Thursday, May 22, 2025

Culture

September 5: Journalism drama doesn’t question the facts enough

Set during the 1972 Munich Olympics, Tim Fehlbaum’s September 5 tracks the ABC Sports crew’s coverage of the Israeli athlete hostage crisis in the Olympic Village: the first terror...

Periodisation and the problem of now

Periodisation is the act of dividing literature into eras like Romanticism, Modernism, or Postmodernism...

Review: Death of a Salesman – ‘The Inside of His Head’

To review Tiptoe Productions’ staging of Death of a Salesman, I must first contextualise...

Oxford’s summer scene: The season of open-air performances

Trinity term at Oxford University is defined by wisteria, wild swimming, and warmth. Students...

The Virtual Museum: Can technology transform the gallery space?

Curators must employ the technology of the future to breathe life into the past.

An Introduction to K-dramas

On the 9th of February 2020, history was made at the Oscars when Bong Joon-ho’s Parasite became the first ever non-English film to win...

Friday Favourite: The Things They Carried

In the perverse manner of a bored and immature conscript in peacetime, I spent my weekends off in 2015 and 2016 consuming as much...

Album Review: Ruthie Collins’ ‘Cold Comfort’

Maxim Mower finds much to praise in a maturely sombre new country music star

Review: La Peste

‘Nous sommes en guerre’, Macron said in his address to the French nation on 16th March. At the time, my mother and I thought...

Review: I Lost My Body

I Lost My Body (in French, J’ai perdu mon corps) tackles issues of love, loss and maturity, all through a series of flashbacks in...

Live Review: Jon Hopkins at the Brighton Dome

Jon Hopkins is not so much a polarising figure as one whose music can appeal to people for precisely opposite reasons. As beloved to...

#IsolationCreations: How the Ashmolean is encouraging creativity in isolation

Prompted by an object from the collection, anyone may share a creative response

quarantine hands

Fingers like pharaoh’s doomed to crumble

Comfort Films: Scott Pilgrim vs. the World

Despite box-office failure, Edgar Wright’s Scott Pilgrim vs. the World has managed to reach status as a cult classic both amongst fans of Wright’s...

Review: Portrait of a Lady on Fire

Despite the recent post-#MeToo surge in the popularity of female-led films and films directed by women, Céline Sciamma’s Portrait of a Lady on Fire...

Season Zine – Championing Women in the football-fashion conversation.

Season Zine is the publication leading the conversation around a series of modern day economic, political and social discussions regarding the relationship between fashion...

Friday Favourite: War and Peace

In this Coronavirus season, existing dystopian novels have suddenly become “prophetic”. The world may be grinding to a standstill, but Generation COVID can’t while...

Review: The True History of the Kelly Gang

Ned Kelly (born in 1854, died on the gallows in 1880) is the ultimate Australian anti-hero. As ubiquitous Down Under as Robin Hood is...

The symbiosis of high and pop culture

Engrained in the very notion of ‘popular culture’ is an implication that it is a base derivative of ‘high culture’ – but does this opinion remain...

I’m watching ‘YOU’

When its second series aired in December 2019, the Netflix hit YOU managed to take trashy TV to new levels. Complete with sex, violence,...

(Non)Traditional Casting

When you imagine an eccentric Dickens character or an armored knight of Arthurian legend, you probably don’t picture an ethnically Indian man. Dev Patel...

Review: Four Tet’s ‘Sixteen Oceans’

Fred Waine praises Kieran Hebden's latest offering for its evocation of natural themes

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