Theatre

Staging the radio play: The audio-visual world of ‘Under Milk Wood’

“Love the words!”That was the crisp command from Dylan Thomas, the 20th-century Welsh poet, to the cast of his radio play Under Milk Wood, just before a rehearsal in...

Theatre Rhys Ponsford -

‘The Little Clay Cart’ brings Sanskrit back to life

As students left Oxford on the last weekend of Hilary, I visited St John’s...

Theatre Faye Chang -

40 years after the miners’ strike, James Graham’s ‘This House’ still has a lot to offer

‘Humphrey: ‘If the right people don’t have power, do you know what happens? The...

Theatre Thomas Armstrong -

Persuading the public: The play as propaganda

The play as propaganda has a long history. From the regime-affirming productions of Hieron,...

Theatre Nancy Gittus -

Latest

‘Maurice’ : A review

"It is the perfect choice for the start of term with the potential for all of us to find a piece of ourselves"

Scenes With Girls : A Review

"The play as a whole was beautiful to watch. It is funny, relatable and well-delivered."

Flora’s Fringe Guide

I went up to Fringe in the first week and saw as much as I possibly in order to recommend to you lot what’s worth seeing and what’s not, so please read on for my top recs!

Vessel : A Review

CW : mention of disordered eating, fat phobia, body dysmorphia Have you ever wept in a toilet stall—maybe during a particularly rough school day,...

Scenes with Girls: In conversation with Love Song Productions

"The dialogue is simultaneously so realistic and so weird and the characters and themes felt like they would really ring true to a student audience."

“Unafraid to poke fun at the elite” – Review: The Corn is Green

"Miss Moffat plucks Morgan Evans out of the mines, trains him to speak like a gentleman, and stuffs his head with Adam Smith and Voltaire. It’s like My Fair Lady, but gender-swapped and very, very Welsh."

Vessel: In conversation with Grace Olusola

TW: fatphobia, eating disorders, self-harm. Vessel, the new theatrical anthology from Dawn Productions, examines our relationship with the body and food through episodic fragments....

“Rage and heartbreak” – Review: Medea

"[Medea] is a truly frightening figure as she stalks the quad, coming right up to the audience and looking them in the eye as she delivers some of the most acerbic lines of the play."

Let’s get physical: Review – Holding

Neily Raymond reviews Holding, Kristy Miles' new play at the Burton Taylor Studio.

Wilde at heart: In Conversation with members of the Lincoln Drama Society

It’s practically a cliché to say that with such short and busy terms, there are more events happening in Oxford than any person could...

In conversation with the creatives behind Top Girls

"Every play Caryl Churchill writes has revolutionised theatre."

Performing the unperformable – Preview: Carrie

Founding Fellas Productions have made an interesting choice in staging Carrie: The Musical at the Oxford Playhouse, which I watched in a dress rehearsal earlier this week. With its catastrophic production history (a book of Broadway failures is named after it), the musical is famously one of the biggest flops in theatre history.

“Sorrow and birthday cake” – Review: Mojo

"Emotions collide and coalesce to heart-stopping effect, reflecting the disturbing inevitability of the chaos caused when drugs and fear mingle."

A green scream machine at Queen’s – Review: Little Shop of Horrors

Queen’s College needed a sassy, singing carnivorous plant. In drag.

“Hide the babies” – Review: Girls and Dolls

There’s been a recent uptick in global awareness of the history of Northern Ireland. We can trace it back, roughly, to 2018. That’s when Lisa McGee’s hit TV series Derry Girls, which chronicles the tribulations of growing up in Derry during the Troubles, arrived on screens worldwide; and just like that, Northern Ireland became the object of cultural fascination.

Theatre

Staging the radio play: The audio-visual world of ‘Under Milk Wood’

‘The Little Clay Cart’ brings Sanskrit back to life

40 years after the miners’ strike, James Graham’s ‘This House’ still has a lot to offer

Persuading the public: The play as propaganda

Follow us

Support Student Journalism

Explore

Follow us

More