Theatre

Kooky and self-assured: ‘Brew Hill’ in review

Pecadillo Productions’ latest show is (quite rightly) aiming for Fringe, but this kooky, self-assured tragicomedy has immediate cult classic potential.

Culture Abigail Lakeland -

A day in The Sun: ‘Ink’ at St John’s

James Graham’s Ink, directed by Georgina Cooper with the St John’s Drama Society, dramatises Rupert Murdoch’s acquisition of The Sun in the 1960s, tracing its astonishing surge to unprecedented popularity.

Culture Beatrix Arnold -

‘Crawling with personality’: ‘Little Shop of Horrors’ in conversation

Last week, I infiltrated a rehearsal for Cross Keys and 2046 Productions’ upcoming Little Shop Of Horrors.

Culture Rebecca Harper -

Techno, tragedy, and medieval monologuing: ‘Brew Hill’ in conversation

Pecadillo Productions’ ‘Brew Hill’ watches the deterioration of the romance between Nat (Trixie Smith) and Gordon (Jem Hunter).

Culture Charlie Bailey -

Latest

Pantomime: does it still deserve a place on the modern theatrical scene? (Oh, yes it does!)

Emily Capon argues that pantomime (when done well) still has an important place in the modern theatre.

Review: Macbeth

Leone Van den Schrieck reviews Collarbone Productions' 'Macbeth' at the BT.

Review: American Buffalo

Frazer Martin reviews 'American Buffalo' at the Pilch.

Review: Malcolm The Miserable

Ottilie Mitchell reviews new play Malcolm The Miserable at the BT studio.

Review: Oxford Contemporary Opera Festival

Clementine Scott is impressed by the Oxford Contemporary Opera Festival at Saint Hilda's.

Review: The Importance of Being Earnest

Yii-Jen Deng reviews 'The Importance of Being Earnest' at Teddy Hall.

Review: Chicago

Cecelia Wang reviews Jazz Hands Productions 'Chicago' at the Keble O'Reilly.

A theatrical Utopia?

Emily Capon explores explores the possibility of a Utopia of ‘no-where’ on the stage.

Remember, Remember Your Duty to Remember

Coral Kim explores the impact of 'Translations' and 'The Height of the Storm' on both her and society.

Review: The Mine Hatch

Tatiana Gilfillan is moved and impressed by new play 'The Mine Hatch'.

Preview: Martlets

New play commemorating forty years of women being admitted to Worcester College is full of joy, wit and sharp writing.

Review: Beard

McNelis' new musical is gripping and raises the important issue of homophobia in sport.

Review: The Crucible

Francesca German feels the power of Arthur Miller's classic 'The Crucible' at the Pilch.

Review: The Lovely Bones

This adaptation of Alice Sebold's classic novel strikes an emotional chord at Oxford Playhouse.

Review: F*@king Hell

Political satire makes make Brexit the most interesting it has been for years in Tasha Saunders’s biting new comedy.

Review: Radiant Vermin

Something Punchy Productions' take on Philip Ridley's darkly comic satire intrigues audiences at the BT Studio.

Review: Hamlet

Cosmic Arts' present a deeply human production of 'Hamlet' at the Keble O'Reilly.

Dystopia in and amongst trash: Beckett’s Endgame

Beckett symbolically employs trash to reflect physical and philosophical reality of a post-apocalyptic world.

Preview: The Crucible

Miller's classic sees a new lease of life in Rose on a Rail Theatre Company's new adaptation.

Review: Stranger, Baby

Berry's poetry collection on loss, mourning, and the sea is beautifully brought to life at the Burton Taylor studio.

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Theatre

Kooky and self-assured: ‘Brew Hill’ in review

A day in The Sun: ‘Ink’ at St John’s

‘Crawling with personality’: ‘Little Shop of Horrors’ in conversation

Techno, tragedy, and medieval monologuing: ‘Brew Hill’ in conversation

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