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UrbanObserver
Saturday 6th December 2025
Oxford's oldest independent student newspaper, est. 1920
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Theatre
Graceful and self-assured: Circle Mirror Transformation reviewed
Boulevard Productions’ Circle Mirror Transformation is a faithful and competent take on Annie Baker’s 2009 tragicomedy. The play follows a group of people of different ages taking a beginners’ drama...
Culture
Lara Machado
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‘We’re all mad here’: Alice in Won-DRE-Land at Tingewick 2025
When I wandered into Tingewick Hall on a cold, dark evening in seventh week,...
Culture
Peter Chen
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A comical approach to a classic text: ‘Hedda Gabler’ reviewed
Tiptoe Productions’ Hedda Gabler, co-directed by Ollie Gillam and Gilon Fox, delivered a strong...
Culture
Charlie Bailey
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‘Everything is constantly emotion’: An interview with the cast and crew of ‘Doctor Faustus’
Seabass Theatre has carved out a niche for itself producing original takes on canonical...
Culture
Lara Machado
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The Ferryman Review – ‘bursting with intergenerational energy and tragic potency’
Jez Butterworth and Sam Mendes' present a tale of a family riven by personal loss and political upheaval
The Great Wave Review – ‘a complete clash of cultures, identities, and outlooks’
Indhu Rubasingham's revealing production about a dark part of Japanese cultural history is relevant and immensely human
Shazia Mirza: ‘I don’t think about the audience anymore. I just go ahead and do it.’
Acclaimed comedian Shazia Mirza talks Acorn Antiques, ‘snowflakes’ and teaching with Izzy Troth
Best of Hilary Theatre
Cherwell contributors reflect upon the best student theatre of Hilary Term.
I Slept In These Clothes review – ‘comics to look out for’
Fenella Sentance is thoroughly entertained by the dynamic of Verity Babbs and Chloe Jacob's comedy duo
A Review of Reviewing: of Source-Texts and Slighting
Charles Britton ponders the relationship between a borrowed script and an adapted performance in theatre criticism
13 Review – ‘effectively and enjoyably portrays Bartlett’s broken Britain’
Bertie Harrison-Broninski is impressed by the ambition and scope of this drama of political intrigue and belief
Summer and Smoke Review – ‘re-staged inventively, but unpretentiously’
Rebecca Frecknall's musical re-imagining of William's play at the Almeida is dazzling
RSC Hamlet Review – ‘This is simultaneous creativity and destruction. To be or not to be.’
John Livesey reflects upon the Basquiat elements of this perceptive RSC production
The Crocodile review – ‘a carefully considered yet hilariously nuts production’
Cesca Echlin is left in fits after a performance of Dostoyevsky's short story
Walk Like Natives review – ‘A flash-mob blending into the crowd’
A secret piece of theatre, taking place in central London, is a pure celebration of joy.
The Flick review – ‘a little theatrical masterpiece’
Flick is an exceptional production that brings a thin script to vivid life
Labyrinth preview – ‘an impressive blend of exciting text and creative movement’
Tom Mackie finds himself anything but lost in this psychomaniacal retelling of the Theseus and Ariadne myth
The Flick preview – ‘there’s even going to be popcorn’
Bertie Harrison-Broninski is impressed by this witty and elegiac homage to the silver screen
Not About Heroes review – ‘It is rare to find a student production of such maturity’
Chloe Taylor is impressed and moved by this poignant study of war and poetry
Jubilee review – ‘Funny, self-referential, and visually exciting’
Bertie Harrison-Broninski finds this adaptation of Derek Jarman's original film is a show one that he might be proud of
Ishtar preview -‘Nothing if not entrancing’
An excellently engaging gloss of an intriguing archaic myth
Crocodile preview – ‘This is going to be properly funny’
Nitrous Cow look set to provide a rip-roaring comedy follow-up to their sold out debut 'Lovesong' last term
#Ending the Silence review – ‘there is nothing quite like it’
Joel Stanley reccomends a captivating performance and an unmissable experience
Down with my Demons review – ‘tensions rise as secrets spill’
A talented cast bring this immersive and exciting piece of new writing to the stage
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