Reality TV series The Traitors has returned with its celebrity version and has topped viewing charts for a second time. People are hooked on the show where logical reasoning and random chance are simultaneously at play, in a game full of drama, tension, and cliffhangers.
The thematic potency and the overall success of Lighthouse Productions’ iteration of Anton Chekhov’s 'The Seagull' all came together in a great and terrible revelation.
“It’s about trusting the capacity of the actors, but also the ability that human beings have to read each other. We do it all the time, we put together very strong pictures of how people are from very little.”
"As an emotional writer of poetry, I’ll only ever put pen to paper in fits of extreme feeling, using it as an outlet when I feel that I cannot turn to anyone. It seems to be the closest I’ll get to the divine inspiration, with the Muse replaced by anger or loneliness." Maebh Howell takes us on an artistic Odyssey around the pressures of constant creativity.
Angela Eichhorst writes about how we can learn from two religious communities, Greyfriars Franciscan Friary and the Buddha Vihara Temple, during the second lockdown.
Bong consistently backs up this technical precision with an attention to thematic and emotional detail that, combined with his now infamously anarchic approach to genre convention, renders him a singular force in the landscape of modern cinema
"It was uncommonly sultry and dark when I arrived at the Winchester water meadows. The scene was a
near stereotype, and it reminded me of those decrepit - far too embellished - landscapes you see in many
royal palaces."
"Memoir is an exploration of the complex layers of human memory: fallible, emotional and moulded by subsequent reflection. Like life itself, memoir is messy - but all the more enjoyable for it."
Nothing has hit me as hard as this minute of TV for months. I had been sat in my little ivory tower of ‘well, why didn’t they just learn?’, but now I felt all that come down.
"Each of this week’s recommendations demonstrate that female voices are far more nuanced and diverse than fiction has traditionally led us to believe."
"Tender and thought-provoking, The Vanishing Half offers a reflection on whether a person can choose who they are. In a world where Stella and Desiree represent black and white, Bennett embraces the grey area of personal, racial, and gendered identity."