Theatre

‘Everything is constantly emotion’: An interview with the cast and crew of ‘Doctor Faustus’

Seabass Theatre has carved out a niche for itself producing original takes on canonical texts, most memorably last year’s plant-inspired Hamlet staged at the former Music Faculty. When discussing...

Culture Lara Machado -

Between performance and reality: ‘To What End?’ reviewed

To What End is a new meta-theatrical, absurdist play written by Billy Skiggs and...

Culture Beth Riding -

An affectionate, homely play with hidden ambition: ‘Under Milk Wood’ reviewed

The lights dimmed, a small plaque was illuminating the stage with the red letters,...

Culture Mair Andrews -

‘An evening of refined fun’: ‘An Ideal Husband’ reviewed

An Ideal Husband is a guaranteed evening of refined fun. Carfax Productions’ take on...

Culture Lara Machado -

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A word from the stalls

Miriam Nemmaoui accosts a teary-eyed audience member emerging from the Burton Taylor Studio, after the final showing of STOP

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Alice Robinson reflects on an admirable attempt to tackle a difficult pair of plays

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Hannah Arndt is full of enthusiasm for a preview of an original student musical

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Tilly Nevin rates this student production as amongst the best she has seen in Oxford

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Amaris Proctor admires this play's refreshingly frank attitude towards mental illness

A fusion of movement, light, and sound

Christopher James Goring finds much to admire in the complexity of Illuminated

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Bessie Yuill finds herself simultaneously amused and disturbed by this dark tragedy about a fictional meeting between Stalin and Bulgakov

Review: ‘Edward II’

Susannah Goldsbrough is captivated by Oxford's finest acting talents and their leather leggings

‘Enter First Lobster’

Miriam Nemmaoui plays the drama queen and attacks the state sector's failing arts curriculum

Preview: Edward II

Callum Luckett waxes lyrical about this new production of Marlowe's masterpiece

In conversation with the creators of ‘STOP’

Suzy Cripps talks mental illness and magic with the writers of a new musical

Review: Bowie’s Lazarus

Julia Alsop is perplexed by the stellar complexities of this production at the King’s Cross Theatre

Time Tunnel: Edward II

Susannah Goldsbrough delves into the archive to discuss Marlowe’s Edward II

Brutalist Russia and Bowie: Marlowe’s Edward II reimagined

Alex Barasch talks to the cast and crew of this radical new take on Marlowe’s masterpiece

A fresher’s first forays into Oxford theatre

Christopher Goring reveals his first experiences in the Oxford drama scene

Review: ‘Living With The Lights On’

Izzy Smith is gripped by a play that shines a light on a dark illness

Review: D@tes

James Lamming enjoys a witty take on 21st century dating at the BT Studio

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Theatre

‘Everything is constantly emotion’: An interview with the cast and crew of ‘Doctor Faustus’

Between performance and reality: ‘To What End?’ reviewed

An affectionate, homely play with hidden ambition: ‘Under Milk Wood’ reviewed

‘An evening of refined fun’: ‘An Ideal Husband’ reviewed

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