Culture

Caught Between Grief and Hope: ‘On Some Far Shore’ Reviewed

Fresh off the back of Our House and Macbeth, Cross Key Productions presents an original three-hander focused on the complexities of grief and young love. Produced by Madi Boutcha...

Culture Melissa Eddon -

The road to reckoning: ‘The Slip’ reviewed

Sharp, unsettling, and emotionally intelligent, 'The Slip' is a striking showcase of the ambition and talent behind Wide Eyes Productions, while establishing Wyatt as a writer-director to watch.

Culture Leo Jones -

How an Oxford undergraduate made a name in choral music

When he arrived at Oxford, he expected his future to lie primarily in orchestral music. Instead, it was choral music that transformed his direction.

Culture Anish Vedantham -

‘Scenes With Girls’ and complicated female friendships

'Scenes with Girls' deserves to be seen as one of Labyrinth Productions’ (Rosie Morgan-Males and Emily Cullinan) most impressive accolades.

Culture Charlie Bailey -

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Planet Earth: Ten Years On

Paris Jaggers “Today, much has changed.” So says David Attenborough in the opening scene of the BBC’s new sequel to Planet Earth, which first aired...

Review: Doctor Strange

Jonnie Barrow thinks Marvel ﬁnally add power to its punch with their latest release

Preview: The Roaring Girl

Alice Robinson is looking forward to an evening of good old-fashioned girl power

W.H. Auden’s return to Christ Church

In the sixth instalment of Through the Looking Glass, Daniel Curtis follows in the footsteps of W.H. Auden

Review: Albert Herring

Bessie Yuill is dazzled by this quintessential Britten in St Peter's chapel

Art review: Unreported Worlds

Ellie Siora is confronted by the familiar in the foreign while questioning what it means to be ‘exotic’ at John’s exhibition

Rewind: Disney’s Fantasia

Bessie Yuill reminds us of the fantastical history of Fantasia

Grappling with graffiti

Jorge López Llorente loses himself in the visual trickery of art and graffiti

Richard Burton’s well trodden boards

In the latest installment of Through the Looking Glass, Daniel Curtis investigates the past of the Burton Taylor Studio

Conjuring some museum magic

Altair Brandon-Salmon is astounded by the Ashmolean’s Islam exhibition, Power and Protection

Review: It Felt Empty

Amaris Proctor is impressed by this immersive and thought-provoking explanation of the human effects of sex trafficking—a four star production

Preview: It Felt Empty

Miriam Nemmaoui looks forward to a hard-hitting and sensitive production

Live review: The Lovely Eggs, Cellar

Ellen Peirson-Hagger looks under the shell of The Lovely Eggs

Getting it right: political commentary and rap

David Lawton highlights the political potential of rap, and consigns folk and punk to the dustbin of history

A dark trend in music documentaries

David Lawton argues that the rebirth of the tortured artist’s image in music documentaries exploits pain

Rewind: The Gunpowder Plot

Thomas Athey seeks to learn the lessons of the Gunpowder Plot

Memes, Trump and MLG

William Shaw analyses the past, present and future of YouTube memes

Preview: Frankenstein

Nina Sandelson comments on this week's bold reimagining of the classic Gothic horror at the O'Reilly

“Dear Non-American Black…”

Hannah Chukwu discovers a new way to talk about race and multiculturalism in Chimamanda Ngozi Adichie’s Americanah

Scientists of the literary world

Daniel Villar marvels at those who bridge the divide between disciplines

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Culture

Caught Between Grief and Hope: ‘On Some Far Shore’ Reviewed

The road to reckoning: ‘The Slip’ reviewed

How an Oxford undergraduate made a name in choral music

‘Scenes With Girls’ and complicated female friendships

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