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UrbanObserver
Friday 26th June 2026
Oxford's oldest independent student newspaper, est. 1920
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Culture
‘Scenes With Girls’ and complicated female friendships
'Scenes with Girls' deserves to be seen as one of Labyrinth Productions’ (Rosie Morgan-Males and Emily Cullinan) most impressive accolades.
Culture
Charlie Bailey
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‘The Moro Affair’: Astonishingly original, but not quite a story
The acting in 'The Moro Affair' was superb across the board, with Harriet Wilson’s Pope as a standout, and Rosie Sutton’s direction was flawless.
Culture
Ian Coates
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‘Music can be everything’: Aurora Orchestra’s Jane Mitchell on the narratives around classical music
The Aurora Orchestra, who are playing at Oxford’s Schwarzman Centre on the 19th June, are best known for performing their orchestral repertoire from memory.
Culture
Lilia Goldstein
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The ‘Obsession’ Obsession
'Obsession' is a taste of what the next generation of filmmakers looks like.
Culture
Willow Jopp
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In Trinity and Beyond
Cherwell gives you a run through of what to look forward to this term
Interview: MC Lars
Dan Gallacher talks to MC Lars about Oxford, politics and Donnie Darko
Interview: Alain de Botton
Henry Naish speaks to Alain de Botton about life, work, and erotic offices
Interview: Ian McEwen
Ravin Thambapillai speaks to Ian McEwan, winner of the Sunday Times Award for Literary Excellence
Endnotes: Unwrapping Books
We find Endnotes a bit past its shelf-life but a man eating a book made the trip worth it
Review: Last Chance Harvey
Sophia Satchell-Baeza decides that this grown-up romantic comedy deserves to be given a real chance
Let The Right One In
Tomas Alfredson's Swedish vampire film, 'Let The Right One In,' proves to be a chilling masterpiece
Review: The Age of Stupid
Dominic Rowland is inspired to act by The Age Of Stupid
Pete Doherty – Grace/Wastelands
We review the debut solo album from the ubiquitous Mr Doherty
After-show parties
Jealousy, bitchiness, sexual tension and drinking games: suddenly it all comes out
Learning Lines
What happens when you think you can learn lines the night before the dress rehearsal.
The Just Assassins
Sensitive acting adds to the force of a Camus adaptation
An Independent Mind comes to Oxford
A must-see documentary about freedom-of-speech to be shown at the Phoenix this Monday evening
Frown Line on the Horizon
We calls for cribbage and croquet for pop's not-so-great survivors
Straight to Nairobi
Cherwell superstar Josh Lobes has found fame in foreign parts.
1968 and I’m Hitchhiking Through Europe by Joe Mack
We suggest you use this for kindling when you're hitch-hiking rather than attempt to read it
Invisible by Frank Egerton
We review a book with the least interesting cover art ever
Freedom of Speech: where are the boundaries?
'Write whatever you like', many people say. It's not that simple...
Watching ourselves
Alice Salvage looks at why people go to the theatre, and what its future is likely to be
Are You Sitting Comfortably?
A show from the Oxford Imps based on audience suggestions and home-brewed sound effects is audacious-and brilliant
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