I sat down with Hannah Eggleton, Director & Writer of CRUSH, to talk power, performance, and the making of her debut full-length play, premiering at The North Wall.
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The cast and crew of Bench reflect on the collaborative process of film-making, women behind and in-front of the camera, and cinema's power over how we perceive mental health disorders
Miles Ahead successfully connects the deeply flawed private man with his public persona, the greatest jazz musician of the twentieth century, writes Altair Brandon-Salmon
The Mechanisms are utterly unique. Each of their albums feature sci-fi reimaginings of classic folklore, from Grimm’s fairy tales to Arthurian myth, perfectly capturing...
“I think the proudest moment of my music career was when my first royalties cheque came,” says Ozzy. “It was the same time that these bailiffs were knocking on my mum’s door..."
We Are Scientists know how to write a chorus. However, what makes Helter Seltzer, their fifth studio LP, quite so exciting is that their pop sensibilities have now been coupled with a synthy sheen.
Song after song from the latest album was interspersed with judicious spatterings from the back catalogue – and when they actually brought these tracks out (such as the more Pop-like ‘Daily Routine’ from Merriweather Post Pavilion), the mood finally picked up; with people going from a semicatatonic sway to actual dancing.
ONE STAR
“Un, deux! … trois, quatre! Un, deux! … trois, quatre!”
You'd be forgiven for thinking you're back in your first ever French lesson, mais non,...