Culture

Caught Between Grief and Hope: ‘On Some Far Shore’ Reviewed

Fresh off the back of Our House and Macbeth, Cross Key Productions presents an original three-hander focused on the complexities of grief and young love. Produced by Madi Boutcha...

Culture Melissa Eddon -

The road to reckoning: ‘The Slip’ reviewed

Sharp, unsettling, and emotionally intelligent, 'The Slip' is a striking showcase of the ambition and talent behind Wide Eyes Productions, while establishing Wyatt as a writer-director to watch.

Culture Leo Jones -

How an Oxford undergraduate made a name in choral music

When he arrived at Oxford, he expected his future to lie primarily in orchestral music. Instead, it was choral music that transformed his direction.

Culture Anish Vedantham -

‘Scenes With Girls’ and complicated female friendships

'Scenes with Girls' deserves to be seen as one of Labyrinth Productions’ (Rosie Morgan-Males and Emily Cullinan) most impressive accolades.

Culture Charlie Bailey -

Latest

Review: Two Days, One Night

Marion Cotillard shines as the star of this socially conscious tale of the realities of the current employment system

Another modernised Othello, why not?

Having seen Frantic Assembly's production of Othello several years ago, Katherine Cowles argues that it's vibrancy will be well worth seeing this autumn at the Oxford Playhouse

Sziget 2014: Hungary’s answer to Glastonbury?

Kayleigh Tompkins and Charlotte Porter-Hope discover 'The Island of Freedom' .

What film/TV programme is your college?

If you've ever wondered where your college would fit into the world of the big or small screen, look no further.

Review: Reading Festival 2014

Tom Barrie pretends to be sixteen again and reviews the highs and lows of this year's Reading Festival.

Review: The Rover

A revelatory Robert Pattinson transforms this post-apocalyptic thriller into a nuanced and engaging character drama

Theatre etiquette: The response

Bethan Roberts makes the case for rowdier audiences at the nation's playhouses

Oxford’s culture vultures

Naomi Polonsky takes a look at Oxford alumni known for their cultural endeavours

Review: Dry The River – Alarms In The Heart

Luke Barratt is pleased with the Newbury rockers' difficult sophomore effort

Oxford’s literary ghosts

Naomi Polonsky takes a look at the fictional characters who attended, and perhaps still haunt, Oxford University

Review: The Giver

Cody Gifford delves into the societal implications of Jeff Bridges' novel adaptation, The Giver.

Review: Malevich at the Tate

Naomi Polonsky considers the importance of this Russian artist in 20th century art at the retrospective of his work

Review: The Inbetweeners 2

This second cinematic outing for the Inbetweeners gang does nothing new but still has its funny moments

Is Kickstarter’s time up?

Sam Joyce looks at whether Kickstarter is still a filmmaker's financial saviour.

Interview: Armie Hammer

The Winklevoss twin talks fatherhood, exorcisms and Tom Cruise with Cody Gifford

Review: Hercules

Luke Barratt enjoys Hollywood's latest quasi-classical offering

Review: Hide Your Smiling Faces

This tale of childhood and mortality tugs at the heart strings to hauntingly poetic effect

Review: Phox —Â Phox

Stephen Bradshaw reviews the sun-filled melting pot that is Phox's debut album

The Smiths: Then and Now

30 years on, Cherwell examines the legacy of The Smiths' self-titled album

Review: Morrissey — World Peace is None of Your Business

Ben Wilkinson-Turnbull reviews Morrisey’s new album.

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Culture

Caught Between Grief and Hope: ‘On Some Far Shore’ Reviewed

The road to reckoning: ‘The Slip’ reviewed

How an Oxford undergraduate made a name in choral music

‘Scenes With Girls’ and complicated female friendships

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