Monday 2nd March 2026

Theatre

Lighthouse Productions on ‘Things I Know To Be True’

Fresh from the success of their debut production, Lighthouse Productions are set to deliver their second show: Andrew Bovell’s Things I Know to Be True (2016).
Culture Abigail Lakeland -

A masterclass in devising: ‘Noether’

This original play tells the story of the mathematician Emmy Noether and her struggles with the misogyny of her male peers against the backdrop of the rising Nazi state.
Culture Jessica Phillips -

A show with bite: ‘Little Shop of Horrors’ reviewed

Ong and Bouchta have mounted an incredibly successful run at the O’Reilly. The commitment and love for the show comes across.
Culture Rebecca Harper -

Kooky and self-assured: ‘Brew Hill’ in review

Pecadillo Productions’ latest show is (quite rightly) aiming for Fringe, but this kooky, self-assured tragicomedy has immediate cult classic potential.
Culture Abigail Lakeland -
Latest

John review – ‘remarkably and unashamedly real’

Harry Langham praises an American transfer that proves spooky, funny and earnestly human

Hanna Review – ‘strikingly honest’

Meg Harris is touched by a mother's monologue at the North Wall Centre

Beginning review – ‘comfortable, emotionally-streamlined and ideologically safe’

John Livesey is left cold by a conservative if accomplished transfer

The Corridor review – ‘a serious spectacle of operatic drama’

Isaac Pockney is spellbound by an opera that puts a fresh twist on a classic tale

5 minutes with…. Sophie Khan Levy, the solo star of Papatango’s Hanna

How did you first get involved in the process and how much input did you have in the development of the final product? We did...

Dining al Desko review – ‘gently depressing but hilarious’

The subtle destruction of office careers, told via its character's monologue is amusing and meaningful.

Revolt. She Said. Revolt Again. preview – ‘bracingly honest’

Adam Radford gets a privileged glance at this incendiary piece of feminist theatre

Fiddler On The Roof Review – ‘thoughtful and timely’

Izzy Troth sits on the roof, not on the fence, about the Oxford Playhouse's latest show

Amadeus review – ‘Salieri cackles in a high-backed chair like a Bond villain’

Tom Graus praises a theatrical spectacle containing a masterclass in stage performance

Twelfth Night preview – ‘a darker version’

Post-Truth Theatre Company's Twelfth Night is a clever and satirical take on modern life, says Nina Crisp

Twelfth Night Review – Shakespeare for the Love Island Generation’

Harry Hatwell is impressed by the mirror of contemporary reality in an ambitious adaptation at the Keble O'Reilly

Five Minutes with Harry Househam

We chat to Harry Househam, producer of Jericho Comedy and Stand-up History, about comedy in Oxford and his brand new show.

The Jungle review- ‘an incredible, heart-wrenching story’

Lucy Miles is left awe-struck and moved by the story of a Refugee camp in the Young Vic's new play, The Jungle

Pinocchio review – “a visual and acoustic marvel”

Charles Britton was impressed with the thoughtful alterations and expansions to Walt Disney’s beloved classic

War Horse – ‘Technically brilliant, but lacks the acting to match’

El Port enjoys a decadent press night for War Horse but is entertained rather than moved

Parliament Square – ‘an assemblage of half-formed thoughts’

The Bush Theatre’s production of James Fritz’s new play fails to live up to its full potential, writes John Livesey

All That Fall review – ‘Powerful and perturbing, with something of the uncanny about it’

Sam Rice immerses himself in a stage adaptation of Beckett's radio play

Five minutes with… Sos Eltis

This week, we chat to Sos Eltis, vice principal of Brasenose College and senior member of OUDS

Confessions of a Drama Queen: The Final Showdown

Our drama queen's term ends, not with a bang but a restraining order.

Preview: ‘Lovesong’ – “one of the best pieces of student theatre this year”

John Livesey is blown away by a preview of the sold-out 'Lovesong'
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