Theatre

‘The Importance of Being Earnest’ in review

The Harris Manchester Players immersed Oxford’s inhabitants in the delightful world of Oscar Wilde’s The Importance of Being Earnest this May.

Culture Elizabeth Bourn -

Blood will have blood: Cross Keys Productions’ ‘Macbeth’

Shakespeare revivals must tread a fine line: too often they turn into one-actor vehicles or experiments, or shipwreck upon the squall of their adaptation.

Culture Arun Lewis -

Twisted but funny: ‘The Birthday Party’ in review

CW: Rape What’s stuffier than a perfume shop and more packed than a Lego Store...

Culture Ben Woodward -

‘The Two Noble Kinsmen’ reviewed

One of the finest traditions of Oxford drama is the summer garden play. Freeing...

Culture Arun Lewis -

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The Great Wave Review – ‘a complete clash of cultures, identities, and outlooks’

Indhu Rubasingham's revealing production about a dark part of Japanese cultural history is relevant and immensely human

Shazia Mirza: ‘I don’t think about the audience anymore. I just go ahead and do it.’

Acclaimed comedian Shazia Mirza talks Acorn Antiques, ‘snowflakes’ and teaching with Izzy Troth

Best of Hilary Theatre

Cherwell contributors reflect upon the best student theatre of Hilary Term.

I Slept In These Clothes review – ‘comics to look out for’

Fenella Sentance is thoroughly entertained by the dynamic of Verity Babbs and Chloe Jacob's comedy duo

A Review of Reviewing: of Source-Texts and Slighting

Charles Britton ponders the relationship between a borrowed script and an adapted performance in theatre criticism

13 Review – ‘effectively and enjoyably portrays Bartlett’s broken Britain’

Bertie Harrison-Broninski is impressed by the ambition and scope of this drama of political intrigue and belief

Summer and Smoke Review – ‘re-staged inventively, but unpretentiously’

Rebecca Frecknall's musical re-imagining of William's play at the Almeida is dazzling

RSC Hamlet Review – ‘This is simultaneous creativity and destruction. To be or not to be.’

John Livesey reflects upon the Basquiat elements of this perceptive RSC production

The Crocodile review – ‘a carefully considered yet hilariously nuts production’

Cesca Echlin is left in fits after a performance of Dostoyevsky's short story

Walk Like Natives review – ‘A flash-mob blending into the crowd’

A secret piece of theatre, taking place in central London, is a pure celebration of joy.

The Flick review – ‘a little theatrical masterpiece’

Flick is an exceptional production that brings a thin script to vivid life

Labyrinth preview – ‘an impressive blend of exciting text and creative movement’

Tom Mackie finds himself anything but lost in this psychomaniacal retelling of the Theseus and Ariadne myth

The Flick preview – ‘there’s even going to be popcorn’

Bertie Harrison-Broninski is impressed by this witty and elegiac homage to the silver screen

Not About Heroes review – ‘It is rare to find a student production of such maturity’

Chloe Taylor is impressed and moved by this poignant study of war and poetry

Jubilee review – ‘Funny, self-referential, and visually exciting’

Bertie Harrison-Broninski finds this adaptation of Derek Jarman's original film is a show one that he might be proud of

Ishtar preview -‘Nothing if not entrancing’

An excellently engaging gloss of an intriguing archaic myth

Crocodile preview – ‘This is going to be properly funny’

Nitrous Cow look set to provide a rip-roaring comedy follow-up to their sold out debut 'Lovesong' last term

#Ending the Silence review – ‘there is nothing quite like it’

Joel Stanley reccomends a captivating performance and an unmissable experience

Down with my Demons review – ‘tensions rise as secrets spill’

A talented cast bring this immersive and exciting piece of new writing to the stage

In Conversation with the Team Behind #Ending the Silence

John Livesey talks to Euton Daley and Amantha Edmead about their latest show at the Old Firestation

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Theatre

‘The Importance of Being Earnest’ in review

Blood will have blood: Cross Keys Productions’ ‘Macbeth’

Twisted but funny: ‘The Birthday Party’ in review

‘The Two Noble Kinsmen’ reviewed

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