Wednesday 22nd October 2025

Theatre

Grappling with ‘grief that’s half formed’: Your Funeral

“Meeting up with a partner so soon after a breakup is an awkward time - and she’s dying.” Your Funeral is the debut play of new company Pharaoh Productions. It...
Culture Charlie Bailey -

“NOR GLOM OF NIT?”: ‘Going Postal’ reviewed

“NEITHER RAIN NOR SNOW NOR GLOM OF NIT CAN STAY THESE MESENGERS ABOT THEIR...
Culture Rhys Ponsford -

Are you listening comfortably? Audio drama and theatre

When people think of podcasts, they probably wouldn’t associate them with theatre. Yet it...
Culture Rhys Ponsford -

Over-the-top-vlogging and call centres: Dial 1 for UK

Dial 1 for UK is a one-man show following the journey of Uday Kumar...
Culture Caitlin Shaw -
Latest

Review – Awkward Conversations With Animals I’ve F*cked

Fringe hit one-man-show exploring loneliness, love, sexuality and bestiality starts national tour in Oxford.

Prometheus Unbound – An ancient tragedy in open air performance

"This performance breathed a fresh, modern dynamic to an otherwise static play". Phoebe Athena Hennell explores the implications of language in a Modern Greek performance of Aeschylus' ancient tragedy 'Prometheus Bound'. With contributions from Andreas Janssen.

FLEABAG – Triumphant return to where it all began

Imogen Harter-Jones reviews Phoebe Waller-Bridge's return to the stage.

Twelfth Night – Shakespeare’s Rose blossoms in York and Oxford

Madness, hilarity and revelry ensues in Joyce Branagh's production of Twelfth Night.

War Horse – Coloured by Love and Hate

Morpurgo intended the tale to be one of ‘reunion and reconciliation’, but Nick Stafford and the National Theatre have transformed it into an ‘anthem for peace’.

Surviving on the Fringes

The experiences of a director at the Edinburgh Fringe.

Review: Hustlers – ‘a refreshingly raw play’

Hoof and Horn productions impress with a candid look into prostitution and the AIDS crisis

Review: The Witch of Edmonton – Elizabeth Sawyer’s story ‘is brought to the fore’

Delivered in the form of a virtual ghost tour, Hoof and Horn Productions' take on The Witch of Edmonton offers an original retelling of Elizabeth Sawyer's story.

Review: Gatsby at Trinity – the ‘love for Trinity College and Fitzgerald’s novel is apparent’

Trinity College’s prequel to the Fitzgerald novel anticipates the debauchery of the Roaring Twenties in an exceedingly suitable location

Preview: The Oxford Revue and Friends – ‘plenty of laugh-of-out moments’

The Oxford Revue are headed to the Playhouse stage in 8th week, along with some special guests

Review: The Oxford Revue and Friends – ‘an unforgettable comedic experience’

A triple bill of comedy from Oxford, Cambridge, and Durham impresses at the Oxford Playhouse

Review: Amélie The Musical – ‘a story of relentless optimism’

A touring production of the 2015 Broadway show finally comes into its own at the New Theatre Oxford

Review: How to Use a Washing Machine – ‘script and score are full of witticisms that are genuinely amusing’

SLAM Theatre's original musical impresses in Oxford before it embarks on a national tour

The Rose Theatre Pop-Up: Shakespeare Goes Portable

The Shakespeare’s Rose Theatre wants its audience to experience Shakespeare as intended – in the bard’s self-designed theatre. But is this immersive theatre experience more pop-art than pop-up? Arabella Vickers reviews.

Interview: ‘How To Use A Washing Machine’

In the cosy nook of an Oxford hostelry is where Georgie Botham and Joe Davies brainstormed into existence ‘How To Use A Washing Machine’. Little did they know, in Oxford in 2018, that their newly penned and composed musical would also then progress to a national tour. Imogen Harter-Jones interviews them to find out about their experience.

The journey from script to stage

What is the process of staging a student production? We speak to the writer and director of this year's Christ Church garden play to find out.

Review: A View from the Bridge – ‘dramatic, gripping and surprisingly funny’

This latest revival of the Arthur Miller classic copes well with its challenging text (and challenging accent).

Preview: The Witch of Edmonton – ‘promises a sufficiently sinister experience’

Hoof and Horn Productions' take on The Witch of Edmonton heads to the BT Studio in Seventh Week

Staging Invisibility

The writer of Week Seven's Hustlers at the BT discusses the concept of the hustler and diversity in theatre

Review: The Tempest – ‘exploit the comic potential in Shakespeare’s verse’

RJ Productions present an enjoyable rendition of Shakespeare’s last solo-authored play, whose strongest points lie in its subtler elements
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