Monday 9th June 2025

Culture

‘Love in the face of hate’: A closer look at ‘Blood Wedding’

Emma Nihill Alcorta is the director of a new adaptation of the Spanish masterpiece Blood Wedding, running at the Oxford Playhouse. With flamenco rhythms and Spanish soul, our passionate ensemble...
Theatre Emma Nihill Alcorta -

Duplicity, infidelity and loyalty in ‘Crocodile Tears’

“An Italian summer romance that goes wrong” – this is how Crocodile Tears was...
Theatre Phoebe Davies -

Review: The Great Gatsby – ‘Indulge the extravaganza’

Sophia Eiden’s production of Simon Levy’s script of The Great Gatsby is an undoubted...
Theatre Peter Chen -

Barry Lyndon – Kubrick’s ultimate antifilm?

Barry Lyndon has always been dismissed within Kubrick’s filmography. While he is a filmmaker...
Film Ruby Tipple -
Latest

Interview: Virago Press

Ellen Peirson-Hagger delves into Virago Press’ history in conversation with Sarah Savitt and Donna Coonan

Perspectives on Gender

As part of our women's issue guest-edited by Christina Lamb, we asked Oxford women to write about their experience of gender in the University. Here are their responses.

Christina Lamb on women’s writing and journalism

Christina Lamb on her 30-year fight against male domination in journalism and the women who have shaped her life and career

Iris Murdoch’s Oxford Life

Benn Sheridan reflects on Iris Murdoch's life and work in the final instalment of Through the Looking Glass

Love in a Renault Clio

Susannah Goldsbrough outlines Nancy Mitford’s tragic wit

A pioneer erased: Sister Rosetta Tharpe

Alice Townson argues that the innovative rock and roll talent should be discussed as unique in her own right

OxFolk Reviews: ‘Vortex’

Ben Ray reviews Methera's new album 'Vortex', and is swept away by their live Corpus performance

Review: Jealous of Herself

Bessie Yuill is impressed and entertained by the accomplished acting and original music of this thought-provoking comedy

Review: I, Daniel Blake

Jonnie Barrow is bowled over by the film’s emotional realism, the kind to which so many of us should open our eyes

Beyond anger: an evening with Frank Carter

Somehow we have got to a point where modern rock music feels as if it is becoming ever more sanitised and anodyne. The idea...

Remembering Laughing Lennie

The day before I left home to come to Oxford I found a hidden stash of my parents’ records in a cupboard in the...

Preview: Much Ado About Nothing

Susannah Goldsbrough looks forward to seeing Poltergeist Theatre's millenial twist on Shakespeare's classic comedy

Preview: Tremor at Modern Art Oxford

Edward Mair looks forward to Tremor, a space where different genres and arts collide

Preview: Dates

Charlie Atkins looks forward to Oxford's most topical sketch show yet.

Is it wrong for a dictionary to offend me?

Laura Wilsmore questions the OED’s newly-added definition of ‘Essex girl’

On the incompleteness of reading

Ellie Duncan gets lost in the countless possibilities of translation

Bah, humbug: An Oxmas Carol

Charles Britton pastiches Dickens’ classic with a familiar setting and an all-too familar overworking protagonist

Rewind: Miracle on 34th Street

Susannah Finlay defends the capitalism of Miracle on 34th Street

Graham Greene and Oxford’s pubs

Daniel Curtis loses himself in tales of writerly pub trips in the penultimate Through the Looking Glass

A “tinsel-covered silver lining”

Safa Dar analyses the spectacle of Oxmas as an intrigued international student
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