Culture

‘Love in the face of hate’: A closer look at ‘Blood Wedding’

Emma Nihill Alcorta is the director of a new adaptation of the Spanish masterpiece Blood Wedding, running at the Oxford Playhouse. With flamenco rhythms and Spanish soul, our passionate ensemble...

Theatre Emma Nihill Alcorta -

Duplicity, infidelity and loyalty in ‘Crocodile Tears’

“An Italian summer romance that goes wrong” – this is how Crocodile Tears was...

Theatre Phoebe Davies -

Review: The Great Gatsby – ‘Indulge the extravaganza’

Sophia Eiden’s production of Simon Levy’s script of The Great Gatsby is an undoubted...

Theatre Peter Chen -

Barry Lyndon – Kubrick’s ultimate antifilm?

Barry Lyndon has always been dismissed within Kubrick’s filmography. While he is a filmmaker...

Film Ruby Tipple -

Latest

Preview: My Mother Runs in Zig-Zags – ‘shapes the lived experience of war and migration’

A poetic performance about migration, war and family, with an all-BAME cast and crew, heads to the North Wall in fifth week

REVIEW: The Ruling Class – ‘actualises an eccentric and absurdist sense of humour’

Stage Wrong Productions' The Ruling Class delivers an outrageous and satirical examination of English upper-class society

Behind Closed Drawbridges

Why are we so fascinated by stories of royalty?

Bush’s Family Tree

An exploration of the musical influences across Kate Bush's discography

Is the band ‘shame’ just shameful?

A discussion on how Shame have inherited the punk ethos

The New Bridget Jones?

Reviewing ‘Queenie’ by Candice Carty-Williams (Trapeze, 2019).

An Old War in a New Light

Reviewing ‘Vietnam: An Epic Tragedy’ by Max Hastings (Harper, 2018).

Inheriting ‘The Big Score’

Examining the appeal of the classic heist film

Preview: A Woman of No Importance – ‘promises an informed, thorough and hilarious production’

Magdalen Players reimagine Oscar Wilde's melodramatic comedy in fourth week

C. S. Lewis’ fantasy worlds: holding the mirror up to nature

Fantasy reveals as much about our society as it does about our desire for escape.

Post-Post-Punk: Got the Spirit, Lose the Feeling

What it comes down to is the fact that post-punk lacks the plasticity of genres like rock or hip-hop, which freely pool together music that would otherwise be separated by decades. It is, by its very name, less a style than a moment in time

The Ruling Class – ‘a new beast, though one they are competently battling’

Stage Wrong Productions tackle the challenging black comedy on at the BT in third week.

Daydreamers: Fantasy in the Face of Stasis

There’s a scene in one of my favourite films, High Fidelity (2000), in which John Cusack’s Rob plays out a number of angry reactions in his head...

Interview: Lucy Worsley

"I don't think history always 'gets better'": the historian and presenter on queens, clothing and curation

In Search of a Poet

Exploring the history and the hype behind the role of the Oxford Professor of Poetry

‘In Search of Equillibrium’

A review of Theresa Lola’s debut poetry collection (Nine Arches Press, 2019).

The Power of Telling Tales in Ali Smith’s ‘Spring’

'This third instalment in Smith’s quartet is perhaps the best yet; a novel for our times that asks all the right questions of the current climate, but also of itself. '

Singing to Say No to Cinematic Fantasies

"Titanic Rising" is an album that dispels the fantasies presented by film

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Culture

‘Love in the face of hate’: A closer look at ‘Blood Wedding’

Duplicity, infidelity and loyalty in ‘Crocodile Tears’

Review: The Great Gatsby – ‘Indulge the extravaganza’

Barry Lyndon – Kubrick’s ultimate antifilm?

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