Culture

Beyond the binary: Leigh Bowery’s radical individuality

Tate Modern's "Leigh Bowery!" refuses easy categorisation—much like its subject A fashion student from Sunshine, Melbourne, rocks up to London in 1980, writes 'wear makeup everyday' on his New Year's...

Art Ava Doherty -

St Anne’s goes All-Steinway: A purposeful and bold commitment to music

In a move that lives up to its motto of ‘Consulto et Audacter’ (purposefully...

Culture Miriam Hussain -

Just like the movies: An American’s notes on her Oxford year

Oxford occupies a mystical, almost fantastical place within the American psyche – so much...

Culture Radhika Bhargava -

Reading Oxford books in Oxford

For those who have not even set foot in Oxford, the city still lives...

Books Ngoc Diep -

Latest

Happiness is a cigar called Hamlet

While the machine of commerce rumbles on, cynicism towards the smoke and mirrors of modern brand manoeuvrings is never too far from the media,...

On the misuse of Orwell

The habit of thoughtlessly quoting or referencing George Orwell in political debate has become, like so many bad habits, so common that it is...

Review: Fiona Apple’s ‘Fetch The Bolt Cutters’

“All my particles disband and disperse/And I’ll be back in the pulse.” Music, to Fiona Apple, seems like a Schrodinger’s Cat kind of paradox; it relies...

Sense and Sexibility: A definitive ranking of Austen’s leading men

Welcome to my definitive ranking of Austen’s romantic heroes and, as an auxiliary ranking that I was not actually asked to add, my favourite...

Review: Jerskin Fendrix’s ‘Winterreise’

Weird things are happening in the world of pop music. Charli XCX and Carly Rae Jepsen have bounced back from ‘Boom Clap’ and ‘Call Me Maybe’...

Cinema: The venue transcending the visual

Maybe if I had known, I’d have stopped to take a picture. I’d have kept that ticket. Maybe if I'd known, I would have...

Mastering the group-watch with cheap horror flicks

The credits start to roll once the house is completely overwhelmed by fire. The monster is somewhere inside, and it’s already been defeated. This...

Review: The Artist’s Way

This is both a book review and a book recommendation. Julia Cameron’s book - The Artist’s Way - is the perfect book to pick...

‘L’appetito viene mangiando’: why Southern Italian food is the best in the world

To make Italian food is a labour of love, and requires a love of labour

NT Live’s Twelfth Night: Review

The French philosopher and moralist Jean de la Bruyère once remarked “life is a tragedy for those who feel, and a comedy for those...

A country without libraries: what we are missing

You might think that working in a library would be a nice, peaceful job. That’s what I thought too. After spending two years working...

‘The Last Five Years’: discussing adaptation, distance and theatre’s survival

Imagine if you could see how your relationships would end as soon as you started them. In The Last Five Years, this premise is...

Hidden in plain sight: Public art in Oxford

Once you’ve seen it, you can’t unsee it.

In Winter

if I listen to the breeze I hear night

In Regions Clear, and Far

there is no us without this city. Oxford is ours

pandemic

Who’ll ask if it’s too brave to dream again?

Friday Favourite: The Neapolitan Quartet

In a rare interview with LA Times in 2018, Elena Ferrante, universally-celebrated, elusive (the name is a pseudonym) author of the Neapolitan novels, was...

The Court Painter: The Exclusivity of the ‘Popular’ Artist

For the casual modern art admirer, it might initially be difficult to comprehend the business of art in the 17th-century; a time in which...

Album Review: Rina Sawayama’s ‘SAWAYAMA’

Sofia Henderson celebrates a dynamic but thoughtful debut

The intimacy of isolation: reflections on performing alone

“Lights up. The actor is alone” - type aspiring playwrights all over the world, unconsciously in unison. I anticipate reading this line (or something similar) over...

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Culture

Beyond the binary: Leigh Bowery’s radical individuality

St Anne’s goes All-Steinway: A purposeful and bold commitment to music

Just like the movies: An American’s notes on her Oxford year

Reading Oxford books in Oxford

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