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UrbanObserver
Wednesday 11th June 2025
Oxford's oldest independent student newspaper, est. 1920
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Culture
W.H. Auden at the Bus Stop: In Praise of Intellectual Delay
It’s a damp Tuesday afternoon, and W.H. Auden is waiting patiently at the bus stop...
The Source
Ava Doherty
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The Case for Reincarnated Romances
"Reincarnation romance films are sometimes silly, mostly melodramatic, but always overlooked as a subgenre."
Film
Isobel Wanstall
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Review: All My Sons – ‘At the end of the American Dream’
Joe Keller, played by Tristan Hood, represents the American dream. He is a wealthy...
Theatre
Henry Luo
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Review: The Tempest – ‘Power looks good on her’
All the guests arrived and promptly took their seats, as one of the directors...
Theatre
Cienna Jennings
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“If you’d told me a year ago I would never have believed it”
Katie Sayer chats to Callum Cameron, the writer and star of They Built It, No One Came – coming to Oxford following a successful run at the Edinburgh Fringe and a sell-out week in London
An odd mix of Sophocles, Stoppard and Wilde
Katie Sayer gives four stars to Simon Callow's revival of a 1970s classic
Dispatches: ‘Marooned between past and present, not here’
A short story of everyday escapism, by Izzy Smith
Fresh ideas abound in new Netflix original ‘The OA’
Priya Khaira-Hanks is intrigued by this enigmatic new sci-fi series
A day in the life of… an assistant director
Rebekah King describes her role assistant directing Brontë, Polly Teale’s successful 2005 period drama
Rewind: “Our greatest work may be found in our escape”
Carmen Martinez explores the dawdles and doodles of Dr Seuss' Oxford days
Tolkien and ‘the problems of another place’
Sandy Elliot makes the case for art in all its uselessness
Becoming a metropolitan through life in slow motion
Maddison Sumner discusses her experience of moving from the town to the city
“An aspirational first performance”
Jacob Greenhouse is impressed by 'Blatavsky's Tower', the first production from newly founded company
“A little-known gem”
Thomas Player gives four stars to 'Dear Brutus', an underrated classic
Dispatches: faces and encounters in a letter from New York
Altair Brandon-Salmon reflects on finding the familiar and unexpected in a new city
In the age of franchises, are originals dead?
Calum Bradshaw questions the decline of film innovation in recent years
Interview: A.C. Grayling
John Maier in conversation with A.C. Grayling about New Atheism, analytic philosophy, and the EU
Same theme, new style in ‘Better Call Saul’
Sandy Elliot lauds 'Better Call Saul,' the brilliant 'Breaking Bad' prequel
“Sharp humour with profound philosophical underpinnings”
Giovanni Musella looks ahead at a new production of Blavatsky's Tower
The twin trends of remake-mania and sequelitis
Matthew Vautrey tackles Hollywood’s recent spate of franchise films and finds that not all nightmares are created equal
OxFilm: your script
Úna O'Sullivan gives some tips about how to get the perfect script for your student film
Irresponsible escapists and the architecture of power
Thomas Thorne considers how escapism may be a powerful force for transgression
Is travel the only way we can set ourselves free?
Alex Yeandle reflects on his experiences of travel and escapism in Slovakia
Ageing under the spotlight
Sophie Burdge condemns ageism in pop culture and our generation's obsession with beauty
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