Thursday 30th April 2026

Culture

In sickness, health, and wrongdoing: ‘The Drama’ in review

CW: Gun violence. “What’s the worst thing you’ve ever done?” is the driving question of Kristoffer Borgli’s The Drama. The film centres around a couple whose otherwise perfect relationship is...

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

It has been 93 years since the first performance of Bertolt Brecht’s The Good...

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Originality could be dead in pop music. The genre is so self-referential that it...

Why you should spring clean your bookshelf this Trinity

In the Northern Hemisphere, astronomers mark the beginning of spring on the date of...

“After three hours in an Omniplex I am, at least, still alive” – livestreaming from theatre to cinema

Dorothy McDowell sees potential in livestreaming theatre, but it still fails to reach a mainstream audience

True West Review – ‘this is truly sweet suburban silence’

Sam Shepard's play explores the tensions behind the American Dream.

Poetry in motion: the nature of lyrics

Should lyrics be given the same respect as poetry?

Armitage’s Gawain: translating in wylde wayeȝ

"Translation is not without flaws – it cannot help but alter authorial voice, although the degree to which this takes place is certainly not consistent."

The Winter’s Tale review – atmospheric and otherworldly

Nicole Jashapara is charmed by this production's aesthetic and comic performances

Auditioning – what it’s actually like

Beata Kuczynska provides a look behind the curtain at the highs and lows of the auditioning process

The Admirable Crichton Review – ‘a light-hearted antidote to eighth week’

Simone Fraser finds Corpus Christi Owlets' new production to be effective comic relief in eighth week.

The natural world: unconventional spaces for art

"The natural world enhances both creator’s and viewers’ experiences of the art in a way that the setting of a gallery could not."

Blood Brothers Review – ‘truly exceptional theatre’

Katie Sayer is wowed by the quality of a touring production of the 1983 musical.

When and why did Netflix movies get so good?

Prestige talent is coming to Netflix in moves that may revolutionise cinema as we know it

An Unexpected Visitor Review – ‘performed in a unique space but falls short’

The setting of Mercury Theatre Productions' newly written play is impressive but the writing requires reworking.

Dare to be different, or the Devil we know?

Everyone should be watching Daredevil

Brink Review – ‘brilliant from start to finish’

Nitrous Cow Productions' new play has a high standard of acting and great technical sophistication

Little Eyolf review – modern and experimental but lacking depth

An experimental and bold play held back by limited character development

Fantastic Bore And Where To Fail Your Fans

The latest 'Fantastic Beasts' will leave you disappointed

Review: Sweetener by Ariana Grande

Ariana Grande finds produces some intermittent bangers while caught in the changing tides of contemporary pop

Table Manners Review – ‘subtly and successfully updated’

Flared Productions' new take on Alan Ayckbourn's 1973 play is highly enjoyable

An Unexpected Visitor preview – immersive ingenuity

Lawrence Li is won over by the unconventional staging and comedy of this production

‘Brink’ Preview – ‘an exploration into public vs. private spaces’

Alastair Curtis' new play explores how individuals forge connections with others in our modern, digitalised world

‘Riverdale’, get off your hype horse

Jennifer Donnellan roots out the many flaws of the comic turned teen drama

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