Theatre

Review: CRUSH – ‘A classic coming-of-age’

Rumours of drastic script revisions and casting changes meant that I entered The North Wall (a former swimming pool, so I’ve been told), with a degree of apprehension. But...

Theatre Beatrix Arnold -

Review: Blood Wedding – ‘A lunar eclipse on the stage’

A trembling bride. A distrustful mother. Two murderous rivals vying for a single, wavering...

Theatre Sanaya Narula -

Review: Crocodile Tears – ‘Techno-futuristic, but why?’

There is a lot to like about Natascha Norton’s Crocodile Tears. Female lead Elektra...

Theatre Peter Chen -

Review: ART – ‘Charm, jazz, and friendship at its wittiest’

ART is charming. Centred around long-time friends Yvan (Ronav Jain), Marcus (Rufus Shutter) and...

Theatre Lara Machado -

Latest

Cyrano de Bergerac preview – “heartwarming and heartbreaking”

James Woodbridge previews exciting new musical Cyrano de Bergerac

Three Parallel Places review – “a bit all over the place”

Chloe Taylor leaves 'Three Parallel Places' with mixed feelings

‘Oslo’ Review – “a gripping political thriller straight off broadway”

Harry Hatwell reviews the Tony-winning Lincoln Center production of 'Oslo' at its UK press night on London’s South Bank

Confessions of a Drama Queen 3: the shame continues

In the third instalment of 'Confessions of a Drama Queen', our eponymous diarist considers a change of career

Five Minutes With: Charlotte Vickers, University Drama Officer

We chat to Charlotte Vickers, the University Drama Officer, about how she got to where she is today, and why she wouldn’t want to stage her favourite play at Oxford

‘Hair’ at The Vaults review – as raunchy and relevant as ever

Katie Sayer strongly recommends 'Hair', the hippie-inspired cult classic, on it's 50th anniversary performance

The Oxford Revue: The Best of the Fringe review – it left me in stitches

Chloe Taylor finds much to praise in the Oxford Revue's latest performance

The Ripieno Players Beethoven Piano Concerto review – a particularly impressive performance

Jacob Greenhouse commends the Ripieno Players for their rendition of two classic orchestral pieces

Confessions of a drama queen: Rejection and dismay

Our drama queen is unjustly rejected for a role, despite her obvious talent

‘Windows’ review: ‘Poignant and relevant’

Izzy Smith finds this interwar play still resonates powerfully today

Five minutes with Philippa Lawford, director of Tightrope Productions

We chat to Philippa Lawford, the director of Tightrope Productions, about her experiences with drama at Oxford, her involvement in the Edinburgh Festival Fringe, and her inspirations in the world of theatre.

Tis A Pity She’s A Piglet review – “Energetic and farcical, if lacking discipline”

Ethan Croft reviews Paul Foot’s new venture, ‘Tis A Pity She’s A Piglet, as the Merton alumnus returns to Oxford on tour

‘Caesar’ at the Keble O’Reilly – preview

Miranda K. Gleaves previews 'Caesar', a hot new reinterpretation of a classic Shakespeare play from Cosmic Arts

Fringe Round-up: Six of the Best Stand-Up Shows

Izzy Smith rounds-up the best stand-up shows from the Edinburgh Festival Fringe 2017

La Bohème review – ‘Shabby and chic but not lacking in charm’

Amid the fakery of Shoreditch, Jack Hunter finds a rare thing: an age-old opera that celebrates the joy of being young

Paul Foot – eccentric comedy from a Merton mathematician

Miranda K. Gleaves talks to ex-Mertonian Paul Foot, ahead of his new tour, which comes to Oxford on September 30th

Dido, Queen of Carthage at the RSC review – ‘Daring, poignant and powerful’

The RSC's new production of the lesser-performed 'Dido, Queen of Carthage' is a phenomenal achievement, writes Katie Sayer

The Comedy About a Bank Robbery’s Steffan Lloyd-Evans interview – “most of the time I like to make people laugh”

It’s fairly early in the morning when I sit down to interview Steffan Lloyd-Evans, the star of Mischief Theatre’s The Comedy About a Bank...

The Comedy About a Bank Robbery review – ‘half the audience are in quantifiable hysterics’

Katie Sayer finds 'The Comedy About a Bank Robbery' to be a perfectly cathartic comic concoction

Coriolanus at the RSC review – ‘brutally minimalist but utterly compelling’

RSC's ultra-modern production of 'Coriolanus' balances humour with minimalist staging for a fresh new interpretation of one of Shakespeare's lesser performed plays, writes Miranda Gleaves

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Theatre

Review: CRUSH – ‘A classic coming-of-age’

Review: Blood Wedding – ‘A lunar eclipse on the stage’

Review: Crocodile Tears – ‘Techno-futuristic, but why?’

Review: ART – ‘Charm, jazz, and friendship at its wittiest’

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