Labyrinth Production’s staging of Patrick Marber’s 1997 play, Closer, was an ambitious move for a student-run production company. Ambitious as it was, the cast themselves put on a strong...
We chat to Lucy Hayes, chair of OUDS and manager of Perepeteia Productions, about her experience with Oxford drama, her real-life heroes, and her latest exciting project.
As part of our look back on the Russian Revolution, Izzy Smith admires Dorfman’s complex but visceral examination of the aftermath of revolution in his play Death and the Maiden
Under-appreciated in her own time not only as an actress but also as a reviewer, our melodramatic fresher is driven to desperation, even considering writing for Cherwell.
We chat to Markus Beeken, a member of the Oxford University Light Entertainment Society (commonly referred to as “owls”), about his involvement with drama at Oxford.