Theatre

Kooky and self-assured: ‘Brew Hill’ in review

Pecadillo Productions’ latest show is (quite rightly) aiming for Fringe, but this kooky, self-assured tragicomedy has immediate cult classic potential.

Culture Abigail Lakeland -

A day in The Sun: ‘Ink’ at St John’s

James Graham’s Ink, directed by Georgina Cooper with the St John’s Drama Society, dramatises Rupert Murdoch’s acquisition of The Sun in the 1960s, tracing its astonishing surge to unprecedented popularity.

Culture Beatrix Arnold -

‘Crawling with personality’: ‘Little Shop of Horrors’ in conversation

Last week, I infiltrated a rehearsal for Cross Keys and 2046 Productions’ upcoming Little Shop Of Horrors.

Culture Rebecca Harper -

Techno, tragedy, and medieval monologuing: ‘Brew Hill’ in conversation

Pecadillo Productions’ ‘Brew Hill’ watches the deterioration of the romance between Nat (Trixie Smith) and Gordon (Jem Hunter).

Culture Charlie Bailey -

Latest

Table Manners Review – ‘subtly and successfully updated’

Flared Productions' new take on Alan Ayckbourn's 1973 play is highly enjoyable

An Unexpected Visitor preview – immersive ingenuity

Lawrence Li is won over by the unconventional staging and comedy of this production

‘Brink’ Preview – ‘an exploration into public vs. private spaces’

Alastair Curtis' new play explores how individuals forge connections with others in our modern, digitalised world

Salome Review – ‘struggles to take audience into another world’

Tea Party Productions' 'Salome' shows the play's continuing power to unsettle

Table Manners Preview – ‘reworked in a highly engaging manner’

Alex Rugman previews Flared Productions' reworking of Alan Ayckbourn's play.

Talaash interview – a fusion of dance, poetry, and identity

A discussion of the cultural significance and community spirit of Talaash

Mojo Preview – ‘gloriously worded script but male dominated’

Cesca Echlin finds this rendition of Jez Butterworth's play hits comic targets, but also reflects on its male-dominated narrative.

The Band Review – ‘heartwarming and nostalgic fun’

The new Take That inspired musical a great testament to the great British boyband.

Journey’s End Review – ‘powerful commemoration of the centenary’

Adam Radford-Diaper is deeply moved by Cosmic Arts' marking of the centenary of the 1918 armistice

Journey’s End preview – a play about brotherhood

Bessie Yuill finds an emphasis on WW1's individual soldiers and their relationships in this Remembrance Day production

How To Save A Rock With A Circle Review – ‘centres a sense of community’

Taiwo Oyebola finds Pigfoot Theatre’s work-in-progress play about the environment funny and oddly optimistic

Collaborators Review – a comedy of Stalinist Russia

Despite its seeming irreverent nature, this play has 'moments of profundity'

How To Save A Rock With A Circle Preview – ‘conveys urgency with a sense of humour’

Cecilia Wang previews Pigfoot Theatre's work-in-progress which focuses on the impact of climate change.

Election Review – an ‘interesting and ambitious’ look at politics

Lowenna Ovens finds this student-centric election night depiction to be an 'intriguing concept'

Citizenship Review – ‘witty, thoughtful and true-to-life’

Ami Griffiths is impressed by a direct but deft portrayal of bisexuality.

Drunk Enough to Say I Love You? Review – ‘genre-crossing and well-executed’

Katie Knight is impressed by Klaxon Productions' production which incorporates new forms of media.

Top Girls Review – ‘uncomfortably straddles the experimental and the domestic’

"Adam Radford-Diaper’s adaptation is slick and well-acted, often wonderfully absurd and funny, but ultimately leaves me feeling slightly cold."

Drunk Enough to Say I Love You? Preview: ‘The political becomes personal’

Cesca Echlin previews Caryl Churchill's 2006 play, which she finds entices the human out of the political

The Mountaintop Review – ‘explores the man behind the pulpit’

Katori Hall’s depiction of the Civil Rights icon Martin Luther King in his last hours is bewitching.

‘A zero-carbon-footprint production’: an interview

Unusual theatrical spaces and creating environmentally conscious productions

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Theatre

Kooky and self-assured: ‘Brew Hill’ in review

A day in The Sun: ‘Ink’ at St John’s

‘Crawling with personality’: ‘Little Shop of Horrors’ in conversation

Techno, tragedy, and medieval monologuing: ‘Brew Hill’ in conversation

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