Culture

‘Love in the face of hate’: A closer look at ‘Blood Wedding’

Emma Nihill Alcorta is the director of a new adaptation of the Spanish masterpiece Blood Wedding, running at the Oxford Playhouse. With flamenco rhythms and Spanish soul, our passionate ensemble...

Theatre Emma Nihill Alcorta -

Duplicity, infidelity and loyalty in ‘Crocodile Tears’

“An Italian summer romance that goes wrong” – this is how Crocodile Tears was...

Theatre Phoebe Davies -

Review: The Great Gatsby – ‘Indulge the extravaganza’

Sophia Eiden’s production of Simon Levy’s script of The Great Gatsby is an undoubted...

Theatre Peter Chen -

Barry Lyndon – Kubrick’s ultimate antifilm?

Barry Lyndon has always been dismissed within Kubrick’s filmography. While he is a filmmaker...

Film Ruby Tipple -

Latest

Fandom: democracy or tyranny?

Hollywood's decisions have become increasingly determined by internet fandoms

The ‘Brideshead Revisited’ reputation haunting Oxford

Is there any truth in the fictional portrayals of the University?

Which TV show has the best intro music?

You shouldn't judge a book by its cover, but what about a show by its intro?

‘The Jungle’ Review — a somber celebration of solidarity, hope and resilience

Leaving the theatre and walking straight into the first grey downpour of rain we had had in months never felt more fitting an atmosphere...

The Summer Movie Season: A Retrospective

From the hits to the flops, these are the films that defined this years summer movie season

What does Hollywood’s new diversity trend mean for the industry?

The recent shake-up in diverse roles in Hollywood has repercussions for the balance of power of the entire industry -- as long as this new wave of films don't sacrifice quality for publicity.

BlacKkKlansman review – Spike Lee’s return to form?

The film may be based on an outrageous true story, but little will prepare you for Spike Lee's polemical parallels between the 1970s and the current state of America

Review: Floating Features by La Luz

Surf-rockers’ psychedelic third album is the perfect soundtrack for your scorched summer.

The Edinburgh Fringe experience in 2018 – the ‘magic’ of the Mile

A summary of the 2018 Fringe experience, as we say goodbye to the festival for another year

Artist Feature: Drake

Despite his new album making him the most streamed artist on Spotify, Drake’s juvenile braggadocio is wearing thin after years of nonstop releases

The Meg – mega-ridiculous, mega-fun

Jason Statham stars in the latest blockbuster of the summer which promises to be the ultimate man vs shark movie

Actor Profile: Scarlett Johansson

Scarlett Johansson is a household name and a star of the silver screen, and now she has become the highest paid actress in Hollywood...

Egon Schiele and Francesca Woodman Tate Review- ‘a triumph of comparison’

Artists separated by time and medium together depict torment and isolation

Iron Maiden: 35 Years On

An enduring quality and appeal as the ageing rockers bring 80's rock into the modern day.

Crave Review – ‘moments of tenderness crushed by memories of trauma’

Sarah Kane's emotive text is embodied with both beauty and horror at the Edinburgh Fringe.

Machinal Review – ‘poignant but not perfect’

A play with an imperfect but impactful vision, inspired by a poignant true story of murder and womanhood

Versailles End-of-Season Review: Intrigue, rebellion, and heartache

The popular BBC drama exited on a high this summer

The Squirrel Plays Review – ‘carried off with subtlety and aplomb’

Tenderness and humour emerge from a play that challenges a sobering subject

Eat Your Heart Out review – ‘A nuanced and authentic exploration of a stigmatised subject matter’

Tightrope Productions' devised piece proves particularly heartfelt at the Edinburgh Fringe.

Outgrowing the teen trope

In film characterisation today, art mimicking reality is not the desired outcome. Instead, art is used as a catalyst for wider representation, to inspire us to reflect on ourselves, to be better.

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Culture

‘Love in the face of hate’: A closer look at ‘Blood Wedding’

Duplicity, infidelity and loyalty in ‘Crocodile Tears’

Review: The Great Gatsby – ‘Indulge the extravaganza’

Barry Lyndon – Kubrick’s ultimate antifilm?

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