Culture

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

It is the examination of archaic methods and attitudes surrounding women’s bodies, and the idea of the ‘nagging’ woman, which runs through Olivia Plender’s exhibition.

Art Amy Lawson -

Nonsense and sensibility: Adapting Austen for the screen

It is a truth universally acknowledged that not all Jane Austen adaptations are created equal.

Culture Abigail Christie -

‘Our House’ in the middle of Beaumont Street

'Our House' ultimately becomes not just a story about crime or morality, but about the vulnerability of growing up and the frightening uncertainty of trying to decide who you are.

Culture Gavriella Epstein-Lightman -

Is the dancefloor really dead?

Tongue-in-cheek as it may be, Charli xcx’s ‘Rock Music’ speaks to the structural issues actively decimating nightlife across the world, even if her motivations may be more aesthetic than political.

Culture Emma Heagney -

Latest

Perspectives on Gender

As part of our women's issue guest-edited by Christina Lamb, we asked Oxford women to write about their experience of gender in the University. Here are their responses.

Christina Lamb on women’s writing and journalism

Christina Lamb on her 30-year fight against male domination in journalism and the women who have shaped her life and career

Iris Murdoch’s Oxford Life

Benn Sheridan reflects on Iris Murdoch's life and work in the final instalment of Through the Looking Glass

Love in a Renault Clio

Susannah Goldsbrough outlines Nancy Mitford’s tragic wit

A pioneer erased: Sister Rosetta Tharpe

Alice Townson argues that the innovative rock and roll talent should be discussed as unique in her own right

OxFolk Reviews: ‘Vortex’

Ben Ray reviews Methera's new album 'Vortex', and is swept away by their live Corpus performance

Review: Jealous of Herself

Bessie Yuill is impressed and entertained by the accomplished acting and original music of this thought-provoking comedy

Review: I, Daniel Blake

Jonnie Barrow is bowled over by the ﬁlm’s emotional realism, the kind to which so many of us should open our eyes

Beyond anger: an evening with Frank Carter

Somehow we have got to a point where modern rock music feels as if it is becoming ever more sanitised and anodyne. The idea...

Remembering Laughing Lennie

The day before I left home to come to Oxford I found a hidden stash of my parents’ records in a cupboard in the...

Preview: Much Ado About Nothing

Susannah Goldsbrough looks forward to seeing Poltergeist Theatre's millenial twist on Shakespeare's classic comedy

Preview: Tremor at Modern Art Oxford

Edward Mair looks forward to Tremor, a space where different genres and arts collide

Preview: Dates

Charlie Atkins looks forward to Oxford's most topical sketch show yet.

Is it wrong for a dictionary to offend me?

Laura Wilsmore questions the OED’s newly-added definition of ‘Essex girl’

On the incompleteness of reading

Ellie Duncan gets lost in the countless possibilities of translation

Bah, humbug: An Oxmas Carol

Charles Britton pastiches Dickens’ classic with a familiar setting and an all-too familar overworking protagonist

Rewind: Miracle on 34th Street

Susannah Finlay defends the capitalism of Miracle on 34th Street

Graham Greene and Oxford’s pubs

Daniel Curtis loses himself in tales of writerly pub trips in the penultimate Through the Looking Glass

A “tinsel-covered silver lining”

Safa Dar analyses the spectacle of Oxmas as an intrigued international student

Sci-ﬁ review: Arrival

Jonnie Barrow ﬁnds Villeneuve’s latest release a true masterpiece in both performances and intellectual power

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Culture

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

Nonsense and sensibility: Adapting Austen for the screen

‘Our House’ in the middle of Beaumont Street

Is the dancefloor really dead?

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