Tuesday 2nd June 2026

Culture

OUFF’s ‘The Oxford Tales’: Celebrating student filmmaking at Oxford

It’s no secret that Oxford has long been an idealised location for film sets; official-looking SUVs with blacked-out windows and attendants in high vis parading up and down Catte Street and around the Rad Cam are a not-unfamiliar sight.

Behind the red curtain: ‘Stories From an Abandoned Warehouse’ reviewed

Leo Jones reviews Crazy Child Productions' performance of 'Stories From an Abandoned Warehouse', the first English staging of the play.

Siskin

Near the riverside, a girl with walnut hair sat with her back to the...

Oxford on-screen: Historical atmosphere and fantasy worlds

Ideally, we should strike a balance; an awareness of the reality of life at Oxford can co-exist with an appreciation of its grand architecture and historical atmosphere.

Reinvention: rethinking gender and race on stage

"Marginalised actors should not just be shoehorned into pre-existing plays without any respect or provision for the stories they have to tell. To do so is to package diversity into commercially successful morsels that are digestible for largely white, middle-class audiences."

Little Giveaways

"Jazz was being played over the stereo like theme music, as if they were acting in a television drama where each character had some essential trait, some crucial role."

Mother

"I waltzed in her arms down the high street"

Specks

"From a space we might call "above", an Entity watches - gargantuan, unfathomable, other."

A Quick Trip Far Away

"One summer, a summer which now seems to have passed by long ago, I slept and dreamt for the first time on the mainland."

Rules to Live By in Your New Home

"No 1. Label your collar to avoid feeling ornamental."

21st Century Midas

"‘Look, you have drunk £3.15. You fool, that’s £3.15 you’ve eaten.’ Clink, the cup on the saucer, the coins sliding down my throat."

Uneven Sideburns

"Empty time lent shape by the weekly rites Of chiselling the stubble away"

Wings and Words: why you should read Grief Is The Thing With Feathers

Recalling the first time I read Grief, on a thankfully empty train, I’m very glad no one was present to witness what must have been a harrowing and confusing parade of expressions as I progressed. It’s a few hours I will never regret.

Best Reads of 2020

Hamnet — Maggie O’Farrell The subtle majesty of Hamnet, Maggie O’Farrell’s eighth novel,would have been welcome in any year, but it was a particular blessing...

Four Panels and a Pen

"Find us together: tiptoeing across the fanning pages of a calendar."

A Story That Begins With Rain

"Under the bent thumb streetlight, umbrella domes burst forth, splashing rich nightfall onto their neighbours."

Cherwell’s best films of 2020

Our film team have put together a list of the years best, from the stylish and disorientating, Waves, to Charlie Kaufman's mind-bending masterpiece, I'm Thinking of Ending Things, and the slow-burning romance of A Portrait of a Lady on Fire.

Revisiting Godard’s ‘Breathless’ 60 years on

'Godard gives us a film that shows the white knight as the charlatan we always knew him to be and offers us the anti-hero instead. And after decades of excessively moralistic cinema, this breath of fresh air was thoroughly needed.'

Moloch 1

'Scream me into the void. I would like to be screamed into the void. Please.'

Is Love Actually actually sexist?

Disclaimer: before I massacre the entirety of its script, Love Actually is one of my favourite films. I watch it every year without fail....

the peaches

"the table is rotting, and the house is rotting, and we are rotting too."

Gift-Giving in 2020

"a difficult balancing act, between thoughtfulness and practicality, and between social responsibility and reception"

The Show Must Go On…but not in every region of the UK

Several regional theatres have struggled to cope in the pandemic, due to persistent negligence and underfunding for decades, both by regional funding bodies and the government themselves.

Review: The Dancing Men

"The whole crew behind this production are worthy of praise for their resourcefulness, having produced a piece which works with, rather than against, its unusual circumstances".

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