Sunday 17th August 2025
Blog Page 14

In defence of the much-maligned offseason

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What will you watch? That’s always the complaint, the second the final whistle blows on the last game of the season and football loses all its appeal. This is not a show going on hiatus. This is a love letter to the summer offseason, unassuming, underrated. What will you watch? The undercurrents, obviously. The comings and goings. The silence of millions of pounds changing hands, dispensed to you only in emoji-laden Instagram captions, poorly-Photoshopped graphics, insider traders masquerading as journalists. Rodrygo to Arsenal. Wirtz to City. Sunderland til you die, or maybe just ‘til the Prem. 

The death of the offseason has been in many ways facilitated by the rise of social media, best illustrated in the Instagram carousel of the same player’s face superimposed on the kits of about five different clubs. There’s something unnerving about that third-order simulacrum, of how close we are to a landscape where you can never be sure what’s real and what’s not. Like it or not, you know news before you even hear it, before it even happens. It’s almost enough to ruin the summer. 

Almost. Almost, because despite it all, the dreamy haze of possibility persists. The romance of it. The chasm of hope. The dog days—or maybe not even that. Maybe this little window, when everything’s almost wrapped up, when the old’s not quite out, the breather before the new comes rolling in. All my life the sun has set at precisely the same time every day; I’m only now understanding how much more different a summer makes a season, how the days stretch like elastic and turn it to something almost eternal.

But I love it, and all the preseason tours it comes with. All of the bark and none of the bite. Football in places it shouldn’t be. A North London derby? Sure. In Hong Kong? Hey, hang on a minute. There’s something so quintessentially English about them that it’s strange to see them in Madrid and Milan, let alone Asia or America. Things like that expose the whole machine for what it really is: Beyonce fills stadiums, Messi fills arenas. It’s one thing to know it in your heart, to have it washed away by the brick-and-mortar of the stadium in the backyard of your city, another to have it laid out in the open like that: the athlete as touring artist, a laundry list of friendly opponents as special guests. 

A cynic calls it for what it is: a capitalist ploy to wring revenue from its international audiences, where people who can’t afford to see them play regularly will splash out on a once-in-a-lifetime chance to watch their team live. But I’m from Singapore and the last time Arsenal played here they still had Özil. You can be a cynic and still be sentimental, criticise it and still fall for the twinge of nostalgia in your heart anyway. That’s what being a lover is all about. 

And there’s something about these matches that makes them weightless. It’s precisely because they truly don’t matter that you can enjoy them with an uncomplicated eye, bend their results to fit into your agenda any which way. We’ve gotten a little too comfortable using that descriptor on games against relegation fodder: win, draw, or lose, those games still put points on the board. Tip over into June and suddenly anything played has absolutely no bearing on anything whatsoever; suddenly there’s room for interpretation. Lose a friendly against your sworn rival and it’s because you’re just not at full sharpness yet; win and it’s a portent of how your season shakes out. The league feels like it’s been won or lost before it even starts. The league feels like it can’t come soon enough.

It’s a fleeting thing, the offseason. Disappears into the sand with nothing to show for it. With seasons, at least, you’ve got records, consequences, trophies, goals. Meanwhile the summer gets shrunk down to signings and no one remembers what happened in those sun-soaked days, the space between a year and the next, the breathless expectation. Which is a pity, because sometimes you get real gems: in the beginning of August last year, Arsenal and Leverkusen met, managed by Mikel Arteta and Xabi Alonso, childhood friends who went on to have vastly different careers. Each saddled with a prodigal son: Kai Havertz, who’d risen to prominence at Leverkusen, and Granit Xhaka, who’d gone from Arsenal’s captain to disgrace to fan favourite in three years. Each with something to prove. Arsenal won that game four goals to one, and went on to finish the season in second place, but it was Leverkusen who took a leaf out of their book and went invincible for the first time in their league’s history. There are narratives that get buried by the relentless march of time; enjoy them while they last. They’ll be gone with the summer, gold and flowing, by the time fall rolls around.

Fencing Novices may be new, but they get the point

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Varsity competitions might seem out of reach to many. Sportspeople who fill the ranks of Blues teams have often mastered their disciplines long before coming to Oxford, putting the new player at risk of feeling there is no way into the game. This is where novice competitions come in, providing an opportunity for those who have picked up the sport within the academic year to test themselves against the Tabs. For more niche sports like fencing, Novices is an excellent way to bring new players into the fold in a sport that could otherwise be challenging to break into. This year’s novice fencers took to the stage at Iffley on the 17th of May, putting up performances, the likes of which seasoned veterans would look on with pride.

The full-day affair began with the team competition, which took place in a relay style. An Oxford fencer faces off against a Cambridge opponent in a bout to five points, at which time both players swap out for a new pair of duellers, who compete until one side has (cumulatively) amassed ten points – and so on, with play advancing in multiples of five points, up to 45. Oxford reached the golden 45-point mark in all but the men’s foil, meaning there was a convincing victory for the Dark Blues overall, of 172-147 in their favour. This included an exceptionally tight Women’s foil matchup anchored by St Hugh’s College’s Lily Harris that finished 45-44, but there was clear daylight in women’s epee, where Cindy Yeung anchored Oxford in a 45-27 success.

Fencing resumed after a lunchbreak, but the pause in play did not disrupt Oxford’s dominance. This time, individuals faced each other in a straight knock-out mixed gender tournament. Sabre, absent from the team round, also made its appearance. Sabre fencing makes for fast-paced, aggressive action, as not just the tip of the sword but the whole blade can be used to score points. Proactive, offensive play is rewarded, and the flying lunges on display were a joy to behold, not least in the final, that was played in a hastily set-up new section of the hall as badminton players came to requisition most of the space. This was between Cambridge’s Matt Swales and Oxford mathematician Rico Chung. This matchup went down to the wire, ending 15-14 in Chung’s favour. Cambridge won by the same scoreline in foil, their representative squeaking past Balliol College’s Jaden Ruddock by the finest of margins. His exuberant celebrations in the aftermath showed that defeating Ruddock was no simple challenge. In foil, just the tip of the blade can be used to score points, and even then only on the torso and groin, making for fascinating tactical matchups.

Epee, too, only uses the tip for point-scoring, but the whole body of the opponent becomes a valid target. Both participants can score a point in the event of simultaneous strikes, making sudden counterattacks a key part of the game. Although his semi-final went down to a nerve-wracking tiebreaker, Hugh’s Jacob Humphrey came into his final having not gone behind in any previous knockout round. This all changed against an unorthodox Cambridge fighter who quickly gained momentum from a buoyant away support. The tables turned back in Oxford’s favour though, after a failed attempt at Humphrey’s feet. Having parried this successfully, a quick jab by Humphrey on the stomach put him 5-4 ahead, a lead that would grow to 15-10. Oxford’s total domination in individual and team epee is all the more impressive given that Cambridge have dedicated epee coaches of their own. In the end, however, it was only foil where Cambridge seemed able to match Oxford’s strength.

These results keep the good times rolling in what has been a standout year for fencing in Oxford. In March, Oxford’s Men’s Blues claimed a Varsity victory over Cambridge for the first time in six years, an achievement which has been recently nominated for Sporting Moment of the Year as part of Oxford University Sports Federation’s Sports Awards 2025.

It will be no surprise to see some of these successful novice names graduate to fight for seconds and Blues teams in years down the line.

No sight of a finish line for the cult followers of running

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My first experience with running in Oxford came on a cold Michaelmas night last October. I was in the midst of my first ever essay crisis. At 11:30pm I put on my shoes and fled the cosy Regent’s library. Little did I know that this run would not only be incredibly eventful, but would also lead me to start running at ridiculous hours during term. 

I originally picked up running as a hobby during the pandemic. Cut off from school life and missing my fencing training, I began running three times a week, usually in the morning, purely as a way to exercise. It was almost the perfect pandemic sport – all you needed was a pair of running shoes and a place to run.. 

But the frenetic pace and excitement of Freshers’ week and the delightful workload of a law degree left me without the time or energy to run in the first week of Michaelmas. Which brings me to the midst of a rather fiddly constitutional law essay in week 2. I was frustrated and tired, and naturally decided to go for a run. Whether it was purely procrastination, muscle memory of happy endorphins, or quite literally me running away from my essay problem, my very first run in Oxford had a major impact on me. 

It was only as I stepped out of my college that it struck me that University Parks was probably shut, and I wasn’t really sure what to do. I ended up simply bolting down St Giles, past the kebab vans, all the way down to Iffley Road. This was fitting especially given the storied history of the track at Iffley, where Sir Roger Bannister ran the first sub-four-minute mile.  The highlight of the night was when I ran into an incredibly drunk man named Jeff outside the Four Candles. Merry Jeff saw me running, and, being in very high spirits (pun fully intended), attempted to race me. Naturally, Jeff was in no state to run, but the fact that he attempted the impossible despite faltering steps gave me the confidence to shake off my writer’s block and finish my essay. 

In a fast-paced environment like Oxford, it is difficult to ever truly feel in control of what’s going on around you. Running puts you in a completely different world; one where you are almost totally in control of everything you do. The pace, the direction and even the playlist are all under your control. The first 15 minutes of a run are generally the worst part, the one where you question why you ever bothered to put yourself through this, but the second you get into a groove, you achieve a sense of quiet. It is this level of peace and control that sets running apart from most sports. The only person you’re truly competing with is yourself. 

Now maybe I’ve overromanticised what running it truly is. Maybe it really is just a ridiculous sport that leaves you sweaty, gifts you sprained ankles and shin splints. But there’s probably a reason why over 6000 people ran the Oxford Town and Gown 10K this year. It was not for a participation certificate, it was for the love of the game, the peace it brings them and the sense of community that binds runners together. More importantly, they ran for charity, and raised over £300,000 for Muscle Dystrophy UK. 

Whether you are a person who wakes up at 5am or someone who is willing to run past midnight, if you ever need your world to slow down just a little bit and find a sense of control in this chaotic world, running might just be what you need.

Diane Abbott criticises University disciplinary process for pro-Palestine sit-in

Diane Abbott, former Shadow Home Secretary, has written a statement of support to the University of Oxford for one of her constituents, who is currently involved in a disciplinary process following their participation in the occupation of Vice-Chancellor Irene Tracey’s office on 23rd May 2024. 

In the letter, exclusively viewed by Cherwell, Abbott said: “As a parliamentarian committed to the principles of justice, civil liberties, and the right to peaceful protest, I believe that submitting… students to formal sanctions for their involvement risks undermining the core values of freedom of expression and academic freedom that universities ought to uphold.” 

Abbott cited that the protest was “non-violent” and that the police “declined to pursue criminal charges”, arguing that these facts should be weighed before taking disciplinary measures that could “have long-lasting consequences on a young person’s future”. 

She went on to say that “it is neither fair nor reasonable for a university to treat principled protest on urgent moral and humanitarian issues as misconduct warranting punitive measures. To do so risks chilling the very civic engagement and moral leadership that we should be encouraging in the next generation.” 

Cherwell understands that the final hearings of the disciplinary proceedings will take place between the 10th and 16th of this month. Previously, students involved with these proceedings have told Cherwell that: “Continuing to have this weight hanging over [them] without a sort of acknowledgement of how it could affect [their] studies, [their] life, [their] health… is not proper conduct from them.” 
This comes after an open letter in response to former Hertford College Principal Tom Fletcher’s speech at the United Nations. The letter urged Fletcher to “call on Irene Tracey… to consider how future generations might judge her decision to prosecute students acting on their moral indignation about events in Gaza and to terminate the University’s proceedings against them.”

A letter calling for the University to drop the case against the Wellington Square student protestors has also surfaced and has been reposted by Oxford Against Genocide (OAG) on Instagram. It currently has 209 signatories, including Oxford students, faculty, staff, and alumni, as well as members of the local community and other academics.

The University was approached for comment but did not respond.

How to Prepare for Financial Curveballs 

Financial curveballs happen to almost everybody at some point in their life, whether it’s a sudden loss of employment or unforeseen car repairs. But there are ways you can prepare for these challenges in advance to reduce the impact they have on your life. So, here are just a few steps you can take to give yourself peace of mind when it comes to your financial future.  

Build an Emergency Fund

An emergency fund is a separate pot of money that you only use for emergencies. It’s designed to cover you should you face a financial crisis, so you should aim to have at least three months of expenses in it. You can use a tool such as this Sofi emergency fund calculator to help you work out how much you need to save. 

The amount may feel overwhelming, but you don’t need to have it saved up immediately. As long as you consistently add to it, no matter how little, you can build it up over time. 

Consider Insurance 

Whilst insurance does add to your monthly bills, it can be an important safety net. There are a variety of types, from health to home insurance, and each policy is different so it’s important to do your research so you get the right type of policy and the right level of coverage.

Diversify Your Income Streams

Relying on one source of income can leave you unprotected if it is disrupted. If you have the time, resources, and skills, consider setting up a side hustle or take on freelance work to give yourself a second source of income. Your side venture doesn’t have to bring in a considerable amount of money, just enough to ease your financial pressures. 

Avoid High-Interest Debt Where Possible 

High interest credit cards and loans can quickly become a financial burden, and they can make it more difficult to handle unexpected financial situations. It’s best to avoid these where possible, but if you do take out a credit card or loan with high interest, you should make paying it off one of your top priorities. 

Remain Informed 

The more financially literate you are, the better equipped you will be to deal with a financial curveball. Be sure to keep up with the latest financial news and stay on top of your personal finances so you always know what position you’re in. 

Be Prepared for the Worst

It’s important to prepare yourself for the worst case scenario, but hope for the best case scenario. By building an emergency fund, getting the right insurance, ensuring you have more than one income, avoiding high interest debts, and staying financially informed, you can have peace of mind and prepare for any financial curveballs you may face.

Telling stories about telling stories: Previewing ‘The Antipodes’

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In a windowless room in an abstract part of Oriel, I sat in on a rehearsal for Annie Baker’s The Antipodes (2018), on at the Pilch this term. There was a large table with five of the cast huddled around, strewn with miscellaneous snack debris – crisp packets, an apple, a large popcorn multipack – as director Kilian King shouted instructions to “keep making more empty packets”. 

This debris is crucial to showing the passage of time, as Baker’s play spans a long, exhausting series of meetings where the characters attempt to come up with a good story for a somewhat unclear cause. Struggling to come up with ideas they all approve of, they tell different tales to each other in order to try and find some inspiration, all the while the stress and mania of being trapped in the discussion room mounts and fear and panic over their jobs, sanity, and the opinion of their imposing, venerated boss begins to set in. The characters all seem to be perpetually working, even sleeping in the office, so the first glimpses of the play I saw were the swift clearing of the table for morning scenes and the rescattering of the mess to indicate the passage of time to the evening, over and over, letting the days run into each other and time become immaterial. It was snappy, and detailed, and had a really brilliant effect (especially after the first couple of run-throughs) showing the careful attention being paid to the show’s specifics.

Setting the actors free to go on break (and film the mandatory marketing material), I got to talk vision with the directing team. Kilian told me that since the script itself was very precise, both in the sense of its stage directions and in its dialogue, a similar level of attention was needed in the staging and directing of the show. One of the assistant directors, Anna Stibbe, said she felt especially interested in the details, like small environmental objects or minor expressions, when thinking about how she wanted to stage the show. Kilian’s directorial vision was about “putting it on in the way that makes sense”, which to him, since the play isn’t especially famous or canonical, meant working with the text rather than attempting any great subversion. Certainly it’s been rather fashionable lately in Oxford to (sometimes drastically) reinterpret the work you’re staging – recall cameras at the Playhouse, Doran’s rather uninspired pseudo-feminist ending to Two Gentlemen of Verona, strobe lights and free shots in Julie, or Anna Karenina with pantomime comedy – sometimes done successfully, and sometimes risking coming over a bit ‘fur coat, no knickers’. Additionally, there has been comparatively little engagement with contemporary work (perhaps because the rights are cheaper for out of copyright shows with a special twist), making Kilian’s approach to The Antipodes feel genuinely refreshing. 

Having seen part of the show, I still think his summary of his directorial vision is quite a reductive description of the subtle and very deliberate direction of the cast – objectively, yes, the decisions make sense, but they also draw out the implications, humour, and depth of emotion of Baker’s prose. There is no random, left-field reimagining going on, but certainly an incredible amount was brought to the script both by its direction and the participation of the actors in character decisions and performance. 

Kilian also talked to me about the vision for the set, managed by set designer Leon Moorhouse with assistant Elle Jardine, describing the construction of a sort of room-within-a-room. Around the central board table, the ‘boardroom’ itself would also be constructed on the stage out of UV paracord in a box structure, to heighten the claustrophobic sense of the show. The most successful Pilch shows have always been the ones which engage with the space beyond just accepting its black walls, such as the impressive draped-fabric room effect of The Goat or the changing seat structures of Tis Pity She’s a Whore, and I’m excited to see how this voyeuristic set design will interact with the play’s concern of storytelling, watching, and being watched.

I asked Kilian a little about character, and he summoned over Cameron Maiklem, who plays the often-offstage yet ever-present Sandy, the group’s revered boss, seemingly at first to do a pretty good Trump impression. Cameron talked to me about Sandy, whom he described as a respected and successful but ‘fatigued’ man, which Kilian noted was something he hadn’t considered about Sandy himself until Cameron brought it to the performance. In my conversation with Cameron and across the rehearsal, the extent to which the actors were being encouraged to consider the interiority of their characters really came across. Though in theatre, every event from curtains up to curtains down has been considered, planned, and doesn’t change, the cast seemed to have an approach of genuinely working through why they would behave in a certain way, why they’d say something, or why they’d react, with a great emphasis on the interiority of their characters throughout and creating a naturalistic feel to the performances, which is necessary to ground such a disorienting narrative. As Kilian declared to the room: “You have to like your character! Find what you like about them!”; it felt that each had a strong identification with who they were becoming when the scenes began. This identification is especially well utilised in a show like The Antipodes, as much of the emotional tension rests on the slow divulging of increasingly personal stories and reactions to the rest of the room.

Something else notable about the rehearsal was actually the atmosphere – despite the often heavy content, the cast seemed more like a group of friends during the breaks, passionately debating about mermen and planning their own cast socials. While this is always a better environment for rehearsing, it also created a strong chemistry quite necessary for a production so dependent on the collaboration of the ensemble. Due to the story swapping and the shared hysteria in the show both relying on its ensemble nature, this collaboration is especially necessary in The Antipodes, and to me seemed especially well executed. I watched a scene towards the end of the show (so I’ll try not to spoil anything!) where, exasperated and tired, one of the writers, played by Sanaa Pasha, begins to spin a strange, monstrous Genesis-like narrative, gradually waking up the rest of the room and drawing them in as the story moves from bizarre to gruesome to gentle to tragic. Though it was an earlier run-through – Kilian preferred to run it and see how the cast respond to it themselves rather than being too prescriptive – it was clear the off-stage relationships had the cast responding much more naturally to each other on stage. The rising intensity of the story being told was stopped suddenly by characters bickering; the tension burst, and I realised I was sitting forward in my seat. 

The Antipodes, when I saw it, was still over a week from being staged, but already showed the promise of an unmissable night at the theatre. Amongst some trend of exaggeratedly shocking or obscene student theatre seemingly for its own sake, this production engages with the naturally unsettling tone of Baker’s sharp prose and its inherent strangeness. It is clearly being directed by a precise vision of the nightmarish tone of the show’s prose to create an almost magical-realist experience, and is brought to life by a cast with strong identities for their characters and stronger ensemble chemistry. The Pilch is known for its more experimental and unusual offerings, and I think The Antipodes is the termcard listing I’m looking forward to the most – well-made, new, and genuinely, properly, actually weird.

The Antipodes is on at the Michael Pilch Theatre, June 4-7th.

Lancer-lot: Oxford American Football trounce Cambridge Pythons

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There aren’t many sports in which 48-0 is a respectable scoreline. American Football is certainly not one of them. Scoring 40+ points is pretty great, but not necessarily that out of the ordinary – it happened a total of 36 times across the 2024 NFL season (including the playoffs). Comparatively, there were only two complete-game shutouts in that season, and the first one was the two hundred and forty-first game of the season. So when Cambridge came to Uni Parks, and lost by that 48-0 scoreline, hopefully it puts the trouncing into perspective for those of whom are [rightly] confused about the sport in general. Perhaps it gets worse still, in the knowledge that this marked an improvement for Oxford after only winning 48-3 last year, away at Cambridge.

The stage was well set as I strolled over with my friend from college. With an almost beating sun overhead, I had managed to convince him to come out to support another one of our college mates – he had been telling us about the season all year, so it only made sense to come out with the culmination of all his efforts was dropped on our doorstep. Mere moments after settling down, and while discussing the rules, I’m trying to explain turnovers. Thankfully, a sprightly pick from Davis Kline gave my explanation a visual example. Formerly of Princeton’s ‘Football’ team, the Millsap Scholar, who’s studying Classics at Somerville College, took on the role of vice-president of the club this year.

From there, the game slipped further and further out of Cambridge’s grip so quickly that you would be forgiven for thinking that washing your hands with Vaseline was a weird Tab ritual. As Oxford recovered the ball, Micaiah Bell ran the ball into the end-zone with the very first play of the game for Oxford’s offence. Bell is the other Millsap Scholar, having previously played at Harrison Hoya High and Harvard, before bringing his talents to the mighty Uni Parks. It’s only a slight step down from the 30,023 seater Harvard Stadium to the raked temporary seating that held only the most diehard of fans. It certainly wasn’t a step down in performance from Bell though.

Kline would continue to dominate the offensive side of the ball as quarterback, racking up multiple passing and rushing touchdowns before the half was even over, but his defensive efforts were picked up by other contributors to make his life just a little bit easier. Interceptions from St Anne’s netball star, Sebastian Quintero Cruz, and Genesis Nsenga kept the ball in Oxford hands as much as possible, the former putting to use his experience gained from time at the London Blitz and Spanish U19 teams. Having previously been ranked as the eighth top Spanish prospect (according to 1stLook Sports, a page dedicated to international American Football players with over twenty-four thousand followers), it’s unsurprising that Cambridge struggled against his domineering force at linebacker. With five more years of medicine before him, it feels like Cambridge have barely scratched the surface of the terrifying play they’ll face at his hands, until his eventual graduation.

By half-time, the score was already out of reach, only a blocked extra point offered any kind of resistance or consolation. As if transposed directly from their American counterparts, they celebrated their minor success with somewhat unwarranted vigour (considering how bad the scoreline was by that point), but it felt harsh to scrutinise their small win that harshly. I wouldn’t have been able to predict it before the game, but I had been moved to sympathy by the one-sidedness of the fixture, and hoped that the game would be over as soon as possible so they could take a solemn bus home and try to forget all about it. In fairness to the members of the Cambridge Pythons, they took to Vincent’s Club that night to experience all of the sporting culture (which I’m not convinced they have back home) that Oxford has to offer.

The Varsity win caps off a slightly turbulent season that had seen convincing 30-0, 37-6, 35-0 and 47-2 victories over the University of Brighton, the University of Hertfordshire and the University of Reading (the final two results), but also difficult losses 55-6 and 8-6 against Brunel. Whereas the first was a fairly comprehensive scoreline, the Lancers would have hoped to capitalise on a considerable better defensive performance the second time round, but to no avail.

Off the pitch though, it caps off a season of remarkable moments, which included hosting the NFL Academy at the end of October, an organisation that pools some of the best young international talents at American Football into the collegiate level.

‘Speaking truth to power’: The future of student activism

“What is the point of a university like Oxford if we don’t have the boldness, integrity, and confidence to think differently, to think deeply, to speak truth to power?” asked Oxford’s Vice-Chancellor, Irene Tracey, in an address at her Admission Ceremony in January, 2023.

Throughout its long history, Oxford has been an important stage for student activists for a variety of causes, ranging from climate change prevention to protesting increases in rent. Universities have long served as a beacon for political and social discourse, facilitating the open debate of topics which matter to its students. But recent crackdowns on student-led protests around the world have led to universities being accused of failing to support this.

As increasing restrictions, including the Public Order Act 2023, reshape the national landscape, tensions between Oxford students and the University administration over recent demonstrations raise urgent questions – does this signal a new chapter in the institution’s approach to activism?

Cherwell has gathered testimony from Oxford students involved in activism over the past year, many of whom have been met with varying degrees of disciplinary action. Due to the ongoing nature of some University investigations, students’ identities have been kept anonymous. Through their accounts, Cherwell aims to investigate how the culture of student protest in Oxford is evolving.

University policy on demonstrations and protests

University guidance on the right to protest states: “‘The University supports the right to lawful protest, but actions which disrupt aspects of staff or student life for fellow members of the University, in breach of our codes of conduct, are not acceptable.”

The right of students to express opinions “without institutional censorship and without placing themselves in jeopardy of losing their jobs or privileges” is protected under the University’s Code of Practice on Freedom of Speech, if they are granted permission from the Proctors’ Office before demonstrating. The Code of Practice also states that protests will be prohibited if they pose a risk to public safety or give rise to an environment of discrimination.

The University proposed changes to Statute XI, a statute concerning University disciplinary measures, in the Trinity 2024 Week Eight newsletter. The proposed amendments were set for a Congregation Vote on June 11th, 2024. However, some amendments were criticised for being vaguely worded, such as the proposal that staff should have the power to ban students for up to three weeks who could be “likely” to “cause damage to property” or “significantly damage the University’s reputation among reasonable people”.

The proposed amendments to Statute XI also included modifications to punishments for sexual misconduct and harassment; an email from the University to department heads and heads of colleges stated that a “vote against the proposed statute is a vote against the introduction of the sexual misconduct reforms”. 

One student who spoke to Cherwell accused the University of using the modified penalties for sexual harassment to enable the blanket approval of more severe punishments for all disciplinary offences, criticising the combination of what they referred to as “draconian changes to the behavioural policy with the very legitimate sexual harrassment policy”. 

After intense backlash from students and faculty, the amendments were withdrawn, and the Congregation vote was cancelled. 

A University spokesperson told Cherwell: “Proposed changes to Statute XI—now under further consultation—were designed to strengthen the University’s ability to address serious misconduct, particularly in cases of sexual harassment and violence. These proposals were not intended to restrict lawful protest, which remains protected under University policy and UK law.”

A recently published UN report, which Cherwell has been told was written after interviews held between Oxford student protestors and the UN Special Rapporteur, has strongly condemned the growing use of disciplinary action against student activism, warning of “a deeply disturbing situation” and a worsening “atmosphere of hostility and mistrust between the students and the administration” in academic institutions worldwide. 

A University spokesperson told Cherwell in response: “We are aware of references to a recent report by the UN Special Rapporteur on student protest. While the report addresses global trends and includes examples from the UK, it does not name Oxford or make any specific findings about the University.

“The University of Oxford is committed to freedom of speech, the right to lawful protest, and the safety and wellbeing of our community. These values are fundamental to academic life and are supported by the University’s Code of Practice on Freedom of Speech and Guidance on Protests and Demonstrations.

“We do not discipline students for their legally held views or causes. However, when protest actions involve serious disruption, forced entry, harassment, or safety risks, we respond in accordance with University policies. Our approach is guided by fairness and a responsibility to maintain a respectful, safe, and inclusive environment for all students, staff, and visitors.”

Disciplinary action and its impact on student protestors

Just over a year ago on 23rd May 2024, 17 members of OA4P operated a sit-in at the University’s administration offices in Wellington Square in an attempt to push for negotiations with the University. In response, the University called the Thames Valley Police (TVP) to arrest those inside and break up the students protesting outside the building.

A student who was present at the incident told Cherwell: “the amount of people that were injured… was kind of astonishing. People were being dragged and pushed around for no reason, there was simply no reason to use that amount of force, and it was with the University’s permission that that happened”.

One student told Cherwell that the University’s response to the Wellington Square incident “backfired for the University… a lot of Oxford students who saw the videos of the police acting the way they did started supporting the encampment, to be honest, (…) they felt like the University’s mistreatment of the students specifically was appalling.”

The University claimed in the University newsletter following the students’ arrest, that the students involved engaged in “violent action that included forcibly overpowering the receptionist”. OA4P previously told The Oxford Student: “there is CCTV footage which disproves the false allegation that acts of violence took place.” In response to a Freedom of Information request for CCTV footage of the reception area, the University told The Oxford Student that it was not able to provide the information requested.

TVP initially arrested one of the 17 students for assault, but later decided not to bring charges. The University then launched a Proctors’ investigation into the incident, and members of OA4P told Cherwell that a verdict is yet to be provided on the disciplinary actions to be taken against the students. Over a year after the incident, the Proctors’ investigation remains open.

One student who is currently under Proctors’ investigation following the Wellington Square incident told Cherwell that they feel as though the inconclusive nature of the disciplinary process is “being done intentionally to silence us… I am intentionally being kept on counter hooks [sic] so that I don’t do anything else.” They added that they are constantly “looking over [their] shoulder” as a result of fearing further disciplinary measures from the University.

A different student told Cherwell that they had experienced distress and anxiety as a result of the ongoing investigation: “Continuing to have this weight hanging over me without a sort of acknowledgement of how it could affect my studies, my life, my health… is not proper conduct from them”.

A University spokesperson told Cherwell: “We aim to ensure that disciplinary processes are consistently fair, clear, and proportionate. These processes are confidential and conducted independently of University leadership.”

A recent investigation by Liberty Investigates and Sky News revealed through Freedom of Information requests that the University received intelligence reports on protest activity from the private firm Horus Security Consultancy Ltd, a company which has previously been criticised for being used as surveillance to investigate student activists at Sheffield University.

One student told Cherwell they felt that “the surveillance was designed to induce some kind of paranoia”. They added: “Whatever mental health impacts it has, which I can first-hand tell you are quite serious, do not even come up in theoretical conversations [with the University].”

In response to these claims, a University spokesperson told Cherwell: “Allegations of surveillance are also inaccurate. External security consultants are used solely to carry out safety risk assessments for public events and known protests—not to monitor individuals or political activity.”

Looking to the future of student activism

On 16th May 2025, Oxford Against Genocide (OAG), which decribes itself as “a new collective in Oxford who are dedicated to Palestinian liberation”, set up an encampment outside Magdalen College. 

Magdalen wrote a letter to the protesters on the same day asking them to leave, and threatened court action, so the encampment was moved to the Angel and Greyhound Meadow. However, a representative told Cherwell that pressure from University security forced the encampment to disband the following weekend. 

One student involved in OAG described encampments as a “disruptive but not destructive” form of protest, and “a normal course of action for student protest in this country”.

The student compared the recent disbanding of OAG’s encampment with their involvement in the OA4P encampments last Trinity: “Last year, the University tried to kind of wait it out… This time round the response has been a lot more harsh. Their tolerance for hearing protest… has decreased.”

Following the recent dismantling of OAG’s encampment, tensions between protestors and University administration raise questions about what the future of Oxford’s student activism will look like.

Several students who spoke to Cherwell reported feeling that the disciplinary action taken by the University resulted in fear surrounding the potential consequences of participating in future demonstrations. One student stated: “They’re very interested in creating an atmosphere in which protest is very uncomfortable and impractical”.

Another student cited the Vice Chancellor’s speech about “speaking truth to power” to argue that the University pays “lip service towards the idea of student democracy and student action… When you actually do it, you’re faced with this massive bureaucratic wall.”

A University spokesperson told Cherwell: “In both the 2023 and 2024 National Student Surveys (NSS), Oxford students reported among the highest levels of freedom of expression in the country—with 90.8% and 89.9% respectively responding positively to how free they felt to express their ideas, opinions, and beliefs. In 2024, 1,749 Oxford students responded to this question, offering a strong and representative picture of student experience. 

“As a global institution, Oxford thrives on challenge and critical thought. We are proud to remain a space where robust debate and diverse voices are not only protected but valued. 

Student demonstrations over the past year signal that the landscape of Oxford’s student activism is constantly evolving, raising questions about the boundaries of protest, the roles of universities in fostering independent thought, and the extent to which institutions are willing to support, or suppress, student voices. If there is belief that tangible change can be achieved through activism as it has done before, students in Oxford and beyond will continue to speak out about the causes which matter to them, influence progress, and challenge those in power for decades to come.

Disclaimer: Asma Issa, one of the writers, was a member of OA4P

How to Get a Scholarship: Strategies for UK Students to Fund Their University Journey

With university tuition fees continuing to rise and student debt a common concern, many UK students are looking for ways to ease the financial burden of higher education. Scholarships, grants, and bursaries offer vital support—and in many cases, this “free money” can make the difference between attending your dream university or settling for second best.

This guide explores how to get a scholarship in the UK, covering the key steps, tips to enhance your chances, and how to stay ahead of the competition.

What Is a Scholarship and Why Is It Important?

A scholarship is a form of financial aid awarded to students based on various criteria including academic performance, sports achievements, artistic talent, or community involvement. Unlike loans, scholarships do not need to be repaid.

In the UK, scholarships and bursaries can help cover tuition fees, accommodation, travel costs, and even course materials. Whether you’re heading to university for the first time or considering postgraduate study, finding the right funding could significantly reduce your reliance on student loans.

What You’ll Need to Apply

Most UK scholarship applications require a mix of the following:

  • A completed application form (online or paper-based).
  • A personal statement explaining your goals, background, or qualifications.
  • Academic transcripts and predicted or actual grades.
  • References or letters of recommendation from teachers, lecturers, or employers.
  • A record of extracurricular activities, voluntary work, or employment.
  • For creative or performance-based awards, a portfolio or audition video may be required.

Start assembling these materials early—even during sixth form or university—so you’re ready to apply when the right opportunity arises.

Preparing While You’re Still in School or University

It’s never too early to begin preparing for scholarship success. Demonstrating academic achievement (strong GCSEs, A-levels or BTECs), commitment to extracurriculars, and voluntary work can all strengthen your application.

Writing a compelling personal statement is also crucial. If you struggle to articulate your story, consider using an essay writing service in Canada to help polish your draft. Even though it’s based abroad, many such services offer expertise that applies globally.

How to Boost Your Chances of Winning a Scholarship

There’s no guaranteed formula for winning a scholarship, but these strategies can improve your odds:

  • Apply early and often: Don’t wait for UCAS deadlines to start your search. Many private or university-specific scholarships have their own timelines.
  • Use credible databases: Trusted platforms like the UCAS scholarships and bursaries guide can help you find awards tailored to your background and goals.
  • Go local: Local businesses, charities, and councils often offer bursaries with fewer applicants. Check your school’s or local authority’s website for details.
  • Tailor every application: Even if you’re reusing material, make sure each application reflects the unique values or focus of the awarding body.

Spotting and Avoiding Scholarship Scams

While most scholarship providers are reputable, it’s important to stay cautious. Be wary of organisations that:

  • Charge application fees.
  • Request bank details or sensitive personal information upfront.
  • Guarantee funding in exchange for payment.

Always research the provider’s legitimacy or seek advice from your school’s careers advisor or a university’s financial aid office.

Making the Process More Manageable

Balancing scholarship applications with your studies doesn’t have to be stressful. Try these tips:

  • Stay organised: Use a calendar or spreadsheet to track deadlines and documents.
  • Batch your applications: Set aside dedicated time each week or month for researching and applying.
  • Repurpose content smartly: Adapt your personal statement or essay for multiple applications rather than starting from scratch.

Final Thoughts

Understanding how to get a scholarship in the UK can be transformative for your educational journey. Whether you’re aiming for a full-ride university award or a smaller bursary to help with living costs, the key is preparation and persistence.

With thousands of opportunities available and plenty of official support, now is the time to explore your options—and start investing in your future. For detailed and up-to-date guidance, visit Gov.uk’s student finance information.

Signs of a Toxic Relationship: Recognising Red Flags and Protecting Your Wellbeing

Unhealthy relationships are taxing, both mentally and physically. However, recognising when a relationship is toxic isn’t always as simple as you think. However, spotting red flags early is essential for protecting your wellbeing.

You can use a childhood trauma test, which offers valuable insights into understanding the cause of your relationship patterns, to take a step forward in breaking the cycle of abuse. 

Here are some common signs that your relationship is toxic and what you can do to protect yourself.

You Experience Constant Criticism or Belittling 

A toxic partner may frequently put you down or criticise you. They may hide it behind a joke or label it as constructive criticism, but the persistent negativity can wear away your self esteem over time. 

They Engage in Controlling Behaviours  

No matter if it’s subtle or obvious, toxic partners often wish to control their partners. They may dictate what you wear, who you spend time with, and what you can and can’t do. Additionally, they may gaslight you into thinking a certain way for their benefit. 

They Have Extreme Mood Swings and Outbursts 

Whilst mild mood swings and small outbursts of anger are fairly common, particularly when under stress, if your partner’s mood swings are extreme, unpredictable, or explosive, it may be a red flag. If you feel the need to walk on eggshells around your partner to prevent an outburst, it could be a sign that your relationship isn’t as healthy as you thought.

You or Others Are Blamed for Their Actions 

Many toxic partners refuse to take accountability for their actions. They will likely blame you or others for their problems and deny any misbehaviour, making it almost impossible to resolve any conflicts. 

They Isolate You From Family and Friends 

In order to decrease your independence and prevent you from influences outside of your relationship, a toxic partner might isolate you from your loved ones. They could do this by discouraging you from seeing friends or family or make you feel guilty for having outside relationships. 

How to Protect Yourself 

Understand the Root Cause

Many people find themselves drawn into toxic relationships, which could be a sign of unresolved issues from your past. 

Recognise the Signs

Recognising when a relationship is unhealthy early on is essential. If you feel you are being constantly belittled by your partner, they’re isolating you from your loved ones, they have unpredictable mood swings, and blame you for their problems or behaviours, you may be in a toxic relationship. 

Speak Up 

Recognising when a relationship is toxic is the first step in protecting your wellbeing. Always remember to trust your instincts and if you feel something is off, talk to a trusted friend or family member.