Wednesday 25th June 2025
Blog Page 1667

Falls mainly on the pitch

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My experience of Spanish rugby began with the destruction of a truth I’d previously considered incontestable: that Astroturf was only for hockey and five-a-side football. It was with this worrying news that I took to the plastic in 30 degree heat with the Theta Cisneros, a team which takes its name from a play on words involving a letter of the Greek alphabet and the Spanish word for breast.

Rugby has a long and proud heritage amongst those who are part of its community in Spain, and the Spanish Federation currently has more registered senior male players than Scotland. The national side reached the 1999 World Cup group stages, while Oriol Ripol, who won the Premiership with Sale Sharks in 2006, is probably its best known name. My club, C.R. Cisneros, was based at one of the colleges of the Universidad Complutense. Its First team was recently promoted to Spain’s top league, the División de Honor A. The Theta, however, battled several rungs further down in Madrid Regional Two. Having always had a passion for rugby inverse to my ability and physique, I was looking for a recreational and social experience. Thankfully, this was much in tune with the rest of the Theta, a team which, in my opinion, exemplifies all that is good about rugby.

The team’s home ground, Paraninfo, is comfortably the worst pitch I’ve ever played on with the exception of its alternative home ground, Cantarranas. Both were rock hard, becoming mudbaths after rain. I soon learnt that the exfoliation sessions on artificial pitches were the lesser of two evils. The Theta was led by the indefatigable captain Cuartero, who composed one match report in the style of a Spanish ballad, and another as the diary of a seaman aboard a naval ship. In both cases, the style was carried off superbly. Arguably though, the team’s spiritual leader was talismanic playercoach Gonzalo ‘Zoydberg’ Benito, a swashbuckling and hugely adept number eight.

Indeed, it was clear that Zoy had honed his skills during many a Theta season spent at the base of a fast-retreating scrum. Madrid Regional Two, as it turned out, was a bit of a graveyard for running rugby, full of very big, very slow men. The Theta is largely made up of students and I think we gave away 10 to 15 kilos per player against most teams. Trailing by thirty points at halftime, we would invariably mount a plucky comeback against an exhausted opposition, in a race against time to overturn the deficit.

Sometimes we scraped to victory, sometimes we were beaten by the clock, but there was rarely dull moment, and a battle against relegation became a charge up the table to a respectable fifth placed finish. However, the Theta is not really about the quality of rugby but rather the enjoyment of the sport and everything it offers. It is a social union as much as a sporting one, and Cisneros as a club puts the values of rugby at the forefront of everything it does, doing tremendous work in introducing young men and women to the benefits of rugby, both on and off the pitch.

Such is the enthusiasm of those already involved in the sport it’s not unrealistic to expect Spain to compete in a good few World Cups in the next 20 years. As I see it, there are two main issues for the Spanish federation to tackle. The first is that a lot of players only take up rugby at university, meaning that they miss out on years of skills training and game understanding. Most tier three and low tier two countries produce decent athletes but lack the intuition of the world’s best players, the result of not growing up around the game.

The second problem for Spain is simply a lack of good facilities. The Complutense’s pitches are used for training and matches every week, not only by the college sides, but also the faculty sides, as well as the Cisneros and its entire academy. For those taking up the game, rugby is just not as fun on such surfaces. Grass is a precious commodity and difficult to manage given the climate, while synthetic pitches require investment.

However, until such investment arrives, I’m sure that rugby in Spain will continue to thrive in spite of the obstacles it faces. As for the Theta, I hope they one day make it to Regional One.

It’s not over ’til it’s over

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After eight issues that’s it for us at Cherwell Sport for the term, so we’re feeling quite elegiac. With emotion running through the Choffices it’s time to take a look back at our favourite bits of the sporting term.

The obvious repeated theme of our reporting all term, the rain has been the big non-negotiable when we think about this Trinity. It’s affected everything, making some sports unplayable, raising fears of cancellation for some marquee events like Summer Eights. Sodden matches of croquet aren’t what we’re used to, and the hail really changed hockey matches. Despite some people’s best (actually quite shoddy) efforts to debate to the contrary in these very pages, the deluge has to some extent marred this term’s sporting endeavours. For that, and in honour of every journeyman county cricketer who spent all Easter bathing his Duncan Fearnley in linseed oil, the rain is our villain of the term.

An unlikely candidate for one of our favourite moments would be the previously unheralded Freshfields Rugby 7s tournament early on at Iffley Road. Played in the perfect spirit, the rugby on offer veered from the sublime to the absurd. The stand – which reverberated with the sounds of an impressive number of fans – was a happy place due to the combination of free beers and free hog roast. It was, quite simply, glorious.

Still, the true highlight of the term has to have been 5th week. Casting all thoughts of 5th week blues into the (previously rain-filled) gutter, it was a beautiful week. As the sun first peeked out on the Monday, and then burst into full flame on Tuesday, it watched over an eclectic mix of sports. The cycling road race Varsity was something very different, as St. Giles was appropriated by Halfords and a voluble commentator, and though the Dark Blues were trounced it was a good day out nonetheless.

The real twin peaks of the week though were Summer Eights, which turned even the most ardent anti-rower into a blissful boatie (for Saturday at least), and the Varsity Twenty20 cricket match. Both were enormously well-attended by boozey crowds grateful for the excuse for a day out in the sun, and turned fifth week from good to great. College sport, when it could take place, was as ever a joy to behold and participate in, the real reason most of us got involved with this in the first place.

There’s plenty left to come however. One of the most keenly-awaited events is the croquet Cuppers final. It’s often noted that it’s the competition with the most entrants in Oxford, and the final should bring a (hopefully dry) highlight to term for four lucky people. Croquet is often unfairly pilloried, and few would describe it as a spectator sport, but the University Lawns are in a glorious setting in Parks. The up-shift in quality of grass between them and your average college quad is extraordinary, so going down to watch some top-level croquet (my pick would be the Teddy Hall 1st IV) wouldn’t be a bad idea.

The Dark Blues may have been successful in the Varsity Twenty20, but there are contests left to come for OUCC. After the sun-bathed victory on Friday of 5th week the next big date in the calendar is the 16th June (the last day of term), which sees both the men and women of Oxford cricket club taking to Lord’s for their respective fifty-over Varsity games. After a respectable break the 4 day Varsity, the pinnacle of the OUCC calendar, is set to take place from the 24th – 27th June, back in Parks. I can’t think of many more idyllic ways to spend a few boozey post-exam, essayless hours than in front of the cricket with (God willing) the sun out.

Tomorrow, on Saturday 9th June, sees the Polo Varsity match. If anyone has the means to get themselves to Windsor in time then there’s a real spectacle at hand. Sponsored, of course, by Jack Wills, the day has much more to offer than just the Oxford-Cambridge game. Two Old Boy games in the morning are followed by the Eton-Harrow match and then the other side of the Varsity game as Harrow play Yale, so there’s more polo than anyone could reasonably want on offer.

Also available for a summer’s day out supporting the Dark Blues are the tennis Varsity matches. Near Richmond in Roehampton the games happen in early July, between the 3rd and 5th of that month. While it may not be the most prestigious or best attended south London tennis tournament in early July, the players would certainly appreciate some support. Oxford may already have won enough Varsity matches to secure overall dominance over Cambridge this year but there are crucial fixtures ahead.

Turning away from the University scene, there is still hopefully a huge amount of college sport left to be played. Sticking to college cricket alone, most teams could probably fill the next two weeks purely with rescheduled games. Any sunny day currently sees a rush of excitement and activity, followed by inevitable disappointment when it’s remembered that rain the previous days has meant that the pitches are far too waterlogged. So with a few dry days there’ll be non-stop shoddy cricket to watch. Presumably mixed netball Cuppers will be rescheduled too, and that should be a real sight to see, with ill at ease men attempting to keep their heads above water in a riot of competitiveness.

That’s about it then, leaving aside of course the spontaneous pick-up games of parks football and cricket that pop up in any summer worth the name. It’s been emotional, but we bid you farwwell.

Review: Arabian Nights

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Walking up the relatively blank Burton Taylor stairs, a promising waft of incense floated down to greet me, even before I was ushered into the dim tent. No rows of plastic chairs or wooden floors here: silky material was draped around to wrap up its audience in a warm, cosy, exotic dome. It was as if the setting was not only saying, “picture this” with its glittering candles and wine-red carpet; but also “hear this” with the varied beat of a hand drum played in a corner; “smell this” with  delicately scented smoke; even “taste this” (the shisha was banana-flavoured). Gingerly perching on a velvet cushion, I joined the chattering on-lookers lounging at the side of the den.

The king, who had all this while been sitting brooding on his throne, spoke up at the strike of a spotlight, and sprung into a regally wrathful speech against the infidelity of his wife. At this point, I started to get a little more comfortable with the idea that this was just a performance, admittedly with an unusually intimate setting. The initial framework story was outlined: the King wishes to sleep with and then kill one virgin every night, as he believes that no woman is chaste. Shaharazad, the brave heroine, comes in place of one of the virgins so that she armight persuade the king to stop his brutality towards his own people, but at the risk of losing her own life. To try to soften his heart and enlighten his mind, she tells him many different meaningful tales.

An exciting enough story in itself, they could have left the two of them sat on the bed telling each other stories all night. But this was no lazy adaptation. An ensemble of actors sprung out from amongst the audience to help not only narrate the tales, but also to show them, too. Whether they were wiggling their hands like fish in the sea, or parading around a protagonist on a human camel, they were full of lively diversity. One actor even managed to make himself into a stage, whilst others behind him shook puppets over the top of his back. Looking at the caste list retrospectively, it seems unfair to label any of them as one role; they were characters, narrators, audience, props and set. 

I’ve spent so long warbling about the ingenuity of the performance, that I find myself with little space for the tales: in a nutshell, a great variety, and as versatile and diverse as the actual performance of them. At times exaggerated and farcical, at others highly strung with tension, passionate and even violent. The shift between different stories was so thick and fast, so it was always easy to suddenly find yourself balancing on the edge of a knife just after a cheerful laugh. Finally, after a clever twist at the end (which shall not be spoiled here), we were released back to ourselves – but not without the drum striking up again to see us off. That tent may be lying folded up in plastic bags somewhere now, but the impression it made continues to be inescapable.

 FIVE STARS

Review: Edward II

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Edward II is rarely performed. The first act is a bit samey, the arc a little wobbly. It’s one of those plays where 90% of the fighting and screwing happens offstage, and if you’ve turned up anticipating the titular character’s totally grody death (poker, arse, up) you can forget it – it’s “tasteful blackout” all the way. But you could hardly call it boring, not while there’s homosexual love, war, madness, and betrayal to contend with. Sadly, a cast that aren’t up to the task and no end of comically bad direction mean that any glimmers of promise collapse into a soup of lazy interpretation.

Alex Stutt’s jittery Edward could be wonderful, but soon grates, mostly because he doesn’t know how to just stand on stage (or in character: he’s frequently so sad he falls over, once whilst sitting down). A lot of the cast seem to have this problem – guys, it’s okay! You’re still acting! – though Stutt is the main culprit. If you’re going to dodder around like a coked-up heron, you need a counterpoint in your quieter moments.  Everyone’s energy kicks off in such a SHOUTY WAY, because they are ANGRY with the KING for GAYING UP THE PLACE with his EYESHADOW (though how he stops faffing long enough to apply it is a mystery), that it knocks the wind out of later confrontations, or moments that demand a subtle change in stakes to avoid being repetitive. A pre-set emotional range of “capslock”, “devastated”, and “horny” robs the action of the danger it demands. Josh Booth is an appropriately petulant Gaveston, though the character is underexamined and the journey flat. There’s a lot of groping and not much chemistry. Worse, the decision to have him multi-role as seductive poker-wielding assassin Lightborn turns Edward’s death, by implication, into a horrifically misjudged pantomime of sodomy. Classy. Moritz Borrmann, Tim Forshaw and Tom Heaps are forgettable as three Barons with an amusing habit of standing in height order.

It’s not all bad, though. Lizhi Howard is a delightfully miscast Arundel, with all the bellicose kill-rage of the Tellytubbies’ sun baby, or a primary school teacher who’s somehow got a sword stuck in her belt, and Emily Warren’s Matrevis makes an enjoyable and genuinely thoughtful transition from wet lettuce to torturer. Phoebe Hames is a true standout, a breath of fresh air as the jilted Queen Isabella. Her performance feels lived-in, by turns spiky and stricken, or else heavy with wounded dignity, like she’s just had a good long cry.

As always, the devil’s in the detail, and you really wonder whether Francesca Petrizzo (who is responsible and should feel bad) was conscious at the time of directing. Actors read A4 lined scrolls, “waterboard” each other from cups dashed to the ground  – also, student productions are hard-up, I get it, but I think critics are entitled to have a pop when that “glittering” crown you’re monologuing about came free with a Happy Meal and weighs visibly less than a satsuma. The blocking alone is a laff riot: at one point Canterbury is sent to inform Parliament that Edward will yield the throne. He stands at the back of the stage and gazes at the wall. Pondering the weight of responsibility, perhaps? No, just waiting to be “called back” ten seconds later. Outstanding.

ONE STAR

Debate: Are we excited about the Olympics?

Proposition:

I love sport. I love the camaraderie of a steamy changing room after a big win with the boys. I love the rush of blood to the head after a good bout of exercise. I love the endless conversation fodder it provides for meals, drinks and long journeys. Sport gives meaning to individual lives, sport unites teams and builds nations. The Olympics are coming to London this summer and I can’t wait.

The Olympics, with its momentous significance, will give meaning to parts of England that are often overlooked in global affairs. When else would you see something as culturally significant in Needham, Chippenham or Leighton Buzzard? The Olympic Torch is blazing through Britain’s banal countryside, placing for one transcendental moment the A420 on the same historical stage as the great wonders of our world. The torch represents more than just the mark of the Olympics, its journey is a cultural crusade of historical significance. It is sport’s most recognisable symbol, uniting place and people in its wake.

The Olympics also focus the gaze of the watching world on one particular event. It is perhaps for this reason that the Olympics have been the scene of hugely significant political moments and indications of widespread social movements, all of which have become indelibly marked on the wider historical script. Jesse Owens’s four medals at Munich in 1936 showed in glorious fashion the ridiculous falsehoods of the Nazi ethos of Aryan supremacy, while in Mexico city in 1968 Tommie Smith and John Carlos, two African American 200 metre sprinters who finished on the podium, gave the black power salute during the American national anthem. At London 2012, at a time of deep rooted social frustration in the capital, will we see similar moments of cultural significance? Perhaps the ‘Occupy’ campaign will move to rowing headquarters at Eton Dorney to set up camp, a floating reminder of the moral bankruptcy of capitalism. Or perhaps Tom Daley will step up his anti-bullying campaign on the diving board, wearing a glittery thong in an attempt to neutralise gender discrimination in sport.

Aside from these significant arguments in favour of the Olympics, there is a myriad of other opportunities the games provide: handing out medals gives work to minor royals, while Elbow’s finances go through the roof every time the BBC use ‘Day Like This’ in a montage. The travel industry booms as Londoners get as far away from events in their home town as possible, while the BBC coverage keeps Sue Barker in work, at least for the summer. Hosting London 2012 may have cost the taxpayer over nine billion pounds, but it’s worth every last penny.

Barney White

 

Opposition:

It’s taken four years, but our elaborate scheme to trick swathes of foreigners into going to East London is almost complete. The Olympics are coming to UK. It will, argue its proponents, leave a sporting legacy that will outweigh its considerable costs. But, undermining all the games’ lofty ideals is one fatal flaw: sport is rubbish.

We are promised a lasting legacy, that the four week gridlock and monetary loss shall be trivial by comparison. But, most of this legacy will arrive in the form of a surplus of sporting facilities for inner-city youths. The assumption is that training up athletes and inspiring exercise is a good thing. Well, out of a deep dedication to hands-on journalism, I did a peculiar thing last Wednesday: I went for a run. It was horrible. Within minutes my legs had turned to jelly and I was choking on my own sweat. Small children were left in floods of tears, traumatised by the sight of my turquoise short shorts. Everything hurt. Clearly it would be grossly irresponsible to encourage such activity.

In fact, the ‘healthy mind, healthy body’ glorification of exercise is almost as ubiquitous as it is lacking actual empirical evidence. For the sake of science I would like you to conduct an experiment: if you can pull your eyes away from this page for a second please look up and observe those around you. Look at their pale, oily faces, those lank, chubby, sausage limbs – they betray an aversion to exercise that has gotten these people into the best university in the world. If you are alone, consider that the social ineptitude causing this probably results from social exclusion in early childhood due to your own sporting failures. But the hours studying alone in your bedroom, whilst those happier, prettier, sportier children played outside, are what brought you into this wonderful city. Furthermore, the notion that team sport builds character is fatally undermined considering most professional footballers seem to possess the moral fortitude of a particularly dishonest can of special brew.

And let’s not forget: it’s hopelessly dull to watch. The athletics particularly so. It’s just people moving quickly. Why not save the hundreds of millions the UK taxpayer currently spends on athletics training and simply film me and my pals running a hundred metres then play it at double speed? Same result. More bizarre is the gymnastics which is, essentially, just people moving from one place to another in an absurdly inefficient manner. Readers, sport is not virtuous, it is painful and embarrassing. It turns the fans into louts, the participants into sweaty wrecks and puts everyone else to sleep. Why we chose to take on this costly circus is a mystery.

Ben Deaner

5 Minute Tute: Money in politics

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What are the Super PACs that have become so important in the US election?

Political Action Committees (PACs) are organisations used to raise money to support the election of particular candidates regulated by the Federal Election Commission. What has changed since 2008 is the emergence of so-called Super PACs, which can now raise unlimited funds from individuals and corporations. Expenditure by PACs has been unlimited since the 1980s, but donations have not. There are now no restrictions on either, provided that PACs do not coordinate with the candidates whose campaigns they support. US electoral laws therefore maintain a tenuous distinction between contributions to individual candidates, which continue to be limited for fear of their potentially corrupting influence, and the right to freedom of expression in advocating the election of those same candidates.

How will these Super PACs affect US politics?

In the words of Zhou Enlai, it is too early to say, though there is a widespread fear of a further redistribution of political power towards the rich and of a further increase in negative campaigning. T he potential influence of such organizations was revealed by the impact of the campaign against John Kerry by the Swift Boat Veterans for Truth (technically not a PAC, but having a similar effect). The recent Republican primaries were also characterised by a high density of negative TV ads. It is hard to see how the Citizens United ruling really enhances freedom of speech, rather than simply allowing rich individuals and corporations (including, of course, labour unions) to shout louder.

How important will the candidates’ ‘war chests’ be in the upcoming Presidential election?

Barack Obama’s fundraising campaign was crucial to his victory in 2008 (and also to his successful primary battle with Hilary Clinton). Once again, however, we don’t yet know what the relative impact of Super PAC expenditure against the candidates’ own expenditure will be. Democrats are concerned about Restore our Future, the Romneysupporting Super PAC founded by former Bush strategist and Deputy Chief of Staff Karl Rove. On the other hand, Sheldon and Miriam Adelson’s $10m donation to a Newt Gingrich-supporting Super PAC didn’t do him that much good! For Barack Obama the ground operation will be crucially important, as it was for George W. Bush in 2004.

Does money count for less in the UK?

I’m not sure whether the relationship between politics and money can ever be entirely ‘clean’: no party funding arrangement is immune from criticism. That said, I have little doubt that money counts for more in US politics than in the UK. Quite apart from the enormous sums required for a presidential run, the electoral prospects of individual congressmen are closely tied to their fund-raising capacity, something that does not apply to MPs. One can understand many of the dynamics within Congress and between Congress and the White House in terms of the influence of money on US politics.

Should UK parties be state-funded?

There is more state funding of political parties in the UK than many people realise, primarily in the form of Policy Development Grants and money to support opposition parties. The problem with state funding, apart from the fact that it would impose new costs on taxpayers at a time when politicians are not universally popular, is that it tends to reinforce the status quo by requiring some degree of electoral success to qualify for funding. If what we are concerned about is party donors being ‘rewarded’ with appointment to the legislature, a simpler solution might be to introduce an elected House of Lords.

Adam Humphreys is a Fellow of Politics at Brasenose College

The danger of slow news days

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You may have read recently that Keble’s undergraduate body voted decisively not to spend £193 on a portrait of the Queen to be placed in the JCR, with Daily Mail journalist Ian Garland vented his spleen over the issue earlier in the week. The content of the article was adequately summarised by its headline: ‘Students at top Oxford college refuse to hang picture of the Queen because doing so would promote ELITISM’. It fits into the standard tabloid Oxbridge model: we all belong to a narrow social elite, which means that our opinions on issues of elitism and privilege are invalid.

Comments on Mail Online such as ‘do these dipsticks really have the mental ability to attend such an establishment?’ demonstrate a funny situation in which Oxford as an institution is granted respect and deference by the general public, but the people who inhabit it are not. Oxford students aren’t given much of a chance. Either we are toffs and reactionaries, elitists and traditionalists, or we are whinging left-leaning typical students. If the latter is true, it is only interesting because we are meant to be the former.

Many of the issues regarding tabloid articles about Oxbridge in general were elegantly pointed out this week by a lengthy response in Cherwell’s rival newspaper. That answered the question ‘why was the article bad?’ However, we must also ask the question ‘why was the article written?’ Journalism is in essence comprised of two roles which can sometimes pull against each other; finding the news, and reporting it. A lot of the time, there simply isn’t very much news. Oxford is a small place. Britain isn’t, nor is the world, but the things which people want to read about are rarely the same as the things which are important to our lives, or the things that are valuable for us to know about.

The same phenomenon is apparent in student newspapers, although suggesting you flick through this copy of Cherwell to verify that claim would be disloyal. Sometimes there is no story to be found, so there is no story to report. The Keble JCR motion is clearly not a national news story, but people want to read about it because it reinforces existing prejudices and gives a platform to anti-Oxford sentiment. For better or for worse, as Oxford students, people are interested in us and what we do.

Similarly, those on the Oxford student press’ trawl list are encouraged to exaggerate stories about minor JCR incidents into full blown press stories. Sometimes, it’s hard to know the limits as to what constitutes ‘news’. What if people are interested in it? How about news stories which severely jeopardise people’s future prospects? When there is no news, should we create it? Maybe we should just print something telling the truth: ‘Sorry, there isn’t any news today.’

Sides of the story – the Diamond Jubilee

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Facts of the matter

The Queen has now been on the throne for longer than most of her subjects have been alive, has outlasted countless governments, and has presided with a probably admirable calm over the slump towards relative insignificance of both the UK in general and the monarchy in particular.

The UK has pulled out all the stops to mark what may well be the last major royal-centred event before we get stuck with King Charles, ordering the nation to picnic en masse and fly flags, and to cap it off called in pop stars, dignitaries and a giant flotilla of boats (we’re a marine power, remember) to give the blandly pleasant old gal her due: misplaced, and somewhat outdated pomp. Important royal events are always tough to cover – most editors demand a positive spin, which isn’t really what the British press is designed for.

And so you get the same obsession with the details of dress without any of the bitchy meanness that gets papers like The Mail off the shelves. The result is a more or less endless stream of praise of the emotional and ‘often witty’ speeches, the glitz and the music. After four days of it, you almost miss the shrieky finger-pointing that makes Britain’s papers what they are.

Laugh-a-minute

One of the few monarchists at the Guardian turns effusive on us, recounting the times he was personally charmed by the Queen (‘my’ Queen, apparently), dwelling as her admirers invariably do on her outfits: ‘and was that not a yellow flower clasped within the band of her green hat?’, he gasps, swooning over his keyboard, one imagines.

He fills out the rest of the blank page space with an odd defence of monarchic privilege: boring lefties who argue that all the pageantry is just a disguise for grossly unjust privilege are wrong: ‘ there is only one thing worse than being poor and that’s being rich but without the opportunity to choose what to spend it on’. That this kind of logical gymnastics can get published in a leading newspaper speaks volumes of the very defensive affection felt in the UK for the Queen, probably more than we admit.

Voice(s) of reason

Also in the Guardian, Alexis Petridis reminds us that the Royals are have had years of training at enduring events far more tedious than anything Cheryl Cole and Robbie Williams can throw at them – think of the decades spent smiling and waving politely at Royal variety shows. The same paper also managed to dig up an Alterative Jubilee, billed as a gathering of ‘old queens’ on a hill somewhere in Scotland, adding that the late Queen Mother was apparently a ‘notorious fag hag’.

And, that’s about it as far as interesting coverage goes. Every major royal event tends to reduce the British press to doe-eyed fawning, with the occasional bitter rant about it’s all wrong and we should never have let Charles II back in the first place. I can only recommend enjoying or at least tolerating the quiet pageantry while it lasts – Charles III will be harder to ignore.