Saturday 25th July 2026

Culture

Caught Between Grief and Hope: ‘On Some Far Shore’ Reviewed

Fresh off the back of Our House and Macbeth, Cross Key Productions presents an original three-hander focused on the complexities of grief and young love. Produced by Madi Boutcha...

The road to reckoning: ‘The Slip’ reviewed

Sharp, unsettling, and emotionally intelligent, 'The Slip' is a striking showcase of the ambition and talent behind Wide Eyes Productions, while establishing Wyatt as a writer-director to watch.

How an Oxford undergraduate made a name in choral music

When he arrived at Oxford, he expected his future to lie primarily in orchestral music. Instead, it was choral music that transformed his direction.

‘Scenes With Girls’ and complicated female friendships

'Scenes with Girls' deserves to be seen as one of Labyrinth Productions’ (Rosie Morgan-Males and Emily Cullinan) most impressive accolades.

Cinema: dead as a dodo?

Sam Joyce on why cinema is in a self-made terminal decline

Review: Mad Max

Toby Scadding enjoys vehicular carnage in this franchise revamp

Top 5 Songs to piss off a finalist

Rachael Griffith presents you with some truly inflammatory songs

Review: Gang Albanii – Królowie życia

Kieran Vaghela delves into the Polish Top 40

The last of the Beat poets

Catherine Kelly reviews Gary Snyder's latest collection

Review: A$AP Rocky – AT.LONG.LAST.A$AP

Tom Barrie isn't surprised by the high quality of A$AP Rocky's latest album

Gogol Bordello: the gypsy-punk band

Eliana Rosenfelder offers up something a little different

Monumental Art: The Chess Game

Anna Zanetti discusses Sofonisba Anguissola’s groundbreaking work

‘Pretty Girls’ and Pop’s Postmodern Moment

Sam Joyce explains how Britney’s ‘Pretty Girls’ is the end of pop postmodernism

Oxford’s part in the rise of the Grrrl Zine

Sam Joyce speaks to the organisers of next week's GRRL zine fair at Freud's about the future of the format

Milestones: Jusepe de Ribera’s ‘The Bearded Woman’

Ben Wilkinson-Turnbull discusses the deep emotional beauty and sympathy conveyed in Jusepe de Ribera’s 'The Bearded Woman'

Joan of Arc — “Tell the boys their time is through”

Bethan Roberts examines the visual and literary representation of the fifteenth century tomboy

‘He that hath no beard is less than a man’

Trina Wilson plucks at the beard of past and present and discusses defying gendered casting in Shakespeare

Review: Conjure

Clara-Læïla Laudette sees wasted potential in Conjure

Review: Never Mind Where Your Daughter Lies

Paul Ostwald is intrigued by Never Mind Where Your Daughter Lies

Review: Punk Rock

Mark Barclay enjoys this gritty if slightly exaggerated school play

Monumental Art: Anselm Kiefer

Connie Sjodin discusses Anselm Kiefer's Margarete

Legacies of a troubled past

Michael Burns considers the impact of murals in Northern Ireland

Should we be less snobbish about Chick Lit?

Why on earth would you read Leo Tolstoy when you could read Jilly Cooper?

Preview: Elephants

Mark Barclay savours this bitchy domestic drama

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