Culture

Are you listening comfortably? Audio drama and theatre

When people think of podcasts, they probably wouldn’t associate them with theatre. Yet it was this seemingly unlikely convergence between the two forms that led me to attend the...

Culture Rhys Ponsford -

Algorithms of individuality: ‘The Consciousness Company’

As Stephen Fry wrote, The Consciousness Company by M.N. Rosen addresses the “enormous ethical,...

Books Maddie Gillett -

Over-the-top-vlogging and call centres: Dial 1 for UK

Dial 1 for UK is a one-man show following the journey of Uday Kumar...

Culture Caitlin Shaw -

Spike Lee’s lackluster remake: Highest 2 Lowest

There is no reason why a remake should remain inferior to its source material;...

Culture Matthew Mair -

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Emma Hewitt is knocked out by Punchdrunk’s latest production; an innovative extravaganza

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The latest offering from Warpaint builds a dissonant, dreamy soundscape full of achingly beautiful melody

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The latest offering from The Boss is a mixed blessing, compared to the vision of his politicised work

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Californian metalcore band's latest offering merely asserts the genre's consumer nationalism

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Cherwell's music critics look forward to this year's talented crop of artists

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Evy Cavalla is dismayed by lazy objectification in Coriolanus

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The pilot episode of this new series seems to suggest it is the same as every other cooking show

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Review: The Curious Incident of the Dog in the Night-time

Claudia Freemantle is touched by a play that combines innovation with loyalty to the novel

Interview: Toby Huelin

Claire Rodwell chats to the creator of In Her Eyes, a new musical

Review: The Curious Incident of the Dog in the Night-Time

Claudia Freemantle is blasted away by this West End Production (a whole week before the roof came down)

The Arts and Books guide to Hilary

Get out your diaries for the biggest literary and artistic events

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Culture

Are you listening comfortably? Audio drama and theatre

Algorithms of individuality: ‘The Consciousness Company’

Over-the-top-vlogging and call centres: Dial 1 for UK

Spike Lee’s lackluster remake: Highest 2 Lowest

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