Culture

How 2025’s biggest films made their mark through music

The recent Oscar nominations have allowed us to reflect on how fundamental musical scores are to film, and the highlights of last year’s film soundtracks.

Culture Ruaridh McEwen -

Translating Oxford into Urdu

It’s a different emotion whenever I read the Urdu language. I’m not a native speaker, nor have I actively pursued learning the language, but as someone who finds solace in reading shayari (Urdu poetry), I wanted to follow it even in Oxford.

Books Manya Singh -

Stitching the world together: GFC’s London Fashion Week show

A few weeks ago we, the Cherwell fashion editors, were lucky enough to be extended an invite by the Global Fashion Collective to their London Fashion Week show.

Culture Cherwell Fashion -

Seeped in nostalgia: ‘Things I Know To Be True’ reviewed

Lighthouse Productions' 'Things I Know to Be True' had high expectations to meet. Put frankly, they nailed it.

Culture Charlie Bailey -

Latest

Curating Oxford’s best musicians

The founders of Vulture Sessions discuss their plans for the future with Sophie Jordan

Review: Public Memory — Wuthering Drum

Ellen Peirson-Hagger is seduced by Public Memory's gritty electronica album

An odorous tone of graveness

Surya Bowyer has some qualms about the O'Reilly's Rosencrantz and Guildenstern are Dead

Review: The Fusion Project

Nihaar Shah is impressed by the virtuosity and skill of The Fusion Project

Interview: Amadeus

Alec Fullerton speaks to Lata Nobes, Artistic Director of Amadeus

Review: Constellations

Ellie Siora reflects on two actors and an infinity of loves

My Life on the Road

Sarah Lynch reviews Gloria Steinem’s new book

Picasso: Formalistic or Contextual?

Emmanuelle Soffe explores Picasso’s ‘Massacre in Korea’ with a formalist eye

Is This Art? Plate Convergences

With the definition of art increasingly unclear, the Cherwell Art & Books team are on a mission to decide what art is. This week Anna Zanetti analyses the work of Theaster Gates