Saturday 27th June 2026

Culture

How an Oxford undergraduate made a name in choral music

When he arrived at Oxford, he expected his future to lie primarily in orchestral music. Instead, it was choral music that transformed his direction.

‘Scenes With Girls’ and complicated female friendships

'Scenes with Girls' deserves to be seen as one of Labyrinth Productions’ (Rosie Morgan-Males and Emily Cullinan) most impressive accolades.

‘The Moro Affair’: Astonishingly original, but not quite a story

The acting in 'The Moro Affair' was superb across the board, with Harriet Wilson’s Pope as a standout, and Rosie Sutton’s direction was flawless.

‘Music can be everything’: Aurora Orchestra’s Jane Mitchell on the narratives around classical music

The Aurora Orchestra, who are playing at Oxford’s Schwarzman Centre on the 19th June, are best known for performing their orchestral repertoire from memory.

The Brain Behind the Penis

A review of Dr. Louann Brizendine’s new book, The Male Brain

I Scream

Owain Jevons traces the various musical uses of mankind's most primal sound

The Mummification of Classical Music

Has the Classical music world stopped composing and started decomposing?

Interview: Mark Norfolk

Film director Mark Norfolk talks about his life and lessons in independent filmmaking.

Reviewed: Bombay Bicycle Club

'Flaws' is a step up from its predecessor, to say the least

Headfoes: can you trust your own earpieces?

Sam Pilgrim bears good news for the otology business

Whoa! Lad at WOMAD

Joseph King cuts through the jungle of generic music festivals to find something rawer

The best of all the year’s festivals?

Alex Dudok de Wit chews, digests and regurgitates his Bestival experience

Review: The Sorcerer’s Apprentice

Glossy effects can't hide this clunky film's glaring flaws.

Review: Reading Festival

The Libertines, Arcade Fire, Foals all reviewed

‘Imperial Bedrooms’ by Bret Easton Ellis

Growing pains for the Brat Pack star as he returns to the cast of his first novel

Enter the Dragonette?

Cherwell invites synth-pop’s perennial underachievers to apply for Oxford

Film isn’t dead

Will Self argues that film is dead, and Ben Kirby couldn't disagree more.

Review: The Secret in Their Eyes

This powerfully moving and thoroughly absorbing film is one of the year's best.

Review: The Girl Who Played With Fire

A disappointingly bland and confused adaptation of Larsson's superior book.

DVD Review: The Girl with the Dragon Tattoo

A stylish adaptation that can't quite help losing some of the book's appeal.

Interview: Lola Perrin

The piano world's morning-star charms Cherwell

Review: Salt

Angelina Jolie's new vehicle is preposterous, convoluted and surprisingly entertaining.

Playwriting that pays the bills

An interview with playwright, Rachel Barnett on her new work, The Law of Inertia

Review: Big Chill

Patrick Fleming finds his festival served uncomfortably lukewarm

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