Sunday 26th July 2026

Culture

Caught Between Grief and Hope: ‘On Some Far Shore’ Reviewed

Fresh off the back of Our House and Macbeth, Cross Key Productions presents an original three-hander focused on the complexities of grief and young love. Produced by Madi Boutcha...

The road to reckoning: ‘The Slip’ reviewed

Sharp, unsettling, and emotionally intelligent, 'The Slip' is a striking showcase of the ambition and talent behind Wide Eyes Productions, while establishing Wyatt as a writer-director to watch.

How an Oxford undergraduate made a name in choral music

When he arrived at Oxford, he expected his future to lie primarily in orchestral music. Instead, it was choral music that transformed his direction.

‘Scenes With Girls’ and complicated female friendships

'Scenes with Girls' deserves to be seen as one of Labyrinth Productions’ (Rosie Morgan-Males and Emily Cullinan) most impressive accolades.

Spotlight: Five faint at Kane’s ‘Cleansed’

Matt Roberts reflects on dramatic violence and the hype of a cause célèbre

Review: Maud

Ellen Peirson-Hagger is touched by this one man performance

Preview: Attempts On Her Life

Christian Bell previews BT Studio's latest production Attempts On Her Life

An art lover’s FIELD day

Miriam Gordis finds poetry in art at Anne Hardy’s exhibition

Poetry Bites: HT16 week 7

This week Alex Shaw writes about shaky foundations

Embracing the Wilderness

Ben Ray discusses nature with journalist Rob Cowen

Fairytales for a new age

Miriam Gordis interviews Desmond Elliott Prize winner, Ali Shaw

Review: Marriage of Kim K

Rose Taylor reflects on a remarkable new show at the O'Reilly

Rewind: William Carlos Williams

Tom Barrie reflects on the rebellious brevity of William Carlos Williams’ poetry

Culture Corner: David Mitchell & Cloud Atlas

Samantha Phey muses on Cloud Atlas’ exploration of human interconnectedness

Postcards: the last vestige of sincerity

Simran Uppal would quite like someone to pidge him a Valentine, but only if it’s physical

Looking through the window

Natasha Burton argues that postcards are more than just cultural snapshots

Minor Dundee?

Altair Brandon-Salmon looks back at Sam Peckinpah's Major Dundee (1965)

Review: Hail, Caesar!

Jem Bartholomew feels the latest Coen Brothers offering was one big inside joke

Review: Living Hour debut album

The band's self-named album reminds Sophie Jordan of past summers

Horn smuggling at the Sheldonian

Sophie Jordan is amused by OUPhil's emphatic Mahler

Weather forecast: rain doo-wops

Daniel Kodsi disagrees with the complacency of M. Ward's eighth album More Rain

Review: C Duncan at the Old Fire Station

Ellen Peirson-Hagger experiences a taste of geeky indie rock

Taking Notes

Theophilus Kwek reviews Oxford’s fortnightly literature and art magazine

Preview: Rape of Lucretia

Matt Roberts and Ellie Gomes are excited for this bold new production

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