“Love the words!”That was the crisp command from Dylan Thomas, the 20th-century Welsh poet, to the cast of his radio play Under Milk Wood, just before a rehearsal in...
As part of our look back on the Russian Revolution, Izzy Smith admires Dorfman’s complex but visceral examination of the aftermath of revolution in his play Death and the Maiden
Under-appreciated in her own time not only as an actress but also as a reviewer, our melodramatic fresher is driven to desperation, even considering writing for Cherwell.
We chat to Markus Beeken, a member of the Oxford University Light Entertainment Society (commonly referred to as “owls”), about his involvement with drama at Oxford.
In our new satirical column, 'Confessions of a Drama Queen', Katie Sayer re-imagines the Oxford drama scene from the perspective of a very melodramatic fresher
We chat to Charlotte Vickers, the University Drama Officer, about how she got to where she is today, and why she wouldn’t want to stage her favourite play at Oxford