In a small, black-painted room on the top floor of a pub in Islington, known as The Hope Theatre, Madame La Mort was staged for the public for the first time.
As a show with only two characters, the use of four actors in this production was truly innovative. It was able to showcase their talent in the best possible way, highlighting the actors’ strengths while elevating the characters to a level above how they have been traditionally interpreted on stage.
It is a poignant exploration of how couples in failing marriages perpetually struggle to see eye to eye and are so often operating, portrayed quite literally here, on differing temporal planes.
suspense, tackling intense themes of mental illness, sexual violence, and survival that may be difficult for audiences to process. Though the scenes do not explicitly depict such situations, it is a credit to the performances by the cast and crew that the effect of these moments linger long after you leave the Playhouse.
"We met upstairs at the Jericho Tavern, Willie having taken some time out from watching the football at a pub down the road. Donning a tiny beanie, a different colour of which he’s worn at each tour date so far, and with a feather earring dangling from his left ear, he bears all the hallmarks of an indie songsmith - albeit, one who doesn’t take themselves too painfully seriously."
No Time to Die has emerged from all of its production chaos triumphant, dusting itself off and adjusting its shirt cuffs with all the effortless sophistication of its protagonist.
Mila Ottevanger explores the less than triumphal return about the Oscars of fashion, and what the lackluster exhibition and red carpet say about the...
I read How to Kill Your Family while at home during the vacation and given my own parent’s unnerved curiosity as they scanned the book’s title, I can understand the necessity of the dedication to Mackie’s parents: “I promise never to kill either of you.”
"Of all the books that explore the question of how and why we learn, I find that Frank Herbert’s Dune offers an unsettling, prescient answer to this question."
"These songs hugely contrasted with the dark, depressing songs produced by American grunge artists such as Nirvana and Pearl Jam, and were generally more upbeat, optimistic and catchy. Damon Albarn of Blur said in a 1993 interview that: “If punk was about getting rid of hippies, then I’m getting rid of grunge!”."
“I’m a superhero,” cries Polka-Dot Man in the third act of the film. “I’m not just a superhero movie,” screams The Suicide Squad for the entire 2h12m runtime. James Gunn’s movie perfectly captures the essence of his source material, while also challenging the conventions of Marvel/DC films. Gunn has done this in a year that has seen Zack Snyder’s Justice League released while demands continue for #ReleaseTheAyerCut, but he has risen above these controversies and put his stamp on the project. And so, The Suicide Squad comes as an entertaining breath of fresh air.
"Simz takes the face (or rather, the voice) of British royalty and uses it to represent her own inner voice. But more importantly, it brings the exploration of womanhood and female consciousness to the forefront of the album. This is, after all, an album about women breaking out of their role and being more than one thing."
"Perhaps Tarantino will become a better novelist as time goes on, but there's a charm to how this book is a behind-the-scenes look at a story still in construction, full of blind alleys and experiments."