the Russian guy off Star Trek, right?

No. Not even close. A Russian doctor, born in 1860, who funded his university career by tutoring privately, catching and selling goldfinches, and (happily for us) writing short plays.

I thought we were talking about playwrights here?

He wrote both plays and short stories, though it’s debatable which he did better. He cranked out his first play Ivanov in just ten days; like the rest of his works, it would be critically acclaimed and form a staple of student and professional theatre.

Only ten days? He must have been a pretty prolific writer.

Actually, he only wrote five plays. Four of them are considered masterpieces, which probably gives him one of the highest success rates of any writer. He found his niche by eschewing the melodrama popular at the time, and letting all the dramatic high points occur offstage, simply showing his characters’ reactions.

Didn’t he also own a gun?

‘One must not put a loaded rifle on the stage if no one is thinking of firing it.’ The literary technique that allows the introduction of apparent irrelevancies to make the writer look really clever later on became a favourite trick of Chekhov’s, usually in relation to depressed young Russian men committing suicide.

So, all-in-all, one to know?

Exactly. He never expected to be appreciated after his death in 1904, but he became a favourite of Hemingway, Joyce, and Woolf. The only person who really hated him was fellow 19th Russian literati Tolstoy, who thought he was ‘worse than Shakespeare’ – which, as far as theatrical insults go, is pretty tame.

Catch your interest?

Check-off these plays

Ivanov

The Marriage Proposal

The Seagull

Uncle Vanya

The Cherry Orchard

May the Norse be with you

0

 

Hwæt is the point of Old English? For many of us English students, there’s no point in a discussion – it has to be done, and then after prelims you can either look smugly at Mitchell and Robinson sitting gathering dust on your shelf, or kick-start your second-hand book business.
But what if you chose to do it? (And, technically, in first year you do – most people are simply coerced out of Middle English to save it for later.)
If you have the immense pleasure to be a joint-schools student such as yours truly, you can skip Old English – and then decide in your second year that actually, you’d like to give it a go.
I’ve received many an exclamation of surprise when explaining my choices to others and, to be honest, this twentieth century fanatic has rather surprised herself.
So, what madness drove me to volunteer for something many others gladly leave behind? Well, firstly, I do German, which makes Old English ‘easier’ (only slightly) and secondly, it was… different?
I know, not the most convincing argument in the world. But, by the time I’d reached half-way through second year, there didn’t seem to be much point in turning back.
Faced with your first essay, you’re thrust into an alien world – forced to forfeit your favourite allusions to Nietzschean philosophy or dehumanising mechanisms – you’re feel very disorientated.
So you flick back and forth between The Wanderer and the glossary, you wade through the jumble of letters and muddle of cases, simultaneously scroll desperately through Companion articles, and you pray for some kind of salvation to come.
Eventually though, you hit upon some alliterative emphasis, then some parallelism, and even a pun – you’ve found familiar territory at last.
After that you slip more easily into the content itself; gold twinkles under the spotlight of glorification, and earth-walkers trudge through a pensive landscape of immense scope. They may not have got around to inventing the radio yet, but something about the raw flexibility of thoughts outside of terminology allows Old English poetry to echo through a whole millennium. The ancient words can still reverberate off our own sensitivity to transience and playing with preconceptions through the wit of well-placed words.
It reminds you that words don’t belong in a neatly limited glossary, and can catch you out if they turn out to be a false friend.
So take that, existential crisis! The past is getting its own back on the radical modern mind-boxes, and is reintroducing learned thought to good old-fashioned thinking.

Hwæt is the point of Old English? For many of us English students, there’s no point in a discussion – it has to be done, and then after prelims you can either look smugly at Mitchell and Robinson sitting gathering dust on your shelf, or kick-start your second-hand book business.

But what if you chose to do it? (And, technically, in first year you do – most people are simply coerced out of Middle English to save it for later.) If you have the immense pleasure to be a joint-schools student such as yours truly, you can skip Old English – and then decide in your second year that actually, you’d like to give it a go.I’ve received many an exclamation of surprise when explaining my choices to others and, to be honest, this twentieth century fanatic has rather surprised herself.

So, what madness drove me to volunteer for something many others gladly leave behind? Well, firstly, I do German, which makes Old English ‘easier’ (only slightly) and secondly, it was… different? I know, not the most convincing argument in the world. But, by the time I’d reached half-way through second year, there didn’t seem to be much point in turning back.

Faced with your first essay, you’re thrust into an alien world – forced to forfeit your favourite allusions to Nietzschean philosophy or dehumanising mechanisms – you feel very disorientated.So you flick back and forth between The Wanderer and the glossary, you wade through the jumble of letters and muddle of cases, simultaneously scroll desperately through Companion articles, and you pray for some kind of salvation to come. Eventually though, you hit upon some alliterative emphasis, then some parallelism, and even a pun – you’ve found familiar territory at last. After that you slip more easily into the content itself; gold twinkles under the spotlight of glorification, and earth-walkers trudge through a pensive landscape of immense scope.

They may not have got around to inventing the radio yet, but something about the raw flexibility of thoughts outside of terminology allows Old English poetry to echo through a whole millennium. The ancient words can still reverberate off our own sensitivity to transience and playing with preconceptions through the wit of well-placed words.It reminds you that words don’t belong in a neatly limited glossary, and can catch you out if they turn out to be a false friend.

So take that, existential crisis! The past is getting its own back on the radical modern mind-boxes, and is reintroducing learned thought to good old-fashioned thinking.

Preview: The Soldier’s Tale

0

After a quick pre-preview Goog­le, I discovered to my surprise that The Soldier’s Tale was actu­ally intended by Stravinsky not to be acted, but to be ‘read, played and danced’. My expectations were not disappointed but surpassed, if only in part because I did not know what to expect. But you can expect great things.

The plot itself is based on a Russian folk tale, and certainly retains the moral simplicity of a fable. Joseph is accosted by a devil, to whom he gives his fiddle in exchange for a book that will make him wealthy.

He is then persuaded to stay at the devil’s luxurious abode and teach him how to play the fiddle, thinking only to spend three days there. This turns out to actually last three years and tragedy ensues. For me, though, the story is just the half of it. What makes me really want to buy a ticket is the way the dancers communicate the emotions of their characters through sheer body language. The dialect they have chosen can only be described as a sort of contemporary ballet, as wildly fluid as emotions themselves.

Not being a dance connoisseur, I felt slightly out of place as I sat down for the first scene, in which Joseph the soldier plays his fiddle tempt­ing the spirits of the nearby stream out of their watery home. But as the music began, and the three dancers skipped into action, I was sucked in. I felt myself transported by the quirky grace of the dancers’ movements, a visual echo of the bouncing brass and free-spirited strings. Leaping up, throwing themselves down, sliding and gliding and generally reaching out into every corner of space, they sought to own the stage in a gentle and varied attack.

The homecoming scene really showed Stravinsky’s work and the cast’s skill at its best. Joseph, swing­ing from joyful hope to darkest dis­appointment as quickly as his feet could carry him across the stage, seemed to be both isolated and yet strangely in harmony with his fellow dancers, robotically dead-pan yet ex­pressively supple.

But words are not enough. This piece is not to be read about in a re­view, but to be heard and seen in the flesh. And if that isn’t enough, there’ll be a live orchestra, too.