Culture

The performance of watching: Cinema in the Letterboxd age

While watching Paul Thomas Anderson’s One Battle After Another (2025) a few weeks ago, I found myself asking a rather disturbing question: “I wonder what people on Letterboxd are...

Culture Eve Thomas -

Film festivals should be more pretentious, actually!

Film festivals often get a bad rep. We’ve all heard the stereotype before: they...

Culture Luisa Blacker Espozel -

On the edge of honesty: ‘The Man Who Turned into a Stick’

To rehearse and perform an entire student production before the second week of Michaelmas...

Culture Mair Andrews -

Erotic suspense and trickery: ‘Twelfth Night’ at St Hugh’s

Lovers mismatched, siblings detached, and plans of trickery hatched: it is the time of...

Culture Mary Stillman -

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Oxford Playhouse, Wednesday - Saturday, 4th Week

All jazzed up and nowhere to go?

We take a look at what's on offer for the jazz connoisseur in Oxford

Accidental Death of an Anarchist

Dario Fo's best-known play receives four star treatment from Polar Bear Productions

First Night: The Last Train Out of Here

We take a first-night look at Helen McCabe's new play

Craig has Connery’s Crown in sight

Joshua Williams anticipates this season's biggest film event; Quantum of Solace.

Jose Parla – Cuban Graffiti

Jacob goddard looks at Jose Parla's debut graffiti show

Los Campesinos!- ‘We Are Beautiful, We Are Doomed’

Alex Wilson reviews Los Campesinos' newest release

Genre Confused; Anticon

Andrew Littlejohn looks at the redeeming features of Anticon

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Culture

The performance of watching: Cinema in the Letterboxd age

Film festivals should be more pretentious, actually!

On the edge of honesty: ‘The Man Who Turned into a Stick’

Erotic suspense and trickery: ‘Twelfth Night’ at St Hugh’s

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