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UrbanObserver
Thursday, May 1, 2025
Oxford's oldest independent student newspaper, est. 1920
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Theatre
Staging the radio play: The audio-visual world of ‘Under Milk Wood’
“Love the words!”That was the crisp command from Dylan Thomas, the 20th-century Welsh poet, to the cast of his radio play Under Milk Wood, just before a rehearsal in...
Theatre
Rhys Ponsford
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‘The Little Clay Cart’ brings Sanskrit back to life
As students left Oxford on the last weekend of Hilary, I visited St John’s...
Theatre
Faye Chang
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40 years after the miners’ strike, James Graham’s ‘This House’ still has a lot to offer
‘Humphrey: ‘If the right people don’t have power, do you know what happens? The...
Theatre
Thomas Armstrong
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Persuading the public: The play as propaganda
The play as propaganda has a long history. From the regime-affirming productions of Hieron,...
Theatre
Nancy Gittus
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‘Hotter’ at the Fringe – experimental and warm, but just short of hot
Ela Portnoy leaves this piece of feminist theatre with a smile on her face
The Oxford Imps at the Fringe review: ‘High energy and entertaining’
Izzy Smith couldn't stop laughing at this silly but witty improvised comedy show
‘Peer Gynt’ at the Fringe review – “a masterfully crafted production”
Set in a timeless world of trolls, princesses and flying deer, Peer Gynt tells the story of a young man’s adventure after he leaves...
‘Queen Anne’ review – ‘a complex portrait of our political inheritance’
Ethan Croft is impressed by this tale of a reluctant yet innovative monarch
“A fresh and beautiful contemporary jazz repertoire”
Ela Portnoy is overwhelmed by The Oxford Gargoyles' a capella performance at the Edinburgh Festival Fringe
Our Ladies of Perpetual Succour review – ‘Fizzing with energy and bravado’
'Our Ladies of Perpetual Succour' impresses Izzy Smith with its audacity and heart
‘Road’ review – ‘A formidable fusion of poetry, movement and humour’
Lucy Miles finds bleak topicality in Jim Cartwright's 'Road', recently revived at London's Royal Court
‘STOP’ at the Fringe review – “it deserves an award for excellence in storytelling”
STOP, an original student musical at the Edinburgh Fringe, is a powerful engagement with today's mental health crisis, writes James Tibbles
Fringe 2017: ‘Radio’ review – “yet another gleaming success for Sunscreen Productions”
Christian Bell finds recognisable features of university life in 'Radio', an original student play at the Edinburgh Fringe
Oxford Takes The Fringe
Katie Sayer presents Cherwell's comprehensive guide to the 2017 Edinburgh Festival Fringe
Bucking the trend and defying Britishness: a preview of STOP
James Tibbles takes a sneak peek at STOP, the OUDS touring musical
“An ethereal but disillusioned fairytale grounded in historical reality”
Katie Sayer highly recommends 'Yank!', a new musical about gay subculture in the US military during WW2
“Refreshing, original and honest – a genuine delight to watch”
Katie Sayer gives five stars to 'Touch', a brand new sexual comedy from the makers of 'Fleabag', at the Soho Theatre
“Charlie Fink is a genius, and ‘Cover My Tracks’ a triumph”
Katie Sayer is enraptured by Charlie Fink's modest yet outstanding new play 'Cover My Tracks'
‘A visual masterpiece’
Izzy Smith admires The Cursed Child’s combination of nostalgia and freshness
“At times refreshingly witty and sharp, and then lets itself down…”
Hugo McPherson is left questioning by 'Arseholes', a new play about Rimbaud and Verlaine
“Intense and enjoyable to watch”
Nina Crisp enjoys an intense and enjoyable performance
“Exploring what it means to be an intelligent modern woman”
Sîan Bayley finds much to praise in 'Girls Will Be Girls' at the BT Studio
“The biggest student comedy event of the year”: Oxford Revue and Friends
Miriam Nemmaoui chats to Olly Jackson ahead of the Oxford Revue's hotly tipped performance
“A fascinating interpretation of Racine’s masterpiece”
Louisa Cotterhill is left stunned by 'Phèdre', a modern rendition of an ancient tragedy
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