Culture

HOLE IN THE WALL L’HOPITAL at Fringe

★★★☆☆ Everything I write ends up being about grief – I suppose this review only proves that point. HOLE IN THE WALL L’HOPITAL, created by Chicago-based comedian Brendan Tran, pays...

Culture Rebecca Harper -

Beyond the binary: Leigh Bowery’s radical individuality

Tate Modern's "Leigh Bowery!" refuses easy categorisation—much like its subject A fashion student from Sunshine,...

Art Ava Doherty -

St Anne’s goes All-Steinway: A purposeful and bold commitment to music

In a move that lives up to its motto of ‘Consulto et Audacter’ (purposefully...

Culture Miriam Hussain -

Just like the movies: An American’s notes on her Oxford year

Oxford occupies a mystical, almost fantastical place within the American psyche – so much...

Culture Radhika Bhargava -

Latest

Citizenship Review – ‘witty, thoughtful and true-to-life’

Ami Griffiths is impressed by a direct but deft portrayal of bisexuality.

Drunk Enough to Say I Love You? Review – ‘genre-crossing and well-executed’

Katie Knight is impressed by Klaxon Productions' production which incorporates new forms of media.

Top Girls Review – ‘uncomfortably straddles the experimental and the domestic’

"Adam Radford-Diaper’s adaptation is slick and well-acted, often wonderfully absurd and funny, but ultimately leaves me feeling slightly cold."

Drunk Enough to Say I Love You? Preview: ‘The political becomes personal’

Cesca Echlin previews Caryl Churchill's 2006 play, which she finds entices the human out of the political

The Mountaintop Review – ‘explores the man behind the pulpit’

Katori Hall’s depiction of the Civil Rights icon Martin Luther King in his last hours is bewitching.

‘A zero-carbon-footprint production’: an interview

Unusual theatrical spaces and creating environmentally conscious productions

Citizenship Preview – ‘challenges the binary of sexuality’

Mark Ravenhill's exploration of the nature of bisexuality in this coming-of-age drama is continually relevant

Music, Magic, and Bridging the Gap

The presence of magic in music has shifted and evolved over the years

‘Halloween’ is a bloody good entry in the series

40 years after the original film changed the slasher genre forever, Jamie Lee Curtis and Michael Myers face off once more...

Exploring magic realism

Laura Esquivel provides a female framework to the Latin American genre

Nice Guy Review – ‘hard to believe written by students’

The complexity of Sam Norman and Aaron King’s new musical, which focuses on the inner-workings of an abusive relationship is astounding

A vision of fear, a vision of hope

Exploring higher states of human experience in William Blake’s and Tracey Emin’s early sketches

Breaking down stigma, challenging genre, and facilitating conversation – the new musical, ‘Nice Guy’

A visit to the Oxfordshire charity 'Clean Slate' with the cast of new musical 'Nice Guy'

Top Girls Preview – ‘a vibrant period piece’

This new production of Caryl Churchill's play may be a portrait of a specific time, but is still intensely relevant.

‘Family Friends’ Review: ‘a definite sparkle’

Katie Knight sees potential in this night of improvised comedy, but is let down by pacing and clunky mistakes

“Delightfully creepy”: “Spellbound” at the Ashmolean review

[The exhibition] is delightfully creepy, especially the sections where the artefacts are resting on the glass above you in chimney-like structures, forcing you to walk into dark little alcoves and crane your neck up to see them.

It’s one small step for Damien Chazelle: ‘First Man’ review

The director of 'Whiplash' and 'La La Land' bring his best to this much-anticipated Neil Armstrong biopic

The infamous melodramatics of Kanye West: Ye or nay?

Kanye has had a career riddled with dramatic events – what has this done to his legacy?

22 July: Netflix dramatises Norway’s darkest day

With 22 July, Paul Greengrass has answered the question of how to convert tragedy into film. In handling the harrowing 2011 Norway attacks that...

1...939495...339 Page 94 of 339

Culture

HOLE IN THE WALL L’HOPITAL at Fringe

Beyond the binary: Leigh Bowery’s radical individuality

St Anne’s goes All-Steinway: A purposeful and bold commitment to music

Just like the movies: An American’s notes on her Oxford year

Follow us

Support Student Journalism

Explore

Follow us

More