Theatre

Review: Cyrano de Bergerac – ‘A clever adaptation of a timeless play’

I’m ashamed to admit I almost mistake Cuigy (Kate Burke) and Brissaille (Nancy Gittus) for incredibly dapper audience members before the play begins. The sweet jazz that pipes out...
Theatre Natalie Tan -

Review: Medieval Mystery Play Cycle – ‘Comedy, choirs and inflatable hammers’

I wasn’t sure what to expect from a Medieval mystery play cycle. What I...
Culture Rhys Ponsford -

Staging the radio play: The audio-visual world of ‘Under Milk Wood’

“Love the words!”That was the crisp command from Dylan Thomas, the 20th-century Welsh poet,...
Theatre Rhys Ponsford -

‘The Little Clay Cart’ brings Sanskrit back to life

As students left Oxford on the last weekend of Hilary, I visited St John’s...
Theatre Faye Chang -
Latest

Review – Awkward Conversations With Animals I’ve F*cked

Fringe hit one-man-show exploring loneliness, love, sexuality and bestiality starts national tour in Oxford.

Prometheus Unbound – An ancient tragedy in open air performance

"This performance breathed a fresh, modern dynamic to an otherwise static play". Phoebe Athena Hennell explores the implications of language in a Modern Greek performance of Aeschylus' ancient tragedy 'Prometheus Bound'. With contributions from Andreas Janssen.

FLEABAG – Triumphant return to where it all began

Imogen Harter-Jones reviews Phoebe Waller-Bridge's return to the stage.

Twelfth Night – Shakespeare’s Rose blossoms in York and Oxford

Madness, hilarity and revelry ensues in Joyce Branagh's production of Twelfth Night.

War Horse – Coloured by Love and Hate

Morpurgo intended the tale to be one of ‘reunion and reconciliation’, but Nick Stafford and the National Theatre have transformed it into an ‘anthem for peace’.

Surviving on the Fringes

The experiences of a director at the Edinburgh Fringe.

Review: Hustlers – ‘a refreshingly raw play’

Hoof and Horn productions impress with a candid look into prostitution and the AIDS crisis

Review: The Witch of Edmonton – Elizabeth Sawyer’s story ‘is brought to the fore’

Delivered in the form of a virtual ghost tour, Hoof and Horn Productions' take on The Witch of Edmonton offers an original retelling of Elizabeth Sawyer's story.

Review: Gatsby at Trinity – the ‘love for Trinity College and Fitzgerald’s novel is apparent’

Trinity College’s prequel to the Fitzgerald novel anticipates the debauchery of the Roaring Twenties in an exceedingly suitable location

Preview: The Oxford Revue and Friends – ‘plenty of laugh-of-out moments’

The Oxford Revue are headed to the Playhouse stage in 8th week, along with some special guests

Review: The Oxford Revue and Friends – ‘an unforgettable comedic experience’

A triple bill of comedy from Oxford, Cambridge, and Durham impresses at the Oxford Playhouse

Review: Amélie The Musical – ‘a story of relentless optimism’

A touring production of the 2015 Broadway show finally comes into its own at the New Theatre Oxford

Review: How to Use a Washing Machine – ‘script and score are full of witticisms that are genuinely amusing’

SLAM Theatre's original musical impresses in Oxford before it embarks on a national tour

The Rose Theatre Pop-Up: Shakespeare Goes Portable

The Shakespeare’s Rose Theatre wants its audience to experience Shakespeare as intended – in the bard’s self-designed theatre. But is this immersive theatre experience more pop-art than pop-up? Arabella Vickers reviews.

Interview: ‘How To Use A Washing Machine’

In the cosy nook of an Oxford hostelry is where Georgie Botham and Joe Davies brainstormed into existence ‘How To Use A Washing Machine’. Little did they know, in Oxford in 2018, that their newly penned and composed musical would also then progress to a national tour. Imogen Harter-Jones interviews them to find out about their experience.

The journey from script to stage

What is the process of staging a student production? We speak to the writer and director of this year's Christ Church garden play to find out.

Review: A View from the Bridge – ‘dramatic, gripping and surprisingly funny’

This latest revival of the Arthur Miller classic copes well with its challenging text (and challenging accent).

Preview: The Witch of Edmonton – ‘promises a sufficiently sinister experience’

Hoof and Horn Productions' take on The Witch of Edmonton heads to the BT Studio in Seventh Week

Staging Invisibility

The writer of Week Seven's Hustlers at the BT discusses the concept of the hustler and diversity in theatre

Review: The Tempest – ‘exploit the comic potential in Shakespeare’s verse’

RJ Productions present an enjoyable rendition of Shakespeare’s last solo-authored play, whose strongest points lie in its subtler elements
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