Theatre

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

As a history student, you occasionally come across stories so strange they feel almost fictional. Operation Mincemeat is one of them.

Culture Hattie Simpson -

Seeped in nostalgia: ‘Things I Know To Be True’ reviewed

Lighthouse Productions' 'Things I Know to Be True' had high expectations to meet. Put frankly, they nailed it.

Culture Charlie Bailey -

Let’s go to the movies: Fennec Fox Productions’ ‘The Flick’

After their staging of Company at the Oxford Playhouse earlier this term, Fennec Fox Productions are set to return next week with a run of The Flick (2013) at the Burton Taylor Studio.

Culture Beatrix Arnold -

A deeply Singaporean play: In conversation with ‘Late Company’

OUMSSA Theatre makes their debut with Jordan Tannahill’s Late Company. While the text originated in Canada, OUMSSA Theatre’s take on it is nonetheless entrenched in Singaporean culture.

Culture Jessica Phillips -

Latest

Review: A Midsummer Night’s Dream

‘A Midsummer Night’s Dream’ follows four main plots: the wedding of the king of Athens; the complicated love affairs between four young Athenians;...

Navigating the Theatre Interval

Intervals. I know you have been dying to read an article about them for as long as you can remember, so I’ll put you...

Blasted: Sarah Kane’s Vision Today

Trigger Warnings- Rape and Violence Sarah Kane’s first play, Blasted, begins with the ageing Ian grooming his young girlfriend Cate in an expensive hotel room....

Ballet: bewitching, beautiful, bold

I have loved ballet all my life. Since day one it has been filled with Barbie ballet DVDs, ballet dolls and of course ballet lessons. While...

An unhealthy obsession? The cult of Andrew Lloyd Webber’s ‘Cats’

I must confess – I am quite obsessed with Cats. Not the animal, of course, but Andrew Lloyd Webber’s seminal 1981 musical and the 2019 film...

Coriolanus: Review

Coriolanus is set in the early stages of the Roman republic, in the midst of plebeian revolts for grain. Caius Marcius (Tom Hiddleston), nicknamed...

A Midsummer Night’s Dream: Interview

Video may have killed the radio star, but Jazz Hands Productions’ radio play A Midsummer Night’s Dream aims towards resurrection, encouraging audiences to “escape...

Review: The Globe’s Macbeth

Touted as one of their ‘relaxed performances’, the Globe’s Macbeth seeks to “break down walls to cultural access and empower teenagers to develop their...

“I don’t want realism, I want magic”: NT Live’s A Streetcar Named Desire

“Don’t you just love these long rainy afternoons when an hour isn’t just an hour—but a whole little piece of eternity dropped into your hands—and...

Being True to the Book

Adapting books for the stage or screen seems to be completely irresistible. We are compelled to take words on a page and transform them...

Are we blind to the need for blind casting?

Perhaps the biggest debate surrounding ‘gender-blind and colour-blind’ casting (with which actors are cast regardless of the traditional race/gender of their role) is the...

Bare derrieres for bums on seats? Shock value on stage

By the time Iqbal Khan’s Anthony and Cleopatra reached its dénouement at the RSC, we were almost three hours in and, despite the production...

Stage Adaptions: Midnight’s Children

Iconic, encyclopaedic, and kaleidoscopic, Salman Rushdie’s Midnight’s Children has garnered a healthy sense of both wariness and respect from critics and readers alike over...

A ‘Clean Break’ from crime?

After mastering the downward facing dog-chaturanga-upward facing dog transition, my isolation development peaked and it was time to do some work. I watched the Donmar Trilogy’s...

The Last Five Years: Review

00 Production’s performance of The Last Five Years pulls off the ambitious project with surprising grace. I say surprising because bringing a musical to the small screen,...

The Last Five Years- Preview

Having watched the preview, I am excited to see and listen to the full-length production of the musical. Both Maggie Moriarty as Cathy and...

Review: Richard II

Not Way Forward Productions has managed to put up a brilliant virtual version of ‘Richard II’ in pre-recorded video format. It is well-executed -...

Ralph Fiennes: from Hamlet… to Lear?

With his aquiline nose, translucent skin and deep pale eyes, Ralph Fiennes certainly makes an impression. And that is even before he speaks or emotes -...

NT Live’s Twelfth Night: Review

The French philosopher and moralist Jean de la Bruyère once remarked “life is a tragedy for those who feel, and a comedy for those...

‘The Last Five Years’: discussing adaptation, distance and theatre’s survival

Imagine if you could see how your relationships would end as soon as you started them. In The Last Five Years, this premise is...

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Theatre

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

Seeped in nostalgia: ‘Things I Know To Be True’ reviewed

Let’s go to the movies: Fennec Fox Productions’ ‘The Flick’

A deeply Singaporean play: In conversation with ‘Late Company’

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