Culture

How 2025’s biggest films made their mark through music

The recent Oscar nominations have allowed us to reflect on how fundamental musical scores are to film, and the highlights of last year’s film soundtracks.

Culture Ruaridh McEwen -

Translating Oxford into Urdu

It’s a different emotion whenever I read the Urdu language. I’m not a native speaker, nor have I actively pursued learning the language, but as someone who finds solace in reading shayari (Urdu poetry), I wanted to follow it even in Oxford.

Books Manya Singh -

Stitching the world together: GFC’s London Fashion Week show

A few weeks ago we, the Cherwell fashion editors, were lucky enough to be extended an invite by the Global Fashion Collective to their London Fashion Week show.

Culture Cherwell Fashion -

Seeped in nostalgia: ‘Things I Know To Be True’ reviewed

Lighthouse Productions' 'Things I Know to Be True' had high expectations to meet. Put frankly, they nailed it.

Culture Charlie Bailey -

The composer who painted music

Alex Dudok de Wit traces the career of Olivier Messiaen, maverick composer and bird-lover

Film4 Does DiCaprio

Film4 airs the four films that made DiCaprio an icon

Review: Inception

A furiously imaginative, action-packed and cerebral masterpiece.

Online Review: Lebanon

Jack Binysh gives his verdict on the Golden Lion winning Lebanon

Italian Renaissance Drawings @ The British Museum

Jane-Marie Saldanha reviews one of the biggest exhibitions of the year

Bob Dylan Plays Kent

Alistair Smout sees if Dylan has remained forever young at Hop Farm

Elvis Costello @ The New Theatre

'Little Hands of Concrete' still has some life in him yet

Happiness is a Warm Smith Western

Matt Walsh pulls the trigger on the rough-and-ready Illinois indie-rockers

Online Review: Whatever Works

Ben Kirby heralds the return of old school Woody Allen.

Interview: Rian Johnson

An in depth interview with Rian Johnson, director of Brick and The Brothers Bloom

8th Week Photo Blog – Escaping Oxford

An eclectic selection from our photographers

Rubbing Genet’s magic lamp

Oliver Moody squirms on the edge of his seat at 'The Maids'

Review: Women Without Men

James Randall reviews Shirin Neshat's debut feature

Doing it just for kicks

Cherwell speaks to Nichola Burley and Kerrie Hayes about kicking around in their new film

Horror’s fright-hand man

Sophie Adelman talks to critic, screenwriter and author Ben Hervey about his genre of choice

Photo Blog Week 7 – The Penultimate Pictures

Oxford in photos as Trinity draws to a close

Film Wars: Too Much Cash Will Kill You

A debate on the merits of blockbuster and arthouse flicks

Film Wars: PC Power

Does CGI have the edge over hand drawn classic animation?

Film Wars: 2D or Not 2D?

Is 3D cinema anything special?

Film Wars: Big Screen/ Little Screen

Is TV a vacuous void? Is film the real art form?

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