Culture

‘Beautifully we may rot’: ‘Madame La Mort’ in review

In a small, black-painted room on the top floor of a pub in Islington, known as The Hope Theatre, Madame La Mort was staged for the public for the first time.

Culture Beatrix Arnold -

Damaging detachment: Reflections on the Booker Prize

This Christmas vac, I made up my mind to get out of my reading slump using the Booker Prize shortlist, revealing toxic masculinity as a key theme.

Books Charlie Bailey -

In defence of the theatrical release

If film, like all art, nourishes itself on its own œuvre, I don’t think we can afford to sever the association between the cinema and the film.

Culture Nora Miles -

Falling out of Louvre

In spite of recent events, the expected heightened security was nowhere evident.

Art Beatrix Arnold -

Latest

Has ‘Over the Rainbow’ been overcooked?

As ‘We’ll Meet Again’ rang through the streets of the UK on VE Day on Friday 8th May, with echoes of the previous night’s ‘Somewhere Over...

The Dangers of Genre-lisation

Within a week, the television adaptation of Sally Rooney’s novel Normal People, which explores the oeuvre of two teenage lovers, was requested on BBC...

Friday Favourite: The Uninhabitable Earth

The book currently on top of my ever-growing ‘To Read’ pile is David Wallace-Well’s 2019 book The Uninhabitable Earth. Based on his 2017 essay of the...

CulCher’s Choice: Andy Warhol at the Tate Modern

Almost twenty years after his first retrospective Warhol in 2002, Andy Warhol is now showing at the Tate Modern. The prolific artist is best...

Addressed to the Stones:

We’re alive and beyond comparison

Sun sets, small town

So the masks are sloughed off, and my heart stretches a shining ladder, reaches

Where Industry meets Humanity: Johanna Unzueta at Modern Art Oxford

Upon first entering the gallery I was struck by the sheer scale of Unzueta’s sculptural centrepiece – a huge felt chain, draping down from...

An unhealthy obsession? The cult of Andrew Lloyd Webber’s ‘Cats’

I must confess – I am quite obsessed with Cats. Not the animal, of course, but Andrew Lloyd Webber’s seminal 1981 musical and the 2019 film...

Coriolanus: Review

Coriolanus is set in the early stages of the Roman republic, in the midst of plebeian revolts for grain. Caius Marcius (Tom Hiddleston), nicknamed...

The fourth wall: Looking beyond the lens

Beautiful, sprightly music plays as the two protagonists of Pierrot Le Fou (1965), Ferdinand and Marianne, cruise around in the countryside in a stolen...

Review: The Ballad of Songbirds and Snakes

The Ballad of Songbirds and Snakes offers an origin story for everyone’s favourite evil-but-unequivocally-stylish dictator, President Snow. For the uninitiated, his achievements in the...

A Midsummer Night’s Dream: Interview

Video may have killed the radio star, but Jazz Hands Productions’ radio play A Midsummer Night’s Dream aims towards resurrection, encouraging audiences to “escape...

Thoughts on the gifting of a book

In search of a distraction in the gloom of mid-April, I sorted through my bookshelves, where half-read prelims texts obscured teen fiction and discarded...

Notes on Improvisation

Improvisation is a strange topic to think about. On the surface, it seems to be fairly simple: know the chord progression to follow, choose...

Comfort Films: The Secret Garden

It is fascinating to me that nostalgia, coined in the 17th century, was originally treated as a physical disease. Nostalgia was used to describe...

Album Review: Lady Gaga’s ‘Chromatica’

Promoting her latest album on Twitter, Lady Gaga told fans: “listen from beginning to end, no need to shuffle, this is my true story.” Indeed, Chromatica...

‘Too diverse’: the racist backlash to Fred Perry

If you’re a person of colour, or a minority in the UK, it is more than likely that you become desensitised to casual racism....

Finality in film: The sense of an ending

For me, it is always endings, not beginnings, which leave the most lasting impression: the ends of novels, films, historical epochs – even lives....

how i’m feeling now: Hyper-Pop Masterpiece for the Lockdown Generation

Charli XCX’s lockdown productivity is putting us all to shame. On the 6th of April she announced to fans via a public Zoom meeting that...

Review: The Mirror and the Light

The final instalment of Hilary Mantel’s Cromwell trilogy finds her writing with more lyricism and force than ever before, and cements her prestige as...

1...575859...343 Page 58 of 343

Culture

‘Beautifully we may rot’: ‘Madame La Mort’ in review

Damaging detachment: Reflections on the Booker Prize

In defence of the theatrical release

Falling out of Louvre

Follow us

Support Student Journalism

Explore

Follow us

More