Culture

Imagine, then, that we are surrounded by an endless field of noise- every person, whether they can ‘hear’ or not, is moving through this field of non-musical sound, the raw chaos of natural existence, and that although this chaos may not offer itself as pleasurable, it is necessary, and, for that matter, does not care what people think about it, with the moment of experiencing noise music itself being exposed to a natal image of transcendent noise.

"Ultimately, the album is about the human experience: the joys and monotonies; the passions and anxieties; the connection and solitude". Karan Chandra reviews Weezer's latest record, OK Human.

"Dawson’s lyrics aren’t poems; the music is too important to the cadence and stress of the lines for the words to retain their power without it. Still, they do pass that age-old test which can be used upon a line of verse to distinguish the animating spirit of poetry: they’re often almost impossible to gloss in prose." Oscar Jelley tries to unravel the complexities of Geordie folk singer-songwriter, Richard Dawson.

Promotion of self-love for all and checking in on your friends (UK Hun?) truly transforms this camp bop into a feel-good anthem

On the dancefloor is where you find your people in the deepest sense

Whilst Winx Saga is tripping over itself to scream 2020s at us, some of the most successful teen-based Netflix shows – Stranger Things and Sex Education for example – are both doing the opposite

CW: Mentions of alcoholism, substance abuse. "'Little Oblivions', then, is a battle diary published long after nadir itself, with retrospective editing. The full-band sound makes it extremely listenable, and Baker’s silvery voice is snugly at home amidst metallic textures." Irene Zhang looks at Julien Baker's latest release.

"Arctic Monkeys' sentiment of local identity is perfectly surmised in the closing track ‘A Certain Romance,’; though it bemoans the towns low fashion and ‘kids who scrap with pool cues in their hands,’ it resolves into a statement of "this is our town, our culture, and we’re owning it."" Greg Halliwell looks back at what the Sheffield quartet's debut album meant to Northern music culture, 15 years' on.

'Everything I told you Came out untrue'

'The clocks cry her name from Outside the door; Their hands are stiff and still.'

'It doesn’t matter how stagnant we feel, The seasons keep on flowing'

In an already unusual term, this 5th Week, giving its name to '5th week blues,' might be more difficult than most. Whether after an...

As Valentine's Day looms, it's not hard to find examples of romantic love. But literature celebrates the expanse of human emotion, so our books editors have picked out two moving illustrations of the other forms love takes.

"It feels almost like an Alice in Wonderland journey of sound – despite the constant growing and shrinking, we still know that we’re down the rabbit hole." Lily Kershaw looks back at André 3000's side of Outkast's 2003 double album, "The Love Below".

"The sanitiser that coated my hands before entering Vintage and Vinyl was sticky. I was conscious of every fingerprint I might leave– a world away from thumbing through endless stacks of records in a pre-COVID world." Shreya Banerjee discusses her lockdown love affair with the LP.

"By putting on Katy Perry or Jessie J, you’re probably not looking for a quasi-religious experience. There’s no need for overly philosophical lyrics or boundary-pushing orchestral accompaniments; rather, you want catchy hooks, relatable lyrics, and, above all else, fun. Jepsen does this all flawlessly." Katie Kirkpatrick advocates for justice for Carly Rae Jepsen

This is a strength of the performance: with a range of experiences of grief explored by a variety of composers and librettists, no one singular experience is presented, but instead the performance looks at the nuances of the emotions of grieving.

"Travelling into The sunset, a new cowboy ready to ride"

"Worlds branch off like capillaries From an oaken aorta"

"Above me, the Milky wheel turns round and round"