Culture

OUFF’s ‘The Oxford Tales’: Celebrating student filmmaking at Oxford

It’s no secret that Oxford has long been an idealised location for film sets; official-looking SUVs with blacked-out windows and attendants in high vis parading up and down Catte Street and around the Rad Cam are a not-unfamiliar sight.

Culture Amy Lawson -

Behind the red curtain: ‘Stories From an Abandoned Warehouse’ reviewed

Leo Jones reviews Crazy Child Productions' performance of 'Stories From an Abandoned Warehouse', the first English staging of the play.

Culture Leo Jones -

Siskin

Near the riverside, a girl with walnut hair sat with her back to the...

Culture Sasha Darvas -

Oxford on-screen: Historical atmosphere and fantasy worlds

Ideally, we should strike a balance; an awareness of the reality of life at Oxford can co-exist with an appreciation of its grand architecture and historical atmosphere.

Culture Siena Tracey -

Latest

Review: SOHN – Tremors

Luke Barratt finds SOHN's dÃ©but shaky at best

Review: The Quiet Ones

This copy-cat horror flick is absolute garbage

Review: The Unknown Known

Errol Morris' new documentary is an astounding piece of work

Introduction to… Electro-Swing

Naomi Polonsky introduces us to the jazzy new music craze that's taking Babylove, Freud's and our iPods by storm

Review: New Worlds

Channel 4's new historical drama is clunky, clichÃ©d and downright confusing

Review: The Double

Richard Ayoade's sophomore directing effort is a tantalising and arresting piece of work

Pre-Release Thoughts: The Maleficent Conundrum

Anna Corderoy considers the problems facing Disney's Sleeping Beauty 're-telling' starring Angelina Jolie

Kate Rundell wins the Waterstones Children’s book prize

Cherwell revisits an interview with the author as Rooftoppers wins the 10th Waterstones Children's Book Prize.

A ‘case’ for the Anglo-Saxons

Emma Simpson visits the British Museum’s refurbished Sutton Hoo gallery.

Review: The Grand Budapest Hotel

Wes Anderson's latest film is a delightfully self-reflexive movie which demonstrates Ralph Fiennes hitherto untapped comic potential

Review: Under The Skin

There is a hauntingly austere beauty to 'Under The Skin', but some may not be able to sustain interest in this emotionally muted world.

Review: The Past

Asghar Farhadi's emotional drama once again proves his virtuosity as a film-maker

The Mighty Comeback

Inspired by Kate Bush's recent gig announcement, Rushabh Haria charts the highs and lows of artists who've come out of their career hiatus to make last ditch attempts at reclaiming the charts.