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UrbanObserver
Monday 29th June 2026
Oxford's oldest independent student newspaper, est. 1920
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Theatre
‘Scenes With Girls’ and complicated female friendships
'Scenes with Girls' deserves to be seen as one of Labyrinth Productions’ (Rosie Morgan-Males and Emily Cullinan) most impressive accolades.
Culture
Charlie Bailey
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‘The Moro Affair’: Astonishingly original, but not quite a story
The acting in 'The Moro Affair' was superb across the board, with Harriet Wilson’s Pope as a standout, and Rosie Sutton’s direction was flawless.
Culture
Ian Coates
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Slow down, you crazy child: What Oxford student theatre can learn from garden plays
Student theatre strives to be as professional as possible, but the annual garden play offers something unique: permission to have fun.
Culture
Mair Andrews
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‘Our House’ in the middle of Beaumont Street
'Our House' ultimately becomes not just a story about crime or morality, but about the vulnerability of growing up and the frightening uncertainty of trying to decide who you are.
Culture
Gavriella Epstein-Lightman
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Review: The Lovely Bones
This adaptation of Alice Sebold's classic novel strikes an emotional chord at Oxford Playhouse.
Review: F*@king Hell
Political satire makes make Brexit the most interesting it has been for years in Tasha Saunders’s biting new comedy.
Review: Radiant Vermin
Something Punchy Productions' take on Philip Ridley's darkly comic satire intrigues audiences at the BT Studio.
Review: Hamlet
Cosmic Arts' present a deeply human production of 'Hamlet' at the Keble O'Reilly.
Dystopia in and amongst trash: Beckett’s Endgame
Beckett symbolically employs trash to reflect physical and philosophical reality of a post-apocalyptic world.
Preview: The Crucible
Miller's classic sees a new lease of life in Rose on a Rail Theatre Company's new adaptation.
Review: Stranger, Baby
Berry's poetry collection on loss, mourning, and the sea is beautifully brought to life at the Burton Taylor studio.
Review: Spring Awakening
The Oxford Playhouse's Michaelmas Musical proves an ambitious, vibrant and exiting feat.
Review: Things I Know to be True
This powerful family drama packs an punch at the Pilch.
Review: Yerma
Lorca's "tragic poem" is brought to life with subtlety and skill by Angel In The House Productions
Do actions speak louder than words?
Daniya Jawwad explores how certain classic plays prioritise physicality.
Review: Section Two
Phoebe Hennell reviews Tom Gould's new play 'Section Two'
Review: Life of Galileo
Didactic elements of Brecht's biographical play are highlighted by Velvet Vest Productions.
Preview: Life Of Galileo
Ben Beese preview's Life of Galileo
Review: Hannah Gadsby’s ‘Douglas’
An utter stand up masterpiece, and showcase of a truly gifted mind.
Review: The Three Sisters
Small Fry Theatre's take on Chekhov's classic impresses at the Burton Taylor Studio.
Review: Sübverse
Disgraced CBBC presenters, slam poetry and 'Take Me Home, Country Roads' all come together in Beef's debut sketch show with surprising results.
Preview: Spring Awakening
Jaya Rana previews Oxford Playhouse's Michaelmas student musical, Spring Awakening.
Review: Crave
GOYA's Crave stays true to the chaotic and disturbing nature of Kane's work.
Reaction in Metatheatre
An exploration of reaction in metatheatre and its complex psychological effects.
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