Culture

‘Pour summer in a glass’: retracing Dandelion Wine

“You did not hear them coming. You hardly heard them go. The grass bent down, sprang up again. They passed like cloud shadows downhill ... the boys of summer,...

The Source Cici Zhang -

Reviving the symposium at the Ashmolean Krasis programme

Dara Mohd, herself a Krasis Scholar, converses with Dr Jim Harris about his object-centred symposium program, Krasis, at the Ashmolean Museum.

Art Dara Mohd -

‘This Room Their Lives’ in Magdalen College’s Waynflete building

Every Magdalen member remembers their first encounter with the Waynflete Building. Sticking out a...

Art Josie Stern -

In More, Pulp aren’t just trading on nostalgia – they’re fresh

In a year where many are talking about one Britpop band in particular –...

Music Tom Cockburn -

Latest

Delving into Dickens: A literary love affair

Markus Beeken considers his begrudging bromance with one of the most famous writers in history

Review: Grimsby – crude and vulgar

Sacha Baron Cohen's reliance on tired 'chav' stereotypes was so bad, Ellie Gomes was forced to cover her eyes

Words – Cherwell fiction

Fiction: 'She tosses the burning end over the edge of the cliff. We watch it fall, hit rocks softly, anti-climatic.'

Common People festival playlist

Ellen Peirson-Hagger compiles the tunes she hopes to hear at Oxford's Common People Festival

Heaney’s Aeneid: When is a Translation not a Translation?

Benn Sheridan discusses Heaney's Final work, a translation of Aeneid Book VI, and finds Virgil a little bit upstaged

Review: Iggy Pop – Post Pop Depression

Daniel Curtis was more impressed than depressed by Iggy Pop's latest

Review: The Witch – stands apart from jump-scare drivel

Louise Howland regards newcomer Robert Eggers as an arthouse horror hero after an impressive directional debut

Review: 10 Cloverfield Lane – choice itself is the crisis

Sarah Lynch finds parallels between Michelle's tough decision between two monsters, and the dilemma US voters currently face

Should we share our cultural pleasures?

Ellen Peirson-Hagger reflects on the perils of associating art with friends and significant others

Why the blues won’t die

Richard Birch reviews Matt and Phred's Jazz Club, Manchester

Old is Always Better

Markus Beeken gets nostalgic about Second-Hand books

Review: High Rise – both style and substance

Jem Bartholomew reviews Ben Wheatley's stylish and meaty adaptation of the J.G. Ballard's novel High Rise

Is This Art? The conclusion

Charlie Willis wonders if this column is an art form in itself

House of Cards Season Four Review

Netflix's flagship drama is a fantasy of surveillance on the political nightmares we are living through right now

"I’m as fucked off as you are"

In the wake of the Roundhouse ticket controversy, Daniel Curtis argues that Radiohead have only themselves to blame

A Panoramic View of Morocco

The music, culture and history explored

Bestival 2016 set to be a winner

Huge names announced for September's festival of 'mind-expanding music'

Preview: Orphans

The Experimental Theatre Club promises a tense exploration of societal divide

Poetry Bites: HT16 week 8

This week to end our series Cathy Go writes about mornings, a cruel time all of us must eventually face — even in the vac

Review: Horseplay

Matt Roberts has a bizarre evening with the Revue at the Pilch

1...149150151...339 Page 150 of 339

Culture

‘Pour summer in a glass’: retracing Dandelion Wine

Reviving the symposium at the Ashmolean Krasis programme

‘This Room Their Lives’ in Magdalen College’s Waynflete building

In More, Pulp aren’t just trading on nostalgia – they’re fresh

Follow us

Support Student Journalism

Explore

Follow us

More