Watching Too Hot to Handle, you would think that we were living in the Victorian era rather than the sexually liberated society that many of us recognise.
“No pare, sigue, sigue” (a Spanish aphorism which translates as “don’t stop, keep going, keep going”) is a particularly catchy recurring motif from the...
"Lost Connection, as a production, effectively memorialises the issues and troubles that lockdown caused all of us, whether in the world of performance or not."
'The truth is that travelling to different time periods might even give us a better awareness of the idiosyncrasies of our own era – an era which, for all its shortcomings, could well be the golden age of the television series as we know it.'
"It’s the sort of production that would make even the most timid want to get involved in Oxford drama – and that’s in earnest."
Hari Bravery reviews the Trinity Players' recent production of Oscar Wilde's classic farce, 'The Importance of Being Earnest.'
Somehow, “Pentagon confirms UFOs may exist” barely registers as news. It’s a shame, since our cultural obsession with the great unknown of outer space...
"I didn’t sit back and enjoy the show. And I ended up with a lot more opinions than I had ever expected four pieces of 21st-century choreography to evoke."
Patrick Gwillim Thomas discusses the Royal Opera House's newest choreography project.
'If I do go to these places, I won’t need to be transported to a fictional world for them to be magic. They’ll be wonderful because I went there, and had fun, and lived a life that is far less exciting than those of the characters, but was good all the same.'
"Spotify promises to ‘soundtrack your life’. We must be wary of how it’s shaping it."
Lucy Kelly questions whether Spotify could become the most addictive social media platform.
For a historian who has made every effort to avoid studying the early history modules, Prime Video’s Vikings was perhaps a surprising viewing choice....
'Nothing is done by halves in this film, including the emotional intensity; when you’re watching, you feel at all times like you’re stuck in Oliver’s head, forced to hear all of his fifteen-year-old-boy thoughts and schemes. The soundtrack follows all of this perfectly, letting Oliver’s state of mind bleed through into the lyrics, which is the key to what makes Turner’s music so powerful and so fitting to the film.'