Culture

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

It is the examination of archaic methods and attitudes surrounding women’s bodies, and the idea of the ‘nagging’ woman, which runs through Olivia Plender’s exhibition.

Art Amy Lawson -

Nonsense and sensibility: Adapting Austen for the screen

It is a truth universally acknowledged that not all Jane Austen adaptations are created equal.

Culture Abigail Christie -

‘Our House’ in the middle of Beaumont Street

'Our House' ultimately becomes not just a story about crime or morality, but about the vulnerability of growing up and the frightening uncertainty of trying to decide who you are.

Culture Gavriella Epstein-Lightman -

Is the dancefloor really dead?

Tongue-in-cheek as it may be, Charli xcx’s ‘Rock Music’ speaks to the structural issues actively decimating nightlife across the world, even if her motivations may be more aesthetic than political.

Culture Emma Heagney -

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Richard Burton’s well trodden boards

In the latest installment of Through the Looking Glass, Daniel Curtis investigates the past of the Burton Taylor Studio

Conjuring some museum magic

Altair Brandon-Salmon is astounded by the Ashmolean’s Islam exhibition, Power and Protection

Review: It Felt Empty

Amaris Proctor is impressed by this immersive and thought-provoking explanation of the human effects of sex trafficking—a four star production

Preview: It Felt Empty

Miriam Nemmaoui looks forward to a hard-hitting and sensitive production

Live review: The Lovely Eggs, Cellar

Ellen Peirson-Hagger looks under the shell of The Lovely Eggs

Getting it right: political commentary and rap

David Lawton highlights the political potential of rap, and consigns folk and punk to the dustbin of history

A dark trend in music documentaries

David Lawton argues that the rebirth of the tortured artist’s image in music documentaries exploits pain

Rewind: The Gunpowder Plot

Thomas Athey seeks to learn the lessons of the Gunpowder Plot

Memes, Trump and MLG

William Shaw analyses the past, present and future of YouTube memes

Preview: Frankenstein

Nina Sandelson comments on this week's bold reimagining of the classic Gothic horror at the O'Reilly

“Dear Non-American Black…”

Hannah Chukwu discovers a new way to talk about race and multiculturalism in Chimamanda Ngozi Adichie’s Americanah

Scientists of the literary world

Daniel Villar marvels at those who bridge the divide between disciplines

US Elections: The Movie

Katie Sayer gives you comedy options for the end times brought about by the turbulent US election

Review: The Accountant

Despite Ben Affleck's performance as an action-ready autistic accountant, Markus Beeken is left amused but unconvinced by The Accountant

Review: The Nether

Nina Crisp is sucked into virtual reality by a magnificent production at the Playhouse

Backstage with Sharon Yip

Sapphire Shoferpoor and Sharon Yip talk clubs, directors, and getting creative on a budget

Review: The Skriker

Matt Roberts is seriously creeped out by this baby stealing, terror inducing Pilch show

Drugs, Childbirth, and Sandwiches: Trojan Women Review

Olivia Cormack enjoys an enthralling production of a darkly comic play about women after war

Review: Copenhagen

Mark Barclay tackles quantum theory and self referentiality at the Pilch

Folk, it is a-changin’

Daniel Villar discusses Bob Dylan’s legacy and the folk revival

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Culture

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

Nonsense and sensibility: Adapting Austen for the screen

‘Our House’ in the middle of Beaumont Street

Is the dancefloor really dead?

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