Monday 13th July 2026
Blog Page 1228

Sexual assault app launched

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An innovative app for survivors of sexual assault called ‘First Response’, created by groups of women in Oxford, has been launched.

The app is centred around helping survivors and their friends as supporters both in the short-term and long-term of surviving the emotional traumas triggered from their experience of such violence. These include being able to call the police, getting medical help, and contacting sexual assault referral centres.

On logging into the app, iPhone and Android users are given a list of ‘optional’ ways to respond to rape, assault, harassment and other forms of sexual violence. The app is also intended to raise awareness about the issue of sexual assault, providing answers and legal definitions to frequently asked questions, such as “What is sexual consent?” and “What is sexual violence?”

Students collectively coded the app over ten months under a joint initiative between the It Happens Here campaign, Code4Rights and Oxford Sexual Abuse and Rape Crisis Centre. Code4Rights was responsible for training these students to code the app, most of whom had next to no experience in this field.

Eden Tanner and Tiana Dias, co-chairs of the It Happens Here campaign, told Cherwell, “The First Response app is a critical piece of technology, which will revolutionise how survivors and supporters in Oxford are able to access information about their options following an incident of sexual violence. It’s so important that we tackle this huge problem from all angles, and empowering survivors with information is a critical step towards this. Also, by creating a culture where everyone is responsible for supporting survivors and fighting rape culture, we hope to challenge the dominant conversation.”

Tanner added, “The First Response app revolutionises how survivors can access support, and how we as a community can all take responsibility to be ready and prepared to help someone in distress. Our vision is to have every student, staff member, and person in the wider Oxford community have access to the app, and the help and support it offers.”

The making of the app was partially funded by the University’s IT Innovation Challenges, which aims at giving money towards student projects with digital technology to better the experience of Oxford for members of the university.

Catherine Paxton, the University’s director of Student Welfare and Services, told Cherwell, “The creativity and drive which It Happens Here and Code4Rights have demonstrated in bringing the First Response app to fruition is inspirational and spurs on everyone in Oxford working to create a safe university environment.

“Oxford University is committed to creating a safe university environment for all students and staff and has been working together with students to offer timely, informed, and appropriate support for those who have experienced sexual violence. I am proud that the University through its IT Innovation Challenges could play an enabling role in this pioneering project, and strongly encourage colleagues to access this rich resource which will help us better support students.”

Rhodes Must Fall protests at matriculation

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The Rhodes Must Fall decolonisation movement has presented itself on the grandest stage yet with a protest staged at last week’s matriculation ceremonies.

The campaign, which describes itself as “a movement determined to decolonise the space, the curriculum, and the institutional memory at, and to fight intersectional oppression within, the University of Oxford,” aims to raise awareness amongst the incoming freshers and present support from the wider student community by distributing red ribbons to be worn with their subfusc.

A statement released by Rhodes Must Fall expressed satisfaction with the action, saying “RMF is thrilled at the success of the Matriculaction, and highlight that the high turnout only but emphasises the passion and commitment to the project of decolonisation that exists within Oxford. We are excited at what lies ahead for the year ahead, and look forward to what promises to be a revolutionary year of decolonisation ahead at the University of Oxford.”

The colour of the ribbons was chosen to represent the blood of families in Southern Africa affected by the actions of colonialists such as Cecil Rhodes, a large statue of whom dominates one of the quads in Oriel and after whom the University’s Rhodes Scholarships are named.

The statement continued, “The wearing of red by matriculating students drew attention to this bloodshed and related oppression, and highlighted Oxford’s ‘red-tape’ culture, which slows down change, and entrenches bureaucratic barriers that exclude many marginalised people.

Commenting on the demonstration, a University spokesperson told Cherwell, “The University is committed both to supporting potential and current ethnic minority students and to ensuring an appreciation of cultural diversity is fully embedded in the wider university community.”

“We will continue to reflect on the issues raised by our 2014 race equality summit, which brought together staff, student union members and the student-led Campaign for Racial Awareness and Equality. This has resulted in concrete curriculum review work, and an extended programme of activities aimed at encouraging and supporting ethnic minority applicants to Oxford.”

The protest follows action by the campaign in South Africa at the University of Cape Town, where in April a statue of Cecil Rhodes was removed in front of a cheering crowd.

Oxford City Council criminalises “aggressive begging”

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At an Oxford City Council meeting on Friday 15th October, the Executive Board agreed upon revisions to its City Centre Public Space Protection Order (PSPO) which criminalise “aggressive begging”.

The Order is intended to target “anti-social behaviour” within the City Centre, extending its definition of anti-social behaviour to include begging near cash machines or in “any manner perceived to be aggressive”.

Following these new measures, homeless people and street entertainers face fines and prosecution if they are found to have acted aggressively. Council officials will now have the right to report criminalised behaviour to the police and to issue immediate penalties of up to £100. This can lead to subsequent prosecution and a fine of up to £1,000 on conviction.

The City Council states that the new PSPO is a response to concerns and complaints from tourists, students, and others employed in the city of Oxford. When contacted for comment by Cherwell, Councillor Dee Sinclair said, “Residents have told me that they feel intimidated and even scared by some of the behaviours that are currently happening in the city centre.

“We take these reports very seriously but until now have had few powers to take action. The PSPO gives us those powers, and people should be reassured that Oxford will now be a safer and more welcoming place for everyone.”

In an online consultation questionnaire leading up to the City Council meeting, 54 per cent of 549 respondents answered “no” in response to the question, “Should Oxford City Council seek to prohibit this activity [persistent begging] through a City Centre Public Spaces Protection Order.”

The Council’s Chief Executive Peter Sloman claims the Order takes preventative measures to “deter anti-social behaviour” and “connect people with help and support”. The PSPO is in legal accordance with the Antisocial Behaviour, Crime and Policing Act of 2014.

The new regulations also restrict sleeping in toilets, urinating in public, and refusing to forfeit containers of alcohol in public when asked by police. Leash laws, which require all dogs in public spaces in the city centre to be on leads, have been established by the Council’s Order, as well as a limit to the number of dogs which can be walked by the homeless.

An original version of the current PSPO was first proposed by the council in June, but was scheduled for revision following threats of legal action from the civil liberties and human rights organization Liberty. At the time, the group claimed the proposals violated basic human rights protected under the 1998 Human Rights Act, arguing the proposals were not the “least intrusive means” of ensuring safe public spaces in Oxford.

The Board responded directly to Liberty’s claims in Friday’s meeting, arguing the revised Order is not intrusive because it limits restrictions on begging to “aggressive” behaviour. In its agenda supplement, the Board defended its policy on the grounds that there is a “detrimental effect” to aggressive begging and “remaining in a public toilet without reasonable excuse”.

Christopher Archibald, a second-year English student at Christ Church, told Cherwell, “I have never experienced aggressive begging, but maybe the council should try to solve the problem rather than covering up its symptoms.”

OUSU elects first ever Trans Officer

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OUSU has elected its first ever Trans Officer at the most recent meeting of OUSU Council.

Elliot Parrot, a second year French & German undergraduate at Oriel College, was elected unopposed as OUSU’s first ever Trans Officer at OUSU Council last Wednesday. The role is one of six part-time executive committee roles that last for the duration of Michaelmas 2015.

The OUSU website describes the responsibilities of the role as working “with the Vice President (Welfare and Equal Opportunities) and the LGBTQ Officer to lobby for the interests of trans students in all areas of the student experience”.

The role is further described as working with The Women’s Campaign, the LGBTQ Campaign, and Oxford University’s LGBTQ society – a group where Parrot is currently Trans Rep.

Parrot told Cherwell, “It’s wonderful that the role finally exists, and I look forward to watching the legacy of all those Trans Officers elected in the future unfold! Hopefully this will also be one of many smaller steps towards persuading the NUS to instate a fulltime Trans Officer to support trans students at a national level, but it is a very big step forward for us on a local level.

“Being the first person in this role is quite daunting, since I have had little direct involvement with OUSU thus far, and so I’ll need to learn how to negotiate all the bureaucratic channels; that said, being the first person ever to come out as trans at Oriel was far more daunting, so I’m prepared! I’m also excited to try to make the job easier for whomever is elected after me by warming the seat for them, as it were.

“My two main plans are to put through a motion at OUSU Council urging all colleges to adopt the most recent version of the University’s policy and guidance on transgender individuals, and to lobby as many faculties as possible, as well as the Bodleian, to install gender-neutral toilets .”

The last true Test

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When Alistair Cook walked to the crease at the start of England’s innings, the first test of England’s tour against Pakistan was in danger of listing. Actually, ‘danger of listing’ is making it sound more ex- citing than it was. The test wasn’t in danger of listing, it had completely and irrefutably sunk on a wicket which managed simultaneously to be both boring to bowl on as it was awkward to bat on.

528 balls, 836 minutes and 263 runs later, Cook walked off. In a single innings Cook had, on the face of it, not done a huge amount different. His score was only slightly larger than his Pakistani counterpart Shoaib Ma- lik’s 245, and he has been making large totals in Asia for his entire career now (he overtook South African Jacques Kallis as leading non- Asian run scorer in Asia). The innings was neither the longest in history, nor the high- est scoring. It was not particularly explosive, with only 14 fours and no sixes. In an age of T20 and the Indian Premier League, a game which lasts five days and can end in a draw seems increasingly outdated. Surrounded by glistening skyscrapers and half-finished apartment complexes, Cook’s lonely 13 and a bit hours in the blazing sun felt increasingly detached from the real world, an outdated specimen of a bygone age. The last true Test cricketer, in his natural habitat, quietly and carefully hooking and sweeping and leaving the battered red ball as the world moves on without him.

This feels a long way from the 2005 Ashes series against Australia, the most recent time the Test match could potentially claim to have a grip on the nation’s conscience. An estimated 22.65 million people watched at least 30 minutes of Test cricket that summer. So what has changed? At the close of the series, as Michael Vaughan and co. careered and drank their way through an open topped bus tour of London, the seeds of Test cricket’s decline were sown with the purchase of tele- vision rights by Sky from Channel 4. Cricket had, in one sweep, become the preserve of those who could afford to pay or had a prior interest in the sport. A sport which was already uncomfortable with the rise of football as the nation’s preeminent pastime had isolated itself even further.

This brings us, ten years later, to this sunbaked 22 yards of turf halfway around the world. The years had not been kind to the England team. Isolated victories and a fleeting world number one ranking did little to mask the decline. Harried and harassed by the group of new, brash associate na- tions, England has crashed out before the final in successive short-form World Cups. Cook became the poster boy, particularly in light of the ongoing Kevin Pietersen saga, of a reactionary way to approach cricket, the archetypal ‘yes’ man nodding and agreeing with an insular establishment.

That is why I watched his innings with increasing fascination. Nothing he did, par- ticularly, was new. The record he broke for the longest innings by an Englishman had been around since 1938. But in this innings lay the recurrent fascination of Test cricket. It should not have been watchable. We should not have cared. But through sheer determina- tion and skill he stuck it out. Hour after hour, ball after ball. Hook, sweep, leave. Unruffled, unstressed, man and bat working together again and again. A contest which had no right to become one emerged through sheer force of will. The last true Test cricketer, reminding us of the beauty of the sport 

A Day In the Life

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Waking up: Run the Jewels – ‘Blockbuster Night Part 1’

With how busy your average Oxford day is, there’s little time to spare on lie-ins – get yourself up and about with the edgy rap duo’s heavy bassline and punchy rhymes. Alternatively, try their recently released remixes on Meow the Jewels – it’s the same songs, but all of the beats have been replaced with cats meowing. Obviously.

Essay Writing: Tycho – ‘Awake’

Peaceful and chilled, this beauty from Tycho is the antithesis of the essay crisis. No lyrics to distract – just drift away into fantasies of the beach, while you wish you were anywhere other than tied to your desk.

Predrinks: The Killers – ‘Mr Brightside’

This hasn’t budged from its position as the pre-party go-to since time immemorial (AKA 2004).

Perfect for getting everyone amped up and singing along, ‘Mr Brightside’ is the ideal distraction from the fact that you’re all waiting until you’re drunk enough to dance in front of strangers.

Clubbing: Galantis – ‘Peanut Butter Jelly’

Blasting onto the EDM scene just last year, Galantis have been smashing festivals and clubs alike. Between this and their other massive banger ‘Runaway (U & I)’, you’ll never want to leave the dancefloor.

Lax stick it to the Tabs

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In the words of Eleanor Roosevelt, “a woman is like a tea bag – you never know how strong she is until she gets in hot water.” There is no doubt that the university women’s lacrosse squad are a feisty bunch, on and off the pitch. But the true test of whether they sink or swim will be on Saturday of 6th Week in Hilary, when the Blues and Swifts face the Tabs once more. The Blues had a fantastic season last year. Midway through the season we were placed strongly in the BUCS South division, but academic pressures prevented the second half of the season finishing as strongly as we’d hoped. Though it was not our highest placing, the final fourth place was representative of our fight and determination in a very competitive league, with strong performances both home and away against Durham and Cambridge.

The 2014-2015 season was also extremely successful for the Oxford Swifts, whose performances gathered momentum as the season progressed. Early losses to Cambridge and Loughborough shocked the girls into action, and hard work and intense training allowed them to reverse the scoreline with Loughborough, securing a ten-goal win. Success followed success, as the Swifts beat the York 1st team in the BUCS knock-out cup, weathering a strong fight back from York to clinch victory.

Buoyed by such success, a confident Swifts side met their Varsity counterparts eager to make up for the two league losses earlier in the season. Though down 7-2 with 11 minutes to go, fantastic attacking play allowed them to claw back a five-goal deficit and eventually steal a win in the last 15 seconds. The match was indicative of the ‘never-say die’ attitude that characterised the entire Swifts’ season.

Unfortunately, the Blues were not as lucky. Though energised by a comprehensive victory over powerhouse Birmingham at Uni Parks just before, the team were consigned to a disappointing 15-5 loss.

The build up to next year’s Varsity is already in full swing. Just under a month ago, the squad reconvened for six days of pre-season. Captain Katharine Bailey and her Vice, Jane Lee – the pair that go by the name ‘BaiLee’ – started the season off with a bang, introducing new training and fitness regimes. The third day of pre-season saw the alumnae match and the return of past captains Hellie Kellett-Clarke and Beth Denham. After an heroic hour of battle, the old girls had it, winning 9-7.

Two weeks later, the Blues came face to face with three of their toughest opponents: Durham, Loughborough and Nottingham. After beating Loughborough 5-4 and Nottingham 11-2, the Blues came up against the BUCS reining champions, Durham. Unfortunately the intensity of the first two matches got the better of them, and with tired legs the final score was 1-5. The team showed so much potential, especially given this was the first time they had played together.

This potential was really put to the test last week during the first BUCS games. The Blues met Bristol away in what turned out to be a tough battle of the teams’ defences. The final score 2-7 did not reflect the hard work of the Oxford team, who just could not seem to get the ball into the back of the net. Most Valued Player India Kary fought hard in attack, scoring two goals for the Blues.

The Swifts journeyed up to Warwick for their opening game of the season, and came away victorious with a 19-8 win. MVP Jen Ehr, last year’s women’s Blues rowing cox, played out of position in attack and scored two goals.

With so many Freshers in the side, most of the warm up was spent on communication and getting to know each other’s games. This paid off, the defence performing particularly well against Warwick. The phenomenal scoring rate was due to the Swift’s fantastic ability to retain possession, as well as the clinical finishing of the forwards.

Up next the Blues are playing Exeter, whilst the Swifts are playing Loughborough’s seconds. Both are tough competition for Oxford and will prove a great challenge.

This year, the squad is aiming high and hopes for a double win at Varsity. The Blues have sever- al key international players in their starting line-up, who will be invaluable in rais- ing the standard of the team as a whole through their immense experience.

Likewise, the Swifts have taken on some talented new players, who will be instrumental in the team’s development. Both teams are striving for top two in their BUCS leagues, followed by a double shoeing of the Tabs at th end of February 

Does the music move you, or does the music ‘move’?

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How do we hear motion in our everyday lives? It’s easy to explain how we see it: an object shifts in position through visible space, and we work out that this must have been as a result of movement. If an object moves towards us, it appears ‘bigger’, and we are able to see it in greater detail. This is broadly the same for auditory motion. Sounds that are further away appear quieter and ‘blurrier’, and we tend to be unable to hear higher-pitched sounds in the distance. Moreover, if the distance between the sounds and our ears gets progressively smaller, we would notice a gradual change in its properties: it would get louder, and we’d be able to hear it more clearly as it approached.

Imagine being at a festival, for example. From your tent, you can just hear the throbbing, blurry bass lines from the various stages. But, were you to begin walking towards the centre of the site, you’d gradually be able to hear more and more of the details of the various songs: low-pitched kick drums first, perhaps an indistinct vocal line, then a set of high-pitched crash cymbals and a wailing child who doesn’t appear to appreciate the dulcet tones of Slipknot.

In everyday life, such spatial information helps to tell us what is going on in our environment, and we use it to work out if there’s something we should be doing about it. For instance, if there’s a loud, threatening sound coming towards you at high speed, you’ll probably want to start running. This is because our senses have evolved to be biased towards things that appear to be approaching (or ‘looming’, to use the more frightening scientific term), so that our bodies have a greater chance of staying out of danger.So what does all of this have to do with music? For a start, we use the same perceptual frameworks in everyday reality as we do when we listen to music. As a result, just as we say we hear worldly things in motion when we hear certain gradual changes, we may also say that we hear aspects of music ‘in motion’.

When we speak of musical motion, we might be referring to the experience of musical sounds coming towards us, or we might feel as if we ourselves are moving towards the music. Sometimes it sounds like the music is coming from somewhere far away, or that it is moving out from inside us. Of course, the music isn’t actually doing any of this – but it does so in a ‘perceptual reality’, a virtual reality that exists for you as a result of your sensory frameworks (it’s the same principle that allows us to feel that we’re in our own private space whilst listening to headphones, even though that space isn’t physically there at all).So what makes this so interesting? Club producers commonly harness the power of ‘approaching’ musical motion in the breakdown sections of their songs. This is because, as our ears have evolved to be wary of sounds (or sights) that appear to be coming towards us, our bodies react emotionally – or affectively – to make sure that they’re ready to deal with a potential threat. So, if it seems like the music is approaching us, and the psychological frameworks that govern our expectations are preparing to be ‘attacked’ by this sound, it can be very exhilarating and – strangely enough – enjoyable.

In his book Ways of Listening (2005), Eric Clarke, Heather Professor of Music at Oxford, uses as an example Fatboy Slim’s 1998 track ‘Build It Up, Tear It Down’. As Clarke notes, after the 30-second intro, there is a sudden shift – almost like the sense of being plunged underwater – which gradually lessens over the course of the next 30 seconds. After a while, we can soon hear a drum kit and a male voice enter, before there’s a sense of imminent climax or collision – like a ‘drop’ in dubstep. What makes the experience even more exciting is the ambiguity of what is ‘moving’ – is it the listener who perceptually moves towards the sound signal, or the sound towards the listener?

The thrill of approaching musical motion is, of course, not limited to club music of this kind. But its compelling effects are perhaps most obvious here. Now, when your friend is getting (slightly irritatingly) hyped about a particular breakdown and build-up in Park End (Atik?) on Wednesday, you can politely explain the phenomenon over a tequila.

OUHC faces early struggles

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As the Freshers’ dust settles and Oxford edges its way into Third Week, it is an apt time to cast our eye to the University Hockey Club and their exploits so far this term. Sadly, there is as yet little positivity to report.

For the Women’s Blues, promoted into the Saturday South Premiership last season, club President Siobhan Stewart harbours ambitions to make the top three in BUCS and the South League. However, despite a 1-0 home victory over Woking Ladies’, this pre-season excitement has been checked somewhat by 2-0 defeats at the hands of Barnes and Tulse Hill; the former coming in the all-important season opener on the Blues’ home turf at Iffley.

The women have, however, fared better than their male counterparts. The Men’s Blues first and only point came in a lacklustre 2-2 stalemate against an experienced London Wayfarers side.

The 4-3 defeat that followed, this time away at Old Cranleighans, meant that early October became a period to forget for the University’s premier hockey teams; the Men’s Blues sit at the bottom of their BUCS division. Of course the transitional nature of the side, with only five remaining members of last year’s Varsity squad, means consolidation would be considered a job well done.

That is not to say there has been no early season success on the Dark Blue hockey fields; squads lower down the club have shown signs to justify the early season optimism, with the Women’s Mavericks out-performing Reading Ladies’ Thirds, and the Men’s Occasionals emphatically overcoming the newly-promoted University of East Anglia 6-1, racking up their first Division Two points in the process.

Going forward, the promotion ambitions of the Women’s Second and Third XI squads are matched by the equally lofty aspirations of the Men’s Third XI, whilst the newly promoted Men’s Seconds have realistic hopes of reinforcing their Saturday league position and securing BUCS success.

Of course, as is the case with Blues sport across the University, one eye will be kept firmly on Varsity by both the Men and Women’s top squads, especially after both sides fell short last time round.

The game will be of particular importance for Joe Foster, this year’s newly-appointed Men’s Blues captain, having experienced penalty flicks heartbreak first-hand in last year’s nail-biting encounter against the Light Blues. Speaking to Cherwell about his hopes, Foster talked of his excitement for the “intriguing match up” against the equally transitional Cambridge side, whilst he also emphasised his hopes for the “very talented” crop of players that will be aiming to drive the hockey club up through the ranks to a season of success over the coming year.

It would be fair to say, though, that if the OUHC are to better last year’s 3rd
place Pitchero ranking, wins will be re
quired, soon. 

Interview: Jack Savoretti

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During our conversation, Jack Savoretti sits on a Bristol-bound train; rather fitting considering this songwriter reckons his music is best heard when travelling. Movement is a big aspect of Jack’s life. Son of Italian parents, Jack grew up in Switzerland, attended an international school but calls London home. He struck gold when asked by Corinne Bailey Rae personally to tour with her – before this he had never played to more than twenty people in a pub. Supporting the “humble, professional, divine” Corinne launched Savoretti into the public sphere and now he has a substantial following. Written in Scars, his recent studio release, is largely autobiographical and yet extremely spontaneous. Each of the songs was written on the day of recording, offering a fresh approach to a production process that is all too often interfered and tampered with.

Always fascinated by “capturing the moment”, Jack started writing poems as a teen before setting them to music (inspired by the likes of Paul Simon). I remark that he must be very self-assured to sing so candidly about his life, but he tells me it is only the music that permits this: he would not be able to recite a monologue on stage, for example. It is through harmony that the audience absorbsand reflects his personal performance.

The people who supported him on Written in Scars also work for Adele, prompting me to ask Jack whether he similarly will cease to be inspired when life smoothes itself out. “My life isn’t nearly as perfect as Adele’s,” says Savoretti, revealing that he likes its “imperfections”. Yet Jack is able to write just as passionately when things go well. He has often been compared to Paolo Nutini which he take as a compliment – “I love Paolo!” – but he thinks it’s just down to their shared Anglo-Italian status. Jack’s madre was on the Sixties London scene, rubbing shoulders with Marvin Gaye and Jimi Hendrix. With such a cool mother, it’s unsurprising Jack took the musical path. He did, however, study film for a time and his fascination with soundtracks and the relationship between film and music more generally landed him the rare job of composing a song for a movie figure; Jack was given three hours to compose a piece for a character in the film Post Grad.

Writing for a deadline appears something of a forte of his. Raw, folksy, genuine: check out Savoretti at the O2 Academy on October 21st.