Culture

OUFF’s ‘The Oxford Tales’: Celebrating student filmmaking at Oxford

It’s no secret that Oxford has long been an idealised location for film sets; official-looking SUVs with blacked-out windows and attendants in high vis parading up and down Catte Street and around the Rad Cam are a not-unfamiliar sight.

Culture Amy Lawson -

Behind the red curtain: ‘Stories From an Abandoned Warehouse’ reviewed

Leo Jones reviews Crazy Child Productions' performance of 'Stories From an Abandoned Warehouse', the first English staging of the play.

Culture Leo Jones -

Siskin

Near the riverside, a girl with walnut hair sat with her back to the...

Culture Sasha Darvas -

Oxford on-screen: Historical atmosphere and fantasy worlds

Ideally, we should strike a balance; an awareness of the reality of life at Oxford can co-exist with an appreciation of its grand architecture and historical atmosphere.

Culture Siena Tracey -

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An alternative to ‘Fast Film’

Modern cinema is rubbish - it is time to rediscover some old classics to remind ourselves what it is to be truly moved by film.

Black Mirror: Art as Social Satire

A review of the Saatchi exhibition, showing until 17th February

Escaping to Space

Isabella Welch discusses representations of space as a world better than our own

Oxford Museums and the Artefacts of Colonialism

Lydia Stephens considers Oxford museums in light of the repatriation debate

Film First: a box of tissues are needed for the first film to make me cry

Director Isao Takahata tugs at the heartstrings until you're bleary-eyed

The Lady’s Mad Review – ‘a triumph’

Paul Nash is captivated by Thistledown Theatre's production of Rebekah King's new play.

Books to buy in the first few months of 2019

A quick guide to the highly anticipated books coming out in 2019

‘Say we want a revolution’: Music, politics, and protest songs

While some may hold the view of music as an absolute art form, the fact is that music is an integral part of human culture, society and our passion for protest

Space Shifters at the Hayward Gallery

The Hayward Gallery’s latest and much-praised exhibition 'Shape Shifters' is quite an experience.

Sequels and Spinoffs: serving commercial or creative interests?

What are the impacts of adding to a fictional universe?

Les Misérables review: BBC adaptation soars, even without the songs

Heaps of narrative are packed into the latest adaptation, but it is a masterful work of character complexity

How Victoria’s Secret Lost Its Sparkle

It’s still the same old fantasy, oozing sex appeal but boring by contemporary standards.

‘A bit of Bah Humbug’: Christmas in Great Expectations

Dickens is the perfect post-Christmas antidote to anyone exhausted by the festive season

Edward Burne-Jones at the Tate: A reminder of greatness

Burne-Jones' exhibition at the Tate is one to not miss.

What cultural blockbusters can we look forward to in 2019?

Margaret Atwood, Pixar and Lana del Rey: Chloe Whitehead puts together her most anticipated cultural events coming up in the new year

The desire to be elsewhere: a look back at some of 2018’s musical highlights

The opening track of George Ezra’s album Staying at Tamara’s moans ‘Why, why, what a terrible time to be alive’, and in 2018 this...

British Library Anglo-Saxon Kingdoms review: Illuminating the Dark Ages

A highlight of the exhibition, The Marvels of the East, details how people in the East were thought to have no heads, with their eyes and mouths instead believed to reside in their chests.

Is West Side Story still relevant today?

West Side Story has stood the test of time not just because of its artistic mastery, but because of its universal message. As the show’s choreographer Jerome Robbins once said, the show is about intolerance all over the world, not just in 1950s New York. In many ways, the show is more relevant today than it ever has been.

Is it still a wonderful life in 2018?

The film may feature angels and an alternate reality, but it is among the most realistic of Christmas films

The Triumph of Death: the Black Death and European Art

"The tomb of François de Sarra, carved around 1400, shows toads eating the man’s eyes and mouth, while worms crawl out of holes in his arms." Olivia Hicks explores the tropes and meanings of 'Black Death Art'

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Culture

OUFF’s ‘The Oxford Tales’: Celebrating student filmmaking at Oxford

Behind the red curtain: ‘Stories From an Abandoned Warehouse’ reviewed

Siskin

Oxford on-screen: Historical atmosphere and fantasy worlds

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