Culture

‘One Night Only’ (2026) and the Death of Romance

Romance movies are, on the whole, my favourite movie genre. But good romance movies, like good romantic relationships, are hard to find, and easy to mess up. It is...
Culture Willow Jopp -

Caught between grief and hope: ‘On Some Far Shore’ reviewed

Fresh off the back of Our House and Macbeth, Cross Key Productions presents an...
Culture Melissa Eddon -

The road to reckoning: ‘The Slip’ reviewed

Sharp, unsettling, and emotionally intelligent, 'The Slip' is a striking showcase of the ambition and talent behind Wide Eyes Productions, while establishing Wyatt as a writer-director to watch.
Culture Leo Jones -

How an Oxford undergraduate made a name in choral music

When he arrived at Oxford, he expected his future to lie primarily in orchestral music. Instead, it was choral music that transformed his direction.
Culture Anish Vedantham -
Latest

Review: Many Moons – “thoroughly compelling”

Stellar performances and staging create a wonderfully emotive piece, but its bitter narrative makes it a hard pill to swallow

Student film: ‘notoriously difficult to penetrate’

Oxford’s student filmmakers give their takes on writing workshops, directorial debuts, and getting inside one of the arts’ most difficult industries.

Would you risk your life on God? Reflections on Professor John Lennox’s ‘Can Science Explain Everything?’

Prompted by Professor John Lennox's new book, Jack Sagar grapples with questions about science, God, and the faith that binds us all together.

Placing society’s margins under the microscope

The psychological and physical decay resulting from drug addiction is tactfully explored in Darren Aronofsky’s masterpiece.

Tidying Up with Marie Kondo: transformation tv done right

Netflix’s latest hit sparks more than just joy.

Review: Velvet Buzzsaw – “rebellion of art against the pretentious world”

Netflix’s latest thriller stars Jake Gyllenhall and Rene Russo in a tense satire on the contemporary art world

Review: Kinky Boots – ‘a poignant message amongst the glitter and glamour’

This touring production of Cyndi Lauper's celebratory musical seems a fitting show for LGBT History Month

Listening to Music on Repeat

Why shuffle is simply no longer an option

Math Roberts discusses his new song cycle ‘What Comes After’

How did 'What Comes After' come about, is it a new piece or have you had it in the pipeline for a while? The idea...

91st Academy Awards: Predictions

It’s a fascinating mixture of nominees, especially considering the variety of outcomes in precursor awards ceremonies (such as the Golden Globes and BAFTAs), but guessing what should or will win in each category is as subjective as it’s ever been – and even more difficult than ever. Jonnie Barrow offers his predictions for this year's Oscars.

The year of the underdog: will outsider nominees come out on top at this year’s Oscars?

Awards season is well and truly upon us. After last week’s BAFTAs and Grammy awards, it is inevitably time for the Oscars, the Big...

Taboo: the work and legacy of Nobuyoshi Araki

Hannah Healey investigates the controversial work of Nobuyoshi Araki

Preview: Many Moons – ‘the edges of a crowd’

Small Fry Theatre’s production of the Alice Birch play provides a tense snapshot between the worlds of the intimate and immense

Fame, fortune and failure

Debunking the Unk: the curious tale of Curtis Adams

Jeff Koons: A world of Paradoxes

Pocketed in the Ashmolean is the world of paradox that is Jeff Koons’ exhibition. The first room introduces his work as we are met by...

Made in Dagenham Review – ‘a fight that will affect women for generations to come’ –

Daanial Isaaq Chaudhry finds the latest Playhouse production completely compelling

Music and the Comeback Kids

Molly Innes discusses the art of the comeback, the “reunion” cash cow, and throwback culture

OUDS New Writing Festival 2019 – A Roundup

A summary by their writers of the plays which are part of this year's OUDS New Writing Festival.

Preview: Skin a Cat – an interview with playwright Isley Lynn

"The final scene I saw – a relentless, breezy epiphany, beautifully handled in all its profanity by Tupper – emphasises this point more than any: it’s about 'creating your own metric for your own happiness'."

The rise of lo-fi

What makes imperfections so attractive?
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